The Art of Rendering (updated) Posted by Mike Seymour ON April 10, 2012 Rendering is always an exercise in managing how much computer power you are willing to devote to simulating reality – that cost is expressed in both dollars and time. Once considered a commodity item in the whole CG / VFX world – rendering is now a hot topic. CG supervisor Scott Metzger jokes that one can’t talk about renderer
TOP 特集 映画『ファインディング・ドリー』で実践された、ピクサー最新の画づくり〜SIGGRAPH 2016レポート＜1＞〜 2016年7月24日（日）から7月28日（木）までの5日間にわたり、アナハイムで「SIGGRAPH 2016」が開催された。SIGGRAPHの数ある講演の中でも、VFX制作者にとって非常に興味深いのがProduction Sessionだろう。ここではハリウッド映画の最先端VFXメイキングが、VFXスーパーバイザーをはじめとする中核スタッフたちによって惜しげもなく披露される。本稿では、7月27日（水）に行われたUnder the Sea -- The Making of "Finding Dory"をふりかえる。 TEXT＿鍋 潤太郎 / Jyuntaro Nabe Special thanks to 手島孝人／ Takahito Tejima ＆ ヴィルマン龍介
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When he was hired the team was looking at new ways to light and render MU, which included looking at point bleeding and irradiance. They were also looking at spherical harmonics (SH), along the lines of the systems being used so well at places like Weta Digital. Surprisingly then, Hery said “no, no no … now we should do ray tracing.” The film started being rendered with RenderMan 16, but finished
If you are not redirected automatically, follow the link go to the correct Open Subdiv Page OpenSubdiv is a set of open source libraries that implement high-performance subdivision surface (subdiv) evaluation on massively parallel CPU and GPU architectures. The code embodies decades of research and experience by Pixar, and a more recent and still active collaboration on fast GPU drawing between Mi
It’s been a while since I last posted here, so I thought I’d post an update. I’m sure people are interested in the new core, but unfortunately real life (ie., desperately trying to finish my PhD) has got in the way so I have had limited time in the last several months. In the last few weeks I’ve been working on getting motion blur and depth of field rendering working in the new aqsis-2.0 rendering
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