Turnock, 2008 - Google Patents
Plastic reality: Special effects, art and technology in 1970s US filmmakingTurnock, 2008
- Document ID
- 9061914495353106009
- Author
- Turnock J
- Publication year
External Links
Snippet
This dissertation provides a previously neglected academic history of the technology and aesthetics of special effects. By this, it identifies the central role special effects played in the vital shift in 1970 cinematic aesthetics, through changes in representation and spatial …
- 230000000694 effects 0 title abstract description 575
Classifications
-
- G—PHYSICS
- G11—INFORMATION STORAGE
- G11B—INFORMATION STORAGE BASED ON RELATIVE MOVEMENT BETWEEN RECORD CARRIER AND TRANSDUCER
- G11B27/00—Editing; Indexing; Addressing; Timing or synchronising; Monitoring; Measuring tape travel
- G11B27/02—Editing, e.g. varying the order of information signals recorded on, or reproduced from, record carriers
- G11B27/031—Electronic editing of digitised analogue information signals, e.g. audio or video signals
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B19/00—Teaching not covered by other main groups of this subclass
Similar Documents
| Publication | Publication Date | Title |
|---|---|---|
| Elsaesser et al. | Early cinema: space, frame, narrative | |
| Turnock | Plastic reality: Special effects, technology, and the emergence of 1970s blockbuster aesthetics | |
| Beckman | Animating film theory | |
| Kriger | Animated realism: a behind the scenes look at the animated documentary genre | |
| Costanzo | Reading the Movies: Twelve Great Films on Video and How To Teach Them. | |
| Knopf | Theater and Film: A Comparative Anthology | |
| Gress | [digital] Visual Effects and Compositing | |
| Turnock | The ILM version: Recent digital effects and the aesthetics of 1970s cinematography | |
| Keil et al. | Editing and Special/Visual Effects: Behind the Silver Screen: A Modern History of Filmmaking | |
| Alexander et al. | Slideshow | |
| King et al. | The Oxford Handbook of Silent Cinema | |
| Lee | Japanese Cinema Between Frames | |
| Turnock | The true stars of Star Wars? Experimental filmmakers in the 1970s and 1980s special effects industry | |
| Gazetas | An introduction to world cinema | |
| Turnock | Plastic reality: Special effects, art and technology in 1970s US filmmaking | |
| Curtis et al. | The image in early cinema: form and material | |
| Streitberger | The return of the panorama | |
| MacDonald | American Avant‐Garde Cinema from 1970 to the Present | |
| Rouse | VR and Media of Attraction | |
| Shadbolt | The Impossible Qualities Of Illusionary Spaces: Stop Motion Animation, Visual Effects And Metalepsis | |
| Akay | Understanding the concept of space in cinema: re-reading stanley kubrick exhibitions | |
| Carringer | Orson Welles and Gregg Toland: Their Collaboration on" Citizen Kane" | |
| Gündeş | Media convergence in animation: an analysis of aesthetic uniformity | |
| LUCAS | Optical Animation | |
| Redrobe | Animating film theory |