Tan, 2018 - Google Patents
Investigating sound design in film: a commentary on kock and louvenTan, 2018
View PDF- Document ID
- 17502585372042232623
- Author
- Tan S
- Publication year
- Publication venue
- Empirical Musicology Review
External Links
Snippet
Kock and Louven (in this issue) examined the effects of music, sound effects, full sound design (music and sound effects) and no sound on self-reported measures of immersion and suspense in real time, as viewers watched very brief original films. This commentary …
- 230000000694 effects 0 abstract description 36
Classifications
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B5/00—Electrically-operated educational appliances
- G09B5/06—Electrically-operated educational appliances with both visual and audible presentation of the material to be studied
- G09B5/065—Combinations of audio and video presentations, e.g. videotapes, videodiscs, television systems
-
- G—PHYSICS
- G11—INFORMATION STORAGE
- G11B—INFORMATION STORAGE BASED ON RELATIVE MOVEMENT BETWEEN RECORD CARRIER AND TRANSDUCER
- G11B27/00—Editing; Indexing; Addressing; Timing or synchronising; Monitoring; Measuring tape travel
- G11B27/10—Indexing; Addressing; Timing or synchronising; Measuring tape travel
- G11B27/102—Programmed access in sequence to addressed parts of tracks of operating record carriers
- G11B27/105—Programmed access in sequence to addressed parts of tracks of operating record carriers of operating discs
-
- G—PHYSICS
- G11—INFORMATION STORAGE
- G11B—INFORMATION STORAGE BASED ON RELATIVE MOVEMENT BETWEEN RECORD CARRIER AND TRANSDUCER
- G11B27/00—Editing; Indexing; Addressing; Timing or synchronising; Monitoring; Measuring tape travel
- G11B27/10—Indexing; Addressing; Timing or synchronising; Measuring tape travel
- G11B27/34—Indicating arrangements
-
- G—PHYSICS
- G11—INFORMATION STORAGE
- G11B—INFORMATION STORAGE BASED ON RELATIVE MOVEMENT BETWEEN RECORD CARRIER AND TRANSDUCER
- G11B27/00—Editing; Indexing; Addressing; Timing or synchronising; Monitoring; Measuring tape travel
- G11B27/02—Editing, e.g. varying the order of information signals recorded on, or reproduced from, record carriers
- G11B27/031—Electronic editing of digitised analogue information signals, e.g. audio or video signals
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06F—ELECTRICAL DIGITAL DATA PROCESSING
- G06F3/00—Input arrangements for transferring data to be processed into a form capable of being handled by the computer; Output arrangements for transferring data from processing unit to output unit, e.g. interface arrangements
- G06F3/01—Input arrangements or combined input and output arrangements for interaction between user and computer
Similar Documents
| Publication | Publication Date | Title |
|---|---|---|
| Rothe et al. | Guiding the viewer in cinematic virtual reality by diegetic cues | |
| Harbert | American Music Documentary: Five Case Studies of Ciné-Ethnomusicology | |
| He et al. | Am I in the theater? Usability study of live performance based virtual reality | |
| Cohen | Film music and the unfolding narrative | |
| Di Giovanni et al. | Are we all together across languages?: An eye tracking study of original and dubbed films | |
| Song et al. | Different types of sounds influence gaze differently in videos | |
| Bala et al. | " When the Elephant Trumps" A Comparative Study on Spatial Audio for Orientation in 360º Videos | |
| Gasselseder | Dynamic music and immersion in the action-adventure an empirical investigation | |
| Pirker et al. | Immersive learning in real VR | |
| Warp et al. | Moved By Sound: How head-tracked spatial audio affects autonomic emotional state and immersion-driven auditory orienting response in VR Environments | |
| Rodero et al. | The 3D sound power of immersion processing and psychophysiological effects of binaural versus stereo audio stories | |
| Tan | Investigating sound design in film: a commentary on kock and louven | |
| Hiraga et al. | Sound preferences of persons with hearing loss playing an audio-based computer game | |
| Zioga et al. | Enheduanna–A Manifesto of Falling: first demonstration of a live brain-computer cinema performance with multi-brain BCI interaction for one performer and two audience members | |
| Rico Garcia et al. | Emotion-Driven Interactive Storytelling: Let Me Tell You How to Feel | |
| Storms | Auditory–visual cross-modality interaction and illusions | |
| Hassib et al. | A design space for audience sensing and feedback systems | |
| Gasselseder | RE-SCORING THE GAME'S SCORE: DYNAMIC MUSIC, PERSONALITY AND IMMERSION IN THE LUDONARRATIVE. | |
| Lee et al. | Experiencing art in social settings | |
| Durrant et al. | Sonic sport: Sound art in leisure research | |
| TABAK et al. | The impact of music on visual storytelling in media | |
| Donnelly | The McGurk Universe: The Physiological and the Psychological in Audiovisual Culture | |
| Wingstedt | The Aesthetic Potential of Vocal Sound in Online Learning Situations | |
| Wu | Experiencing Embodied Sonic Meditation Through Body, Voice, and Multimedia Arts | |
| Syahputri et al. | Netnography Study of Mental Health Disorder Discussion in the K-Pop Music Video among YouTube Users |