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16th Audio Mostly Conference 2021: Virtual Event / Trento, Italy

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Luca Turchet:
AM '21: Audio Mostly 2021, Virtual Event / Trento, Italy, September 1-3, 2021. ACM 2021, ISBN 978-1-4503-8569-5

Design, Perception & User Experience

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  - conf/audio/SuJ21
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Feng Su, Chris Joslin:
Subjective and Objective Evaluation of Procedurally-Generated Audio for Soft-Body Interactions. 1-8
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  - conf/audio/BogerAP21
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Tal Boger, Ishwarya Ananthabhotla, Joseph A. Paradiso:
Manipulating Causal Uncertainty in Sound Objects. 9-15
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  - conf/audio/RhedenHFBMT21
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Vincent van Rheden, Eric Harbour, Thomas Finkenzeller, Lisa Anneke Burr, Alexander Meschtscherjakov, Manfred Tscheligi:
Run, Beep, Breathe: Exploring the Effects on Adherence and User Experience of 5 Breathing Instruction Sounds while Running. 16-23
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  - conf/audio/Chavez-SanchezP21
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Fermin Chavez-Sanchez, Gloria Angelica Martínez de la Peña, Gloria Adriana Mendoza Franco, Erick Iroel Heredia Carrillo:
Exploring Audio Game design with Visually Impaired players: A Mexican Case Study. 24-31
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  - conf/audio/HollingSP21
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Josefine Hölling, Maria Svahn, Sandra Pauletto:
Audio-Visual Interactive Art: Investigating the effect of gaze-controlled audio on visual attention and short term memory. 32-39
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  - conf/audio/McGarryCCG21
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Glenn McGarry, Alan Chamberlain, Andy Crabtree, Christopher Greenhalgh:
The Meaning in "the Mix": Using Ethnography to Inform the Design of Intelligent Tools in the Context of Music Production. 40-47

Sonification & Musification

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Anne Despond, Nicolas Reeves, Vincent Cusson:
Atmosphéries and the poetics of the in situ: the role and impact of sensors in data-to-sound transposition installations. 48-55
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Niklas Rönnberg:
Sonification for Conveying Data and Emotion. 56-63
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Kajetan Enge, Alexander Rind, Michael Iber, Robert Höldrich, Wolfgang Aigner:
It's about Time: Adopting Theoretical Constructs from Visualization for Sonification. 64-71
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Michael Quinton, Iain McGregor, David Benyon:
Sonification of Planetary Orbits in Asteroid Belts. 72-80
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  - conf/audio/BakogiannisAG21
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Konstantinos Bakogiannis, Areti Andreopoulou, Anastasia Georgaki:
The development of a dance-musification model with the use of machine learning techniques under COVID-19 restrictions. 81-88
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  - conf/audio/RiM21
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Francesco Ardan Dal Rì, Raul Masu:
Zugzwang: Chess Representation Combining Sonification and Interactive Performance. 89-92

Musical XR and Audio-visual Interaction

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Liang Men, Danqi Zhao:
Designing Privacy for Collaborative Music Making in Virtual Reality. 93-100
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Lars Engeln, Nhat Long Le, Matthew McGinity, Rainer Groh:
Similarity Analysis of Visual Sketch-based Search for Sounds. 101-108
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Raul Masu, Nuno N. Correia, Teresa Romão:
Technology-Mediated Musical Connections: The Ecology of a Screen-Score Performance. 109-116
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Oliver Bramah, Xiaoling Cheng, Fabio Morreale:
The Singing Gallery: Combining Music and Static Visual Artworks. 117-120
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Duncan Williams, Ian Daly:
Neuro-curation: A case study on the use of sonic enhancement of virtual museum exhibits. 121-125
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Lauren McCall, Jason Freeman:
A 3D Graphic Score Space and the Creative Techniques and Performance Practices that Emerge From It. 126-129
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Gamar Azuaje, Kongmeng Liew, Elena V. Epure, Shuntaro Yada, Shoko Wakamiya, Eiji Aramaki:
Visualyre: Multimodal visualization of lyrics. 130-134
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Jonathan Weinel:
Synaesthetic Audio-Visual Sound Toys in Virtual Reality. 135-138

Session: Internet of Audio Things

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Michael Iber, Bernhard Dumphart, Victor Adriel de Jesus Oliveira, Stefan Ferstl, Joschua M. Reis, Djordje Slijepcevic, Mario Heller, Anna-Maria Raberger, Brian Horsak:
Mind the Steps: Towards Auditory Feedback in Tele-Rehabilitation Based on Automated Gait Classification. 139-146
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Vincent Lostanlen, Antoine Bernabeu, Jean-Luc Béchennec, Mikaël Briday, Sébastien Faucou, Mathieu Lagrange:
Energy Efficiency is Not Enough: Towards a Batteryless Internet of Sounds. 147-155
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Maksim Kukushkin, Stavros Ntalampiras:
Automatic acoustic classification of feline sex. 156-160
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Florian Hollerweger:
Streaaam: A fully automated experimental audio streaming server. 161-168

Session: Internet of Musical Things

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Rory Hoy, Doug Van Nort:
A Technological and Methodological Ecosystem for Dynamic Virtual Acoustics in Telematic Performance Contexts. 169-174
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Rômulo Vieira, Flávio Luiz Schiavoni:
Sunflower: an environment for standardized communication of IoMusT. 175-181
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Frederic Font:
SOURCE: a Freesound Community Music Sampler. 182-187
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Seth D. Thorn:
Telematic Wearable Music: Remote Ensembles and Inclusive Embodied Education. 188-195
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  - conf/audio/ClesterF21
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Ian Clester, Jason Freeman:
Composing the Network with Streams. 196-199
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Chad Bullard, Ananya Kansal, Jason Freeman:
Comparing Chat Methods for Remote Collaborative Live-Coding Music. 200-203
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Wei Zhao:
Ubiquitous Music-Making Systems: A Critical Overview of Current Practices. 204-207

Digital Audio Effects & AI for Sound

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Thomas Hermann, Dennis Reinsch:
sc3nb: a Python-SuperCollider Interface for Auditory Data Science. 208-215
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Ruben Schlagowski, Silvan Mertes, Elisabeth André:
Taming the Chaos: Exploring Graphical Input Vector Manipulation User Interfaces for GANs in a Musical Context. 216-223
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  - conf/audio/PrettoPPCWMSRMC21
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Niccolò Pretto, Nadir Dalla Pozza, Alberto Padoan, Anthony Chmiel, Kurt James Werner, Alessandra Micalizzi, Emery Schubert, Antonio Rodà, Simone Milani, Sergio Canazza:
A workflow and novel digital filters for compensating speed and equalization errors on digitized audio open-reel tapes. 224-231
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  - conf/audio/WanderleyWRMF21
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Marcelo M. Wanderley, Travis J. West, Josh Rohs, Eduardo Meneses, Christian Frisson:
The IDMIL Digital Audio Workbench: An interactive online application for teaching digital audio concepts. 232-239
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Uwe Andresen:
A Concept of a Wavetable Oscillator Based on a Neural Autoencoder. 240-243
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  - conf/audio/GuyotAGLR21
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Patrice Guyot, Fanny Alix, Thomas Guerin, Elie Lambeaux, Alexis Rotureau:
Fish migration monitoring from audio detection with CNNs. 244-247

NIME & Musical Structure

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Gonçalo Bernardo, Gilberto Bernardes:
Leveraging Compatibility and Diversity in Computational Music Mashup Creation. 248-255
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  - conf/audio/TempranoM21
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Adan L. Benito Temprano, Andrew McPherson:
A TMR Angle Sensor for Gesture Acquisition and Disambiguation on the Electric Guitar. 256-263
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  - conf/audio/CarnovaliniRHHW21
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Filippo Carnovalini, Antonio Rodà, Nicholas Harley, Steven T. Homer, Geraint A. Wiggins:
A New Corpus for Computational Music Research andA Novel Method for Musical Structure Analysis. 264-267
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  - conf/audio/CambourianGPBV21
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Paul Cambourian, Oscar Gal, Arthur Paté, Simon Benacchio, Jérôme Vasseur:
Understanding the vibrotactile feedback of the electric guitar: Methodology for a physical and perceptual study. 268-271
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  - conf/audio/LemosCB21
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Cláudio Lemos, Diogo Cocharro, Gilberto Bernardes:
Understanding Cross-Genre Rhythmic Audio Compatibility: A Computational Approach. 272-275
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Giorgio Presti, Daniele Adriano, Federico Avanzini, Adriano Baratè, Luca Andrea Ludovico:
PhonHarp: A Hybrid Digital-Physical Musical Instrument for Mobile Phones Exploiting the Vocal Tract. 276-279
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Nicola Davanzo, Federico Avanzini:
Resin: a Vocal Tract Resonances and Head Based Accessible Digital Musical Instrument. 280-283

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