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Extreme sight-reading, mediated expression, and audience participation: Real-time music notation in live performance

Author:

Jason FreemanAuthors Info & Claims

Computer Music Journal, Volume 32, Issue 3

Pages 25 - 41

https://doi.org/10.1162/comj.2008.32.3.25

Published: 01 September 2008 Publication History

Abstract

No abstract available.

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Extreme sight-reading, mediated expression, and audience participation: Real-time music notation in live performance

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Published In

Computer Music Journal Volume 32, Issue 3

Fall 2008

179 pages

ISSN:0148-9267

EISSN:1531-5169

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MIT Press

Cambridge, MA, United States

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Published: 01 September 2008

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Clester IFreeman J(2021)Composing the Network with StreamsProceedings of the 16th International Audio Mostly Conference10.1145/3478384.3478416(196-199)Online publication date: 1-Sep-2021
https://dl.acm.org/doi/10.1145/3478384.3478416
Yan SGe SWang JShen X(2021)Performing with Me: Enhancing Audience-Performer Interaction in An Immersive Virtual PlayExtended Abstracts of the 2021 CHI Conference on Human Factors in Computing Systems10.1145/3411763.3451686(1-6)Online publication date: 8-May-2021
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Turchet LWest TWanderley M(2020)Touching the audience: musical haptic wearables for augmented and participatory live music performancesPersonal and Ubiquitous Computing10.1007/s00779-020-01395-225:4(749-769)Online publication date: 24-Mar-2020
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Lee SWillette AKoutra DLasecki WDow SMaher MKerne ALatulipe C(2019)The Effect of Social Interaction on Facilitating Audience Participation in a Live Music PerformanceProceedings of the 2019 Conference on Creativity and Cognition10.1145/3325480.3325509(108-120)Online publication date: 13-Jun-2019
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McKemie D(2019)COMPOSITES 1: An Exploration into Real-Time Animated Notation in the Web BrowserPerception, Representations, Image, Sound, Music10.1007/978-3-030-70210-6_21(319-328)Online publication date: 14-Oct-2019
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Striner AAzad SMartens C(2019)A Spectrum of Audience Interactivity for Entertainment DomainsInteractive Storytelling10.1007/978-3-030-33894-7_23(214-232)Online publication date: 19-Nov-2019
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Benford SGreenhalgh CHazzard AChamberlain AKallionpää MWeigl DPage KLin MMandryk RHancock MPerry MCox A(2018)Designing the Audience Journey through Repeated ExperiencesProceedings of the 2018 CHI Conference on Human Factors in Computing Systems10.1145/3173574.3174142(1-12)Online publication date: 21-Apr-2018
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Deweppe ADiniz NCoussement PLeman MNg KBowen JMcDaid S(2014)Engaging Audiences through a Participatory Design Approach with the Interactive Music Installation 'SoundField'Proceedings of the EVA London 2014 on Electronic Visualisation and the Arts10.14236/ewic/eva2014.1(1-8)Online publication date: 8-Jul-2014
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Vickery L(2012)The evolution of notational innovations from the mobile score to the screen scoreOrganised Sound10.1017/S135577181200005217:2(128-136)Online publication date: 1-Jul-2012
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Effects of the Difference in Accented Beat Between Jazz and Classical Music Styles Through Sight-Reading of a Jazz Ad-Lib Solo

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