More Web Proxy on the site http://driver.im/

research-article

The Effect of Social Interaction on Facilitating Audience Participation in a Live Music Performance

Authors:

Aaron Willette,

Walter S. LaseckiAuthors Info & Claims

C&C '19: Proceedings of the 2019 Conference on Creativity and Cognition

Pages 108 - 120

https://doi.org/10.1145/3325480.3325509

Published: 13 June 2019 Publication History

Abstract

Facilitating audience participation in a music performance brings with it challenges in involving non-expert users in large-scale collaboration. A musical piece needs to be created live, over a short period of time, with limited communication channels. To address this challenge, we propose to incorporate social interaction through mobile music instruments that the audience is given to play with, and examine how this feature sustains and affects the audience involvement. We test this idea with an audience participation music system, Crowd in C. We realized a participation-based musical performance with the system and validated our approach by analyzing the interaction traces of the audience at a performance. The result indicates that the audience members were actively engaged throughout the performance, with multiple layers of social interaction available in the system. We also present how the social interactivity among the audience shaped their interaction in the music making process.

Supplementary Material

MP4 File (ccfp1164.mp4)

Supplemental video

Download
40.95 MB

References

[1]

Ben Bengler and Nick Bryan-Kinns. 2014. In the Wild: Evaluating Collaborative Interactive Musical Experiences in Public Settings. Springer International Publishing, Cham, 169--186.

[2]

Tony Bergstrom, Andrew Harris, and Karrie Karahalios. 2011. Encouraging Initiative in the Classroom with Anonymous Feedback. In Human-Computer Interaction -- INTERACT 2011, Pedro Campos, Nicholas Graham, Joaquim Jorge, Nuno Nunes, Philippe Palanque, and Marco Winckler (Eds.). Springer Berlin Heidelberg, Berlin, Heidelberg, 627--642.

Digital Library

[3]

Zafer Bilda, Ernest Edmonds, and Linda Candy. 2008. Designing for creative engagement. Design Studies 29, 6 (2008), 525 -- 540.

[4]

Loren Carpenter and Rachel Carpenter. 1999. Audience participation. Ars Electronica: Facing the Future (1999), 395--396.

[5]

Teresa Cerratto-Pargman, Chiara Rossitto, and Louise Barkhuus. 2014. Understanding Audience Participation in an Interactive Theater Performance. In Proceedings of the 8th Nordic Conference on Human-Computer Interaction: Fun, Fast, Foundational (NordiCHI '14). ACM, New York, NY, USA, 608--617.

Digital Library

[6]

Debaleena Chattopadhyay, Francesca Salvadori, Kenton O'Hara, and Sean Rintel. 2018. Beyond Presentation: Shared Slideware Control as a Resource for Collocated Collaboration. Human-Computer Interaction 33, 5--6 (2018), 455--498.

[7]

Andrew Cross, Edward Cutrell, and William Thies. 2012. Low-cost Audience Polling Using Computer Vision. In Proceedings of the 25th Annual ACM Symposium on User Interface Software and Technology (UIST '12). ACM, New York, NY, USA, 45--54.

Digital Library

[8]

Luke Dahl, Jorge Herrera, and Carr Wilkerson. 2011. TweetDreams : Making Music with the Audience and the World using Real-time Twitter Data. In Proceedings of the International Conference on New Interfaces for Musical Expression. Oslo, Norway, 272--275. http://www.nime.org/proceedings/2011/nime2011_272.pdf

[9]

Nicolas d'Alessandro, Aura Pon, Johnty Wang, David Eagle, Ehud Sharlin, and Sidney Fels. 2012. A Digital Mobile Choir: Joining Two Interfaces towards Composing and Performing Collaborative Mobile Music. In Proceedings of the International Conference on New Interfaces for Musical Expression. University of Michigan, Ann Arbor, Michigan. http://www.nime.org/proceedings/2012/nime2012_310.pdf

[10]

Antonio Deusany de Carvalho Junior, Sang Won Lee, and Georg Essl. 2016. Understanding Cloud Support for the Audience Participation Concert Performance of Crowd in C{loud}. In Proceedings of the International Conference on New Interfaces for Musical Expression (2220--4806), Vol. 16. Queensland Conservatorium Griffith University, Brisbane, Australia, 176--181. http://www.nime.org/proceedings/2016/nime2016_paper0037.pdf

[11]

Jim DeRogatis. 2006. Staring at Sound: The Story of the Flaming Lips. Robson.

[12]

Honglu Du, Mary Beth Rosson, and John M. Carroll. 2012. Augmenting Classroom Participation Through Public Digital Backchannels. In Proceedings of the 17th ACM International Conference on Supporting Group Work (GROUP '12). ACM, New York, NY, USA, 155--164.

Digital Library

[13]

Honglu Du, Mary Beth Rosson, John M. Carroll, and Craig Ganoe. 2009. I Felt Like a Contributing Member of the Class: Increasing Class Participation with Classcommons. In Proceedings of the ACM 2009 International Conference on Supporting Group Work (GROUP '09). ACM, New York, NY, USA, 233--242.

Digital Library

[14]

Ernest Edmonds, Lizzie Muller, and Matthew Connell. 2006. On creative engagement. Visual Communication 5, 3 (2006), 307--322.

[15]

Thomas Erickson and Wendy A. Kellogg. 2000. Social Translucence: An Approach to Designing Systems That Support Social Processes. ACM Trans. Comput.-Hum. Interact. 7, 1 (March 2000), 59--83.

Digital Library

[16]

C. Ailie Fraser, Tovi Grossman, and George Fitzmaurice. 2017. WeBuild: Automatically Distributing Assembly Tasks Among Collocated Workers to Improve Coordination. In Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems (CHI '17). ACM, New York, NY, USA, 1817--1830.

Digital Library

[17]

Jason Freeman. 2008. Extreme Sight-reading, Mediated Expression, and Audience Participation: Real-time Music Notation in Live Performance. Comput. Music J. 32, 3 (Sept. 2008), 25--41.

Digital Library

[18]

Drew Harry, Eric Gordon, and Chris Schmandt. 2012. Setting the Stage for Interaction: A Tablet Application to Augment Group Discussion in a Seminar Class. In Proceedings of the ACM 2012 Conference on Computer Supported Cooperative Work (CSCW '12). ACM, New York, NY, USA, 1071--1080.

Digital Library

[19]

Drew Harry, Joshua Green, and Judith Donath. 2009. Backchan.Nl: Integrating Backchannels in Physical Space. In Proceedings of the SIGCHI Conference on Human Factors in Computing Systems (CHI '09). ACM, New York, NY, USA, 1361--1370.

Digital Library

[20]

Jean Hasse. 1986. Moths. Visible Music, Euclid, OH (1986).

[21]

Mark Heimann, Haoming Shen, Tara Safavi, and Danai Koutra. 2018. REGAL: Representation Learning-based Graph Alignment. In Proceedings of the 27th ACM International Conference on Information and Knowledge Management (CIKM '18). ACM, New York, NY, USA, 117--126.

Digital Library

[22]

G. Jacucci, M. Wagner, I. Wagner, E. Giaccardi, M. Annunziato, N. Breyer, J. Hansen, K. Jo, S. Ossevoort, A. Perini, N. Roussel, and S. Schuricht. 2010. ParticipArt: Exploring participation in interactive art installations. In 2010 IEEE International Symposium on Mixed and Augmented Reality - Arts, Media, and Humanities. 3--10.

[23]

Di Jin, Aristotelis Leventidis, Haoming Shen, Ruowang Zhang, Junyue Wu, and Danai Koutra. 2017. PERSEUS-HUB: Interactive and Collective Exploration of Large-Scale Graphs. Informatics 4, 3 (2017).

[24]

Robin H. Kay and Ann LeSage. 2009. Examining the benefits and challenges of using audience response systems: A review of the literature. Computers & Education 53, 3 (2009), 819 -- 827.

Digital Library

[25]

Joy Kim, Justin Cheng, and Michael S. Bernstein. 2014. Ensemble: Exploring Complementary Strengths of Leaders and Crowds in Creative Collaboration. In Proceedings of the 17th ACM Conference on Computer Supported Cooperative Work & Social Computing (CSCW '14). ACM, New York, NY, USA, 745--755.

[26]

Aniket Kittur and Robert E. Kraut. 2008. Harnessing the Wisdom of Crowds in Wikipedia: Quality Through Coordination. In Proceedings of the 2008 ACM Conference on Computer Supported Cooperative Work (CSCW '08). ACM, New York, NY, USA, 37--46.

Digital Library

[27]

Danai Koutra, Neil Shah, Joshua T. Vogelstein, Brian Gallagher, and Christos Faloutsos. 2016. DeltaCon: Principled Massive-Graph Similarity Function with Attribution. ACM Trans. Knowl. Discov. Data 10, 3, Article 28 (Feb. 2016), 43 pages.

Digital Library

[28]

Benjamin Lafreniere, Tovi Grossman, Fraser Anderson, Justin Matejka, Heather Kerrick, Danil Nagy, Lauren Vasey, Evan Atherton, Nicholas Beirne, Marcelo H. Coelho, Nicholas Cote, Steven Li, Andy Nogueira, Long Nguyen, Tobias Schwinn, James Stoddart, David Thomasson, Ray Wang, Thomas White, David Benjamin, Maurice Conti, Achim Menges, and George Fitzmaurice. 2016. Crowdsourced Fabrication. In Proceedings of the 29th Annual Symposium on User Interface Software and Technology (UIST '16). ACM, New York, NY, USA, 15--28.

Digital Library

[29]

Walter S. Lasecki, Juho Kim, Nick Rafter, Onkur Sen, Jeffrey P. Bigham, and Michael S. Bernstein. 2015. Apparition: Crowdsourced User Interfaces That Come to Life As You Sketch Them. In Proceedings of the 33rd Annual ACM Conference on Human Factors in Computing Systems (CHI '15). ACM, New York, NY, USA, 1925--1934.

Digital Library

[30]

Walter S. Lasecki, Christopher Miller, Adam Sadilek, Andrew Abumoussa, Donato Borrello, Raja Kushalnagar, and Jeffrey Bigham. 2012. Real-time Captioning by Groups of Non-experts. In Proceedings of the 25th Annual ACM Symposium on User Interface Software and Technology (UIST '12). ACM, New York, NY, USA, 23--34.

Digital Library

[31]

Walter S. Lasecki, Christopher D. Miller, Iftekhar Naim, Raja Kushalnagar, Adam Sadilek, Daniel Gildea, and Jeffrey P. Bigham. 2017. Scribe: Deep Integration of Human and Machine Intelligence to Caption Speech in Real Time. Commun. ACM 60, 9 (Aug. 2017), 93--100.

Digital Library

[32]

Sang Won Lee. 2012. Audience participation using mobile phones as musical instruments. Master's thesis. Georgia Institute of Technology.

[33]

Sang Won Lee, Antonio Deusany de Carvalho Jr, and Georg Essl. 2016. Crowd in C{loud}: Audience participation music with online dating metaphor using cloud service. In Proceedings of the Web Audio Conference. Atlanta, Georgia.

[34]

Sang Won Lee and Gerog Essl. 2016. Live Coding the Audience Participation. In Proceedings of International Conference on Live Coding. Hamilton, ON, Canada.

[35]

Sang Won Lee and Jason Freeman. 2013. echobo : Audience Participation Using The Mobile Music Instrument. In Proceedings of the International Conference on New Interfaces for Musical Expression. Graduate School of Culture Technology, KAIST, Daejeon, Republic of Korea, 450--455. http://nime.org/proceedings/2013/nime2013_291.pdf

[36]

Sang Won Lee, Rebecca Krosnick, Sun Young Park, Brandon Keelean, Sach Vaidya, Stephanie D. O'Keefe, and Walter S. Lasecki. 2018. Exploring Real-Time Collaboration in Crowd-Powered Systems Through a UI Design Tool. Proc. ACM Hum.-Comput. Interact. 2, CSCW, Article 104 (Nov. 2018), Article 104, 23 pages.

[37]

Sang Won Lee, Yujin. Zhang, Isabelle. Wong, Yang Yiwei., Stephanie. O'Keefe, and Walter S. Lasecki. 2017. SketchExpress: Remixing Animations For More Effective Crowd-Powered Prototyping Of Interactive Interfaces. In Proceedings of the ACM Symposium on User Interface Software and Technology (UIST). ACM.

Digital Library

[38]

Kurt Luther, Kelly Caine, Kevin Ziegler, and Amy Bruckman. 2010. Why It Works (when It Works): Success Factors in Online Creative Collaboration. In Proceedings of the 16th ACM International Conference on Supporting Group Work (GROUP '10). ACM, New York, NY, USA, 1--10.

Digital Library

[39]

Jose Maceda. 2009. Ugnayan. Tzadik.

[40]

Bobby McFerrin. 2009. Bobby McFerrin Demonstrates the Power of the Pentatonic Scale. (2009). https://www.youtube.com/watch?v=ne6tB2KiZuk

[41]

Matti Nelimarkka, Giulio Jacucci, Antti Salovaara, Steven Dow, Kenton O'Hara, Louise Barkhuus, and Joel Fischer. 2018. Hybrid Events: Mediating Collocated Participation. In Companion of the 2018 ACM Conference on Computer Supported Cooperative Work and Social Computing (CSCW '18). ACM, New York, NY, USA, 455--462.

Digital Library

[42]

Matti Nelimarkka, Kai Kuikkaniemi, Antti Salovaara, and Giulio Jacucci. 2016. Live Participation: Augmenting Events with Audience-Performer Interaction Systems. In Proceedings of the 2016 ACM Conference on Designing Interactive Systems (DIS '16). ACM, New York, NY, USA, 509--520.

Digital Library

[43]

Mitchel Resnick, John Maloney, Andrés Monroy-Hernández, Natalie Rusk, Evelyn Eastmond, Karen Brennan, Amon Millner, Eric Rosenbaum, Jay Silver, Brian Silverman, and Yasmin Kafai. 2009. Scratch: Programming for All. Commun. ACM 52, 11 (Nov. 2009), 60--67.

Digital Library

[44]

Tara Safavi, Chandra Sripada, and Danai Koutra. 2017. Scalable Hashing-Based Network Discovery. In 2017 IEEE International Conference on Data Mining (ICDM). 405--414.

[45]

Norbert Schnell, Sébastien Robaszkiewicz, Frederic Bevilacqua, and Diemo Schwarz. 2015. Collective Sound Checks: Exploring Intertwined Sonic and Social Affordances of Mobile Web Applications. In Proceedings of the Ninth International Conference on Tangible, Embedded, and Embodied Interaction (TEI '15). ACM, New York, NY, USA, 685--690.

Digital Library

[46]

Jennifer G. Sheridan, Nick Bryan-Kinns, and Alice Bayliss. 2007. Encouraging Witting Participation and Performance in Digital Live Art. In Proceedings of the 21st British HCI Group Annual Conference on People and Computers: HCI...But Not As We Know It - Volume 1 (BCS-HCI '07). British Computer Society, Swinton, UK, UK, 13--23. http://dl.acm.org/citation.cfm?id=1531294.1531297

Digital Library

[47]

Jimeng Sun and Jie Tang. 2011. A Survey of Models and Algorithms for Social Influence Analysis. Springer US, Boston, MA, 177--214.

[48]

Atau Tanaka. 2004. Mobile Music Making. In Proceedings of the International Conference on New Interfaces for Musical Expression. Hamamatsu, Japan, 154--156. http://www.nime.org/proceedings/2004/nime2004_154.pdf

Digital Library

[49]

Benjamin Taylor. 2017. A History of the Audience as a Speaker Array. In Proceedings of the International Conference on New Interfaces for Musical Expression. Aalborg University Copenhagen, Copenhagen, Denmark, 481--486. http://www.nime.org/proceedings/2017/nime2017_paper0091.pdf

[50]

Eric Tremblay. 2010. Educating the Mobile Generation - using personal cell phones as audience response systems in post-secondary science teaching. Journal of Computers in Mathematics and Science Teaching 29, 2 (April 2010), 217--227. https://www.learntechlib.org/p/32314

[51]

Ge Wang. 2014. Ocarina: Designing the iPhone's Magic Flute. Computer Music Journal 38, 2 (2014), 8--21.

Digital Library

[52]

Ge Wang, Georg Essl, Deutsche Telekom, and Henri Penttinen. 2008. MoPho: Do Mobile Phones Dream of Electric Orchestras. In Proceedings International Computer Music Conference (ICMC). 29.

[53]

Nathan Weitzner, Jason Freeman, Yan-Ling Chen, and Stephen Garrett. 2013. massMobile: towards a flexible framework for large-scale participatory collaborations in live performances. Organised Sound 18, 1 (2013), 30--42.

[54]

David Wessel and Matthew Wright. 2002. Problems and Prospects for Intimate Musical Control of Computers. Computer Music Journal 26, 3 (2002), 11--22.

Digital Library

[55]

Yongmeng Wu and Nick Bryan-Kinns. 2017. Supporting Non-Musicians? Creative Engagement with Musical Interfaces. In Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition (C&C '17). ACM, New York, NY, USA, 275--286.

Digital Library

[56]

Sarita Yardi. 2006. The Role of the Backchannel in Collaborative Learning Environments. In Proceedings of the 7th International Conference on Learning Sciences (ICLS '06). International Society of the Learning Sciences, 852--858. http://dl.acm.org/citation.cfm?id=1150034.1150158

Digital Library

[57]

Leshao Zhang, Yongmeng Wu, and Mathieu Barthet. 2016. A Web Application for Audience Participation in Live Music Performance: The Open Symphony Use Case. In Proceedings of the International Conference on New Interfaces for Musical Expression (2220--4806), Vol. 16. Queensland Conservatorium Griffith University, Brisbane, Australia, 170--175. http://www.nime.org/proceedings/2016/nime2016_paper0036.pdf

Cited By

Mamakou IKarafotias GGkourdoglou GLoumos GKargas AVaroutas D(2024)Developing a Multitasking Augmented Reality Application for Theatrical and Cultural ContentHeritage10.3390/heritage70701697:7(3578-3596)Online publication date: 5-Jul-2024
https://doi.org/10.3390/heritage7070169
Barbareschi GZhou SRyoichi AKawaguchi MArmstrong MOgino MAoiki SOhta ETaguchi HKamiyama YMuto MYoshifuji KMinamizawa K(2024)Brain Body Jockey project: Transcending Bodily Limitations in Live Performance via Human AugmentationProceedings of the 26th International ACM SIGACCESS Conference on Computers and Accessibility10.1145/3663548.3675621(1-14)Online publication date: 27-Oct-2024
https://dl.acm.org/doi/10.1145/3663548.3675621
O’Neill KEgermann H(2022)Development of the Social Experience of a Concert Scales (SECS): The Social Experience of a Live Western Art Music Concert Influences People's Overall Enjoyment of an Event but not Their Emotional Response to the MusicMusic & Science10.1177/205920432211064785Online publication date: 30-Jun-2022
https://doi.org/10.1177/20592043221106478
Show More Cited By

Index Terms

The Effect of Social Interaction on Facilitating Audience Participation in a Live Music Performance
1. Applied computing
  1. Arts and humanities
    1. Performing arts
    2. Sound and music computing
2. Human-centered computing
  1. Collaborative and social computing
    1. Collaborative and social computing theory, concepts and paradigms
      1. Collaborative content creation

Recommendations

Enhancing Multimodal Interaction Between Performers and Audience Members During Live Music Performances
CHI EA '21: Extended Abstracts of the 2021 CHI Conference on Human Factors in Computing Systems

Live performance provides a good example of enthusiastic interaction between people gathered together in a large group and one or more performers. In this research, we focused on elucidating the mechanism of such enthusiastic group interaction (...
Playful Technology-Mediated Audience Participation in a Live Music Event
CHI PLAY '17 Extended Abstracts: Extended Abstracts Publication of the Annual Symposium on Computer-Human Interaction in Play

This paper presents the evaluation of playful technology-mediated audience participation (TMAP) during three music performances in a recent music event. It captures preliminary impressions from a wide range of perspectives and includes critical ...
Crowd in C
C&C '19: Proceedings of the 2019 Conference on Creativity and Cognition

We introduce an audience participation system for a music piece, Crowd in C. A distributed musical instrument is implemented entirely on a web browser for an audience to easily participate in music making with their smartphones and to generate sound on ...

Comments

Please enable JavaScript to view thecomments powered by Disqus.

Information & Contributors

Information

Published In

cover image ACM Conferences

C&C '19: Proceedings of the 2019 Conference on Creativity and Cognition

June 2019

745 pages

ISBN:9781450359177

DOI:10.1145/3325480

General Chairs:
Steven Dow
UC San Diego, USA
,
Mary Lou Maher
UNC Charlotte, USA
,
Program Chairs:
Andruid Kerne
Texas A&M University
,
Celine Latulipe
UNC Charlotte, USA

Copyright © 2019 ACM.

Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than ACM must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected]

Sponsors

SIGCHI: ACM Special Interest Group on Computer-Human Interaction

Publisher

Association for Computing Machinery

New York, NY, United States

Publication History

Published: 13 June 2019

Permissions

Request permissions for this article.

Request Permissions

Check for updates

Author Tags

Qualifiers

Research-article

Funding Sources

The Michigan Institute for Data Science (MIDAS) University of Michigan

Conference

C&C '19

Sponsor:

SIGCHI

C&C '19: Creativity and Cognition

June 23 - 26, 2019

CA, San Diego, USA

Acceptance Rates

C&C '19 Paper Acceptance Rate 30 of 101 submissions, 30%;

Overall Acceptance Rate 108 of 371 submissions, 29%

Contributors

Other Metrics

View Article Metrics

Bibliometrics & Citations

Bibliometrics

Article Metrics

8
Total Citations
View Citations
652
Total Downloads

Downloads (Last 12 months)131
Downloads (Last 6 weeks)22

Reflects downloads up to 26 Dec 2024

Other Metrics

View Author Metrics

Citations

Cited By

Mamakou IKarafotias GGkourdoglou GLoumos GKargas AVaroutas D(2024)Developing a Multitasking Augmented Reality Application for Theatrical and Cultural ContentHeritage10.3390/heritage70701697:7(3578-3596)Online publication date: 5-Jul-2024
https://doi.org/10.3390/heritage7070169
Barbareschi GZhou SRyoichi AKawaguchi MArmstrong MOgino MAoiki SOhta ETaguchi HKamiyama YMuto MYoshifuji KMinamizawa K(2024)Brain Body Jockey project: Transcending Bodily Limitations in Live Performance via Human AugmentationProceedings of the 26th International ACM SIGACCESS Conference on Computers and Accessibility10.1145/3663548.3675621(1-14)Online publication date: 27-Oct-2024
https://dl.acm.org/doi/10.1145/3663548.3675621
O’Neill KEgermann H(2022)Development of the Social Experience of a Concert Scales (SECS): The Social Experience of a Live Western Art Music Concert Influences People's Overall Enjoyment of an Event but not Their Emotional Response to the MusicMusic & Science10.1177/205920432211064785Online publication date: 30-Jun-2022
https://doi.org/10.1177/20592043221106478
Ge SLuo SYan SShen X(2022)Effects of Augmenting Real-Time Biofeedback in An Immersive VR Performance2022 IEEE International Symposium on Mixed and Augmented Reality Adjunct (ISMAR-Adjunct)10.1109/ISMAR-Adjunct57072.2022.00159(751-756)Online publication date: Oct-2022
https://doi.org/10.1109/ISMAR-Adjunct57072.2022.00159
Lemmon E(2022)The Politics of Aesthetic Preference in Participatory MusicOrganised Sound10.1017/S135577182200001228:1(53-63)Online publication date: 3-Feb-2022
https://doi.org/10.1017/S1355771822000012
Nicholas MDaffara SPaulos E(2021)Expanding the Design Space for Technology-Mediated Theatre ExperiencesProceedings of the 2021 ACM Designing Interactive Systems Conference10.1145/3461778.3462123(2026-2038)Online publication date: 28-Jun-2021
https://dl.acm.org/doi/10.1145/3461778.3462123
Chen YLasecki WDong T(2021)Towards Supporting Programming Education at Scale via Live StreamingProceedings of the ACM on Human-Computer Interaction10.1145/34341684:CSCW3(1-19)Online publication date: 5-Jan-2021
https://dl.acm.org/doi/10.1145/3434168
Martins GGomes GConceição JMarques LSilva DCastro TGadelha Bde Freitas RSantos CBento Villela MGasparini IUchôa Conte T(2020)Enhanced interactionProceedings of the 19th Brazilian Symposium on Human Factors in Computing Systems10.1145/3424953.3426492(1-9)Online publication date: 26-Oct-2020
https://dl.acm.org/doi/10.1145/3424953.3426492

View Options

Login options

Check if you have access through your login credentials or your institution to get full access on this article.

Full Access

Get this Publication

View options

PDF

View or Download as a PDF file.

eReader

View online with eReader.

Media

Figures

Other

Tables

View Table of Contents