More Web Proxy on the site http://driver.im/

Work in Progress

Engaging the Community in Collecting Interactive Narrative Design Conventions

Authors:

Hartmut Koenitz,

Christian Roth,

Teun DubbelmanAuthors Info & Claims

CHI PLAY '18 Extended Abstracts: Proceedings of the 2018 Annual Symposium on Computer-Human Interaction in Play Companion Extended Abstracts

Pages 487 - 492

https://doi.org/10.1145/3270316.3271533

Published: 23 October 2018 Publication History

Abstract

During the last three decades, many successful interactive narrative projects have been realized, including many games. However, the respective design knowledge mostly rests with individual designers, who are self-trained and use private, inaccessible vocabulary. This state of affairs is an obstacle to further development and a considerable challenge to the professional training of future narrative designers. To address this issue, a multi-pronged approach is necessary, which includes the creation of a body of empirically verified design knowledge, a related ontology to enable a dialogue between practice, education and research, as well as specific curricula and pedagogical concepts. The authors are actively researching these different elements and have developed a method to empirically verify design convention candidates. At this time, we are introducing the ontology and on that basis an online platform for the collection of convention candidates that opens our effort to a wider community of practitioners and researchers.

Supplementary Material

ZIP File (playwp74.zip)

Download
36.58 KB

References

[1]

Christopher Alexander, Sara Ishikawa, and Murray Silverstein. 1977. A Pattern Language. Oxford University Press.

[2]

Hal Barwood and Noah Falstein. 2002. The 400 Project. Retrieved June 30, 2017 from http://www.theinspiracy.com/the-400-project.html

[3]

Staffan Björk and Jussi Holopainen. 2004. Patterns in Game Design (Game Development Series). Charles River Media.

Digital Library

[4]

Blast Theory. 2014. Karen {Video game}. Retrieved from https://itunes.apple.com/us/app/karen-by-blast-theory/id945629374?mt=8

[5]

Campo Santo. 2016. Firewatch {Video Game}.

[6]

William Crowther. 1976. Adventure {Video Game}.

[7]

D Dufresne. 2013. Fort McMoney. Retrieved from http://www.fortmcmoney.com

[8]

C Elverdam and Espen J Aarseth. 2007. Game Classification and Game Design: Construction Through Critical Analysis. Games and Culture 2, 1: 3--22.

[9]

Erich Gamma, Richard Helm, Ralph Johnson, and John Vlissides. 2002. Design Patterns: Abstraction and Reuse of Object-Oriented Design. In Software Pioneers. Springer Berlin Heidelberg, Berlin, Heidelberg, 701--717.

[10]

N K Hayles, N Montfort, S Rettberg, and S Strickland. 2006. Electronic Literature Collection 1. Electronic Literature Organization.

[11]

Mubashar Iqbal, Ilja Smorgun, and David Jose Ribeiro Lamas. 2018. Taxonomies in DUI Design Patterns. ACM Press, 221--226.

Digital Library

[12]

Veli-Matti Karhulahti. 2014. Fiction Puzzle: Storiable Challenge in Pragmatist Videogame Aesthetics. Philosophy & Technology 27, 2: 201--220.

[13]

Hartmut Koenitz, Teun Dubbelman, Noam Knoller, and Christian Roth. 2016. An Integrated and Iterative Research Direction for Interactive Digital Narrative. In Interactive Storytelling, Frank Nack and Andrew S Gordon (eds.). Springer International Publishing, Cham, 51--60.

[14]

Hartmut Koenitz, Christian Roth, Teun Dubbelman, and Noam Knoller. 2017. What is a Convention in Interactive Narrative Design? In Interactive Storytelling, Nuno Nunes, Ian Oakley and Valentina Nisi (eds.). Springer International, Cham, 295--298.

[15]

Nonny de la Peña. 2014. Project Syria.

[16]

Lucasfilm Games. 1990. Monkey Island.

[17]

Janet Horowitz Murray. 1997. Hamlet on the Holodeck: the Future of Narrative in Cyberspace. Free Press, New York.

Digital Library

[18]

Night School Studio. 2016. Oxenfree.

[19]

Quantic Dream. 2010. Heavy Rain {Video game}.

[20]

Christian Roth and Hartmut Koenitz. 2016. Evaluating the User Experience of Interactive Digital Narrative. ACM Press, 31--36.

Digital Library

[21]

Christian Roth and Hartmut Koenitz. 2017. Towards Creating a Body of Evidence-based Interactive Digital Narrative Design Knowledge: Approaches and Challenges.

Digital Library

[22]

Christian Roth, Peter Vorderer, Christoph Klimmt, and Ivar Vermeulen. 2010. Measuring the user experience in narrative-rich games: towards a concept-based assessment for interactive stories. Entertainment Interfaces.

[23]

Sierra On-Line. 1980. King's Quest.

[24]

Smoking Car Productions. 1997. The Last Express.

[25]

V Sorensen. Emergent Storytelling: Interactive Transmedia Installation for Digital Cultural Heritage. Retrieved from https://mwf2014.museumsandtheweb.com/paper/emergent-storytelling-interactive-transmedia-installation-for-digital-cultural-heritage/

[26]

Submarine Channel. 2014. Last Hijack Interactive. Submarine Channel.

[27]

Telltale Games. 2012. The Walking Dead {Video game}.

[28]

The Chinese Room. 2008. Dear Esther.

[29]

The Financial Times. 2017. The Uber Game.

[30]

The Guardian. 2016. 6x9. Retrieved from https://www.theguardian.com/world/ng-interactive/2016/apr/27/6x9-a-virtual-experience-of-solitary-confinement

[31]

Thomson Reuters. 2017. Getting Inside Taser. fingfx.thomsonreuters.com.

[32]

Camille Utterback and Romy Achituv. 1999. Text Rain.

[33]

Bruno Santos Viana and Ricardo Nakamura. 2014. Immersive Interactive Narratives in Augmented Reality Games. Springer International Publishing, 773--781.

Digital Library

[34]

José P Zagal and Amy Bruckman. 2008. The Game Ontology Project: Supporting Learning While Contributing Authentically to Game Studies. International Society of the Learning Sciences, 499--506.

Digital Library

[35]

José Pablo Zagal, Michael Mateas, Clara Fernández-Vara, Brian Hochhalter, and Nolan Lichti. 2005. Towards an Ontological Language for Game Analysis. Retrieved from http://www.digra.org/digital-library/publications/towards-an-ontological-language-for-game-analysis/

Cited By

Koenitz HRoth CMekler E(2024)Alternate realities in interactive digital narratives – understanding and improving design and prosocial effects through empirical methodsMultimedia Tools and Applications10.1007/s11042-024-18884-883:15(46757-46778)Online publication date: 3-Apr-2024
https://doi.org/10.1007/s11042-024-18884-8
Koenitz HRoth CDubbelman T(2018)Creating and Sharing Interactive Narrative Design Knowledge – A Multipronged ApproachInteractive Storytelling10.1007/978-3-030-04028-4_15(165-170)Online publication date: 5-Dec-2018
https://dl.acm.org/doi/10.1007/978-3-030-04028-4_15

Index Terms

Engaging the Community in Collecting Interactive Narrative Design Conventions
1. Applied computing
  1. Computers in other domains
    1. Personal computers and PC applications
      1. Computer games
2. General and reference
  1. Cross-computing tools and techniques
    1. Design

Recommendations

Bandersnatch, Yea or Nay? Reception and User Experience of an Interactive Digital Narrative Video
TVX '19: Proceedings of the 2019 ACM International Conference on Interactive Experiences for TV and Online Video

The Netflix production Bandersnatch represents a potentially crucial step for interactive digital narrative videos, due to the platform's reach, popularity, and ability to finance costly experimental productions. Indeed, Netflix has announced that it ...
Towards Creating a Body of Evidence-based Interactive Digital Narrative Design Knowledge: Approaches and Challenges
AltMM '17: Proceedings of the 2nd International Workshop on Multimedia Alternate Realities

In the context of this paper we take design knowledge as the methods applied by the creators (for example game designers in the case of games) of interactive experiences in contrast to for example the design of authoring tools or the design of game ...
Player interaction in narrative games: structure and narrative progression mechanics
FDG '19: Proceedings of the 14th International Conference on the Foundations of Digital Games

When studying the impact of interactive narratives, especially in high impact, sensitive domains such as education and health, it is important that the narrative design as a whole is reported in sufficient detail to allow for analysis and replication. ...

Comments

Please enable JavaScript to view thecomments powered by Disqus.

Information & Contributors

Information

Published In

cover image ACM Conferences

CHI PLAY '18 Extended Abstracts: Proceedings of the 2018 Annual Symposium on Computer-Human Interaction in Play Companion Extended Abstracts

October 2018

725 pages

ISBN:9781450359689

DOI:10.1145/3270316

General Chairs:
Florian 'Floyd' Mueller
Exertion Games Lab, RMIT University, Melbourne, Australia
,
Daniel Johnson
Queensland University of Technology, Brisbane, Australia
,
Ben Schouten
Eindhoven University of Technology and Amsterdam University of Applied Sciences, the Netherlands
,
Program Chairs:
Phoebe O. Toups Dugas
Play & Interactive Experiences for Learning Lab, New Mexico State University, Las Cruces, New Mexico, USA
,
Peta Wyeth
Queensland University of Technology, Brisbane, Australia

Copyright © 2018 Owner/Author.

Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for third-party components of this work must be honored. For all other uses, contact the Owner/Author.

Sponsors

SIGCHI: ACM Special Interest Group on Computer-Human Interaction

Publisher

Association for Computing Machinery

New York, NY, United States

Publication History

Published: 23 October 2018

Check for updates

Author Tags

Qualifiers

Work in progress

Conference

CHI PLAY '18

Sponsor:

SIGCHI

CHI PLAY '18: The annual symposium on Computer-Human Interaction in Play

October 28 - 31, 2018

VIC, Melbourne, Australia

Acceptance Rates

CHI PLAY '18 Extended Abstracts Paper Acceptance Rate 43 of 123 submissions, 35%;

Overall Acceptance Rate 421 of 1,386 submissions, 30%

Contributors

Other Metrics

View Article Metrics

Bibliometrics & Citations

Bibliometrics

Article Metrics

2
Total Citations
View Citations
138
Total Downloads

Downloads (Last 12 months)17
Downloads (Last 6 weeks)1

Reflects downloads up to 12 Dec 2024

Other Metrics

View Author Metrics

Citations

Cited By

Koenitz HRoth CMekler E(2024)Alternate realities in interactive digital narratives – understanding and improving design and prosocial effects through empirical methodsMultimedia Tools and Applications10.1007/s11042-024-18884-883:15(46757-46778)Online publication date: 3-Apr-2024
https://doi.org/10.1007/s11042-024-18884-8
Koenitz HRoth CDubbelman T(2018)Creating and Sharing Interactive Narrative Design Knowledge – A Multipronged ApproachInteractive Storytelling10.1007/978-3-030-04028-4_15(165-170)Online publication date: 5-Dec-2018
https://dl.acm.org/doi/10.1007/978-3-030-04028-4_15

View Options

Login options

Check if you have access through your login credentials or your institution to get full access on this article.

Full Access

Get this Publication

View options

PDF

View or Download as a PDF file.

eReader

View online with eReader.

Media

Figures

Other

Tables

View Table of Contents