De Götzen et al., 2014 - Google Patents
The Perception of Sound Movements as Expressive GesturesDe Götzen et al., 2014
- Document ID
- 539714507381322288
- Author
- De Götzen A
- Sikström E
- Korsgaard D
- Serafin S
- Grani F
- Publication year
- Publication venue
- Sound, Music, and Motion: 10th International Symposium, CMMR 2013, Marseille, France, October 15-18, 2013. Revised Selected Papers 10
External Links
Snippet
This paper is a preliminary attempt to investigate the perception of sound movements as expressive gestures. The idea is that if sound movement is used as a musical parameter, a listener (or a subject) should be able to distinguish among different movements and she/he …
- 230000013707 sensory perception of sound 0 title abstract description 7
Classifications
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06F—ELECTRICAL DIGITAL DATA PROCESSING
- G06F17/00—Digital computing or data processing equipment or methods, specially adapted for specific functions
- G06F17/30—Information retrieval; Database structures therefor; File system structures therefor
- G06F17/30017—Multimedia data retrieval; Retrieval of more than one type of audiovisual media
- G06F17/30023—Querying
- G06F17/30038—Querying based on information manually generated or based on information not derived from the media content, e.g. tags, keywords, comments, usage information, user ratings
- G06F17/30041—Querying based on information manually generated or based on information not derived from the media content, e.g. tags, keywords, comments, usage information, user ratings using location information
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06F—ELECTRICAL DIGITAL DATA PROCESSING
- G06F17/00—Digital computing or data processing equipment or methods, specially adapted for specific functions
- G06F17/30—Information retrieval; Database structures therefor; File system structures therefor
- G06F17/30017—Multimedia data retrieval; Retrieval of more than one type of audiovisual media
- G06F17/30023—Querying
- G06F17/30029—Querying by filtering; by personalisation, e.g. querying making use of user profiles
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06F—ELECTRICAL DIGITAL DATA PROCESSING
- G06F3/00—Input arrangements for transferring data to be processed into a form capable of being handled by the computer; Output arrangements for transferring data from processing unit to output unit, e.g. interface arrangements
- G06F3/01—Input arrangements or combined input and output arrangements for interaction between user and computer
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06F—ELECTRICAL DIGITAL DATA PROCESSING
- G06F9/00—Arrangements for programme control, e.g. control unit
- G06F9/06—Arrangements for programme control, e.g. control unit using stored programme, i.e. using internal store of processing equipment to receive and retain programme
Similar Documents
Publication | Publication Date | Title |
---|---|---|
US10203839B2 (en) | Three-dimensional generalized space | |
Oertel et al. | D64: A corpus of richly recorded conversational interaction | |
US9838818B2 (en) | Immersive 3D sound space for searching audio | |
US9838824B2 (en) | Social media processing with three-dimensional audio | |
Schneider et al. | HapTurk: Crowdsourcing affective ratings of vibrotactile icons | |
US20170040028A1 (en) | Security surveillance via three-dimensional audio space presentation | |
Bala et al. | Cue control: Interactive sound spatialization for 360 videos | |
Dahl | Designing new musical interfaces as research: What’s the problem? | |
Heise et al. | Soundtorch: Quick browsing in large audio collections | |
Berg | The contrasting and conflicting definitions of envelopment | |
Comunità et al. | Design and evaluation of a web-and mobile-based binaural audio platform for cultural heritage | |
De Götzen et al. | The Perception of Sound Movements as Expressive Gestures | |
Pysiewicz et al. | Instruments for spatial sound control in real time music performances. a review | |
Yoo et al. | Affecticon: emotion-based icons for music retrieval | |
de Götzen et al. | The grouping of sound movements as expressive gestures | |
Kukona et al. | Online mouse cursor trajectories distinguish phonological activation by linguistic and nonlinguistic sounds | |
Schumacher et al. | Perceptual recognition of sound trajectories in space | |
Balint et al. | First steps towards a metadata scheme for auditory cognition experiments in virtual reality | |
Shirzadian et al. | Immersion and togetherness: how live visualization of audience engagement can enhance music events | |
Lakka et al. | Designing a Virtual Reality Platform to Facilitate Augmented Theatrical Experiences Based on Auralization | |
Tan | Investigating sound design in film: a commentary on kock and louven | |
Chang et al. | Towards a Positive Thinking About Deepfakes: Evaluating the Experience of Deepfake Voices in the Emotional and Rational Scenarios | |
Volpe | Expressive gesture in performing arts and new Media: the present and the future | |
Wu | Experiencing Embodied Sonic Meditation Through Body, Voice, and Multimedia Arts | |
Cliffe | Audio augmented objects and the audio augmented reality experience |