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Studying Choreographic Collaboration in the Wild

Published: 28 June 2021 Publication History

Abstract

Dance making is often a highly idiosyncratic, collaborative endeavour between a choreographer and a group of dancers that constitutes a rich context for designers of creativity-support tools (CSTs). However, long-term, ecologically valid studies of collaboration in dance making are rare, especially when mediated by digital tools. We present a 5-month field study in the frame of a dance course, where a choreographer and six students used a CST originally designed for choreographic writing. We contrast our findings with our initial assumptions about the role of the tool to mediate a diversity of notating styles and hierarchical roles. We highlight the value of and the challenges behind this in-the-wild study in uncovering needs and roles as they emerged over time.

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Cited By

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  • (2024)A Retrospective Autoethnography Documenting Dance Learning Through Data PhysicalisationsProceedings of the 2024 ACM Designing Interactive Systems Conference10.1145/3643834.3661607(2357-2373)Online publication date: 1-Jul-2024
  • (2024)Meshwork choreography: a pragmatic approach to collaborative embodied learning in South African higher educationResearch in Dance Education10.1080/14647893.2024.2413624(1-20)Online publication date: 11-Oct-2024
  • (2023)Embracing the messy and situated practice of dance technology designProceedings of the 2023 ACM Designing Interactive Systems Conference10.1145/3563657.3596078(1383-1397)Online publication date: 10-Jul-2023
  • Show More Cited By

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cover image ACM Conferences
DIS '21: Proceedings of the 2021 ACM Designing Interactive Systems Conference
June 2021
2082 pages
ISBN:9781450384766
DOI:10.1145/3461778
Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than ACM must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected]

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Published: 28 June 2021

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Author Tags

  1. choreography
  2. collaboration
  3. creativity
  4. dance
  5. longitudinal study

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DIS '21
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DIS '21: Designing Interactive Systems Conference 2021
June 28 - July 2, 2021
Virtual Event, USA

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Cited By

View all
  • (2024)A Retrospective Autoethnography Documenting Dance Learning Through Data PhysicalisationsProceedings of the 2024 ACM Designing Interactive Systems Conference10.1145/3643834.3661607(2357-2373)Online publication date: 1-Jul-2024
  • (2024)Meshwork choreography: a pragmatic approach to collaborative embodied learning in South African higher educationResearch in Dance Education10.1080/14647893.2024.2413624(1-20)Online publication date: 11-Oct-2024
  • (2023)Embracing the messy and situated practice of dance technology designProceedings of the 2023 ACM Designing Interactive Systems Conference10.1145/3563657.3596078(1383-1397)Online publication date: 10-Jul-2023
  • (2023)Designing in Conversation With Dance PracticeProceedings of the 2023 CHI Conference on Human Factors in Computing Systems10.1145/3544548.3581543(1-16)Online publication date: 19-Apr-2023
  • (2023)Investigating performance ecologies using screen scores: a case studyPersonal and Ubiquitous Computing10.1007/s00779-023-01719-y27:5(1887-1907)Online publication date: 20-May-2023
  • (2022)Dance Transitions: What Forms of Technology Best Support Professional Dancers as They Learn New Movement Styles?Proceedings of the 2022 CHI Conference on Human Factors in Computing Systems10.1145/3491102.3517448(1-14)Online publication date: 29-Apr-2022

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