No abstract available.
QuickPose: Real-time Multi-view Multi-person Pose Estimation in Crowded Scenes
This work proposes a real-time algorithm for reconstructing 3D human poses in crowded scenes from multiple calibrated views. The key challenge of this problem is to efficiently match 2D observations across multiple views. Previous methods perform multi-...
A Motion Matching-based Framework for Controllable Gesture Synthesis from Speech
- Ikhsanul Habibie,
- Mohamed Elgharib,
- Kripasindhu Sarkar,
- Ahsan Abdullah,
- Simbarashe Nyatsanga,
- Michael Neff,
- Christian Theobalt
Recent deep learning-based approaches have shown promising results for synthesizing plausible 3D human gestures from speech input. However, these approaches typically offer limited freedom to incorporate user control. Furthermore, training such models ...
Learning to Get Up
Getting up from an arbitrary fallen state is a basic human skill. Existing methods for learning this skill often generate highly dynamic and erratic get-up motions, which do not resemble human get-up strategies, or are based on tracking recorded human ...
Cited By
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Zimmermann M, Reichelt S, Hua H, Argaman N and Nikolov D (2024). Computational hologram optimization for large holographic displays using eye pupil position Optical Architectures for Displays and Sensing in Augmented, Virtual, and Mixed Reality (AR, VR, MR) V, 10.1117/12.3000198, 9781510670860, (62)
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Murphy E, Khandelwal S, Shanker S, Tescher A and Ebrahimi T (2023). Custom precision accelerators for energy-efficient image-to-image transformations in motion picture workflows Applications of Digital Image Processing XLVI, 10.1117/12.2677688, 9781510665620, (28)
- ACM SIGGRAPH 2022 Conference Proceedings
Recommendations
Acceptance Rates
Year | Submitted | Accepted | Rate |
---|---|---|---|
SIGGRAPH '11 | 432 | 82 | 19% |
SIGGRAPH '10 | 390 | 103 | 26% |
SIGGRAPH '09 | 439 | 78 | 18% |
SIGGRAPH '08 | 518 | 90 | 17% |
SIGGRAPH '07 | 455 | 108 | 24% |
SIGGRAPH '06 | 474 | 86 | 18% |
SIGGRAPH '05 | 461 | 98 | 21% |
SIGGRAPH '04 | 478 | 83 | 17% |
SIGGRAPH '03 | 424 | 81 | 19% |
SIGGRAPH '02 | 358 | 67 | 19% |
SIGGRAPH '01 | 300 | 65 | 22% |
SIGGRAPH '00 | 304 | 59 | 19% |
SIGGRAPH '99 | 320 | 52 | 16% |
SIGGRAPH '98 | 303 | 45 | 15% |
SIGGRAPH '97 | 265 | 48 | 18% |
SIGGRAPH '96 | 247 | 52 | 21% |
SIGGRAPH '95 | 257 | 56 | 22% |
SIGGRAPH '94 | 242 | 57 | 24% |
SIGGRAPH '93 | 225 | 46 | 20% |
SIGGRAPH '92 | 213 | 45 | 21% |
SIGGRAPH '90 | 210 | 43 | 20% |
SIGGRAPH '89 | 190 | 38 | 20% |
SIGGRAPH '88 | 161 | 34 | 21% |
SIGGRAPH '87 | 140 | 33 | 24% |
SIGGRAPH '85 | 175 | 35 | 20% |
SIGGRAPH '84 | 118 | 41 | 35% |
SIGGRAPH '81 | 132 | 38 | 29% |
SIGGRAPH '80 | 140 | 52 | 37% |
SIGGRAPH '79 | 110 | 43 | 39% |
SIGGRAPH '78 | 120 | 64 | 53% |
Overall | 8,601 | 1,822 | 21% |