[go: up one dir, main page]
More Web Proxy on the site http://driver.im/

Streitberger, 2013 - Google Patents

The return of the panorama

Streitberger, 2013

Document ID
15250909192877271336
Author
Streitberger A
Publication year
Publication venue
Heterogeneous Objects: Intermedia and Photography after Modernism

External Links

Snippet

I find panoramic vision fascinating. Imagine, if we humans had panoramic vision, we would not have words for in front and back (only relative to something else). As a result, we wouldn't use metaphors based on them, like “this is a backward society” or “this is the frontier …
Continue reading at books.google.com (other versions)

Classifications

    • GPHYSICS
    • G09EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
    • G09FDISPLAYING; ADVERTISING; SIGNS; LABELS OR NAME-PLATES; SEALS
    • G09F19/00Miscellaneous advertising or display means not provided for elsewhere
    • G09F19/12Miscellaneous advertising or display means not provided for elsewhere using special optical effects
    • GPHYSICS
    • G09EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
    • G09BEDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
    • G09B19/00Teaching not covered by other main groups of this subclass
    • GPHYSICS
    • G09EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
    • G09BEDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
    • G09B23/00Models for scientific, medical, or mathematical purposes, e.g. full-sized devices for demonstration purposes

Similar Documents

Publication Publication Date Title
Prince Digital visual effects in cinema: The seduction of reality
Vidler The explosion of space: Architecture and the filmic imaginary
Manovich An archeology of a computer screen
Chateau et al. Screens: From materiality to spectatorship–a historical and theoretical reassessment
Schmid et al. Cinematic intermediality: Theory and practice
Ross 4. Reconfigurations of screen borders: the new or not-so-new aspect ratios
Streitberger The return of the panorama
Wahl Between art history and media history: A brief introduction to media art
King et al. The Oxford Handbook of Silent Cinema
Jaschko Space-time correlations focused in film objects and interactive video
Faden Crowd control: Early cinema, sound, and digital images
Richler Cinema, Realism, and The World According to Jia Zhangke
Hughes Ailing Screens, Viral Video: Cinema's Digital Ghosts in Kiyoshi Kurosawa's" Pulse"
Stachowiak 2 From real to reel and back again
Quiroga Perceptual Realism and Embodied Experience in the Travelogue Genre
Belisle Depth readings: Ken Jacobs's digital, stereographic films
Zilberman On display: the strategy of" flattening" in the Selfie Museum and its relevance for architecture
Reed New Sites for Slowness: Speed and Nineteenth-Century Stereoscopy
Rogers Screen practices and Hollywood cinema in the 1930s
Turnock Plastic reality: Special effects, art and technology in 1970s US filmmaking
Stine Repressed Light: Cinema, Technics, and the Uncanny
Durbaş Nature of motion image in association with framing and exhibition
Hobson Radiant Sites: Projection and the Mobile Spectator in Contemporary Moving-Image Installations
Halskov et al. Using 3-D projection to bring a statue to life
Galvin Spatial montage: mediating non-linear experience of time