I enjoyed reading through these essays about the web of twenty years ago: music, photos, email, games, television, iPods, phones…
Much as I love the art direction, you’d never know that we actually had some very nice-looking websites back in 2004!
The show itself was an unbelievable outpouring of energy and love. I couldn’t help but imagine if anyone in the audience had decided to go on a lark, not knowing anything about it. I would think they would have been pretty damn impressed. This wasn’t just a couple of nerds poking around at instruments (except me), these were some serious musicians giving it their all.
These are great!!!
Aw, man, this gets me in the feels!
Just over here sobbing while reading Jeremy’s recount of Frostapalooza.
I love how into it everyone is here, both on stage and in the audience—just look at Jina rocking out!
Wow! The photos that Will took at Frostapalooza (and in the run-up) are absolutely fantastic!
He also shares the technical details for all you camera nerds.
I can’t say I would have ever expected to see Jeremy Keith performing the Yeah Yeah Yeahs song “Maps”, but then again, I don’t know what I expected to happen at Frostapalooza.
Laying out sheet music with CSS grid—sounds extreme until you see it abstracted into a web component.
We need fluid and responsive music rendering for the web!
There’s no AI substitute for a human-produced drawing of someone on the subway, even if a similar-or-even-better result could be produced in seconds by AI. The artifact is often less important than the process — the human process — that made it. That’s why I suspect videos of creative processes are so attractive; we are captivated by seeing humans doing human things.
I like how Paul has recreated his own version of This Is My Jam and I really like how he’s done it with an HTML web component.
Fancy joining me in Pittsburgh in August next year to celebrate Brad’s birthday?
How cool is this‽ Dan made a font for Wilco!
I also think the number of situations in which an SPA architecture can be recommended is dwindling, chiefly due to how good the web platform has become (and how much better it’s getting every day). And because so much of the rest of the ‘struggle stack’ (transpilers, unique dialects, etc.) was built to get around gaps in the web platform that no longer exist, the use cases for these tools is dwindling in tandem.
This is good news: not only can we avoid piling up transient knowledge about a seemingly endless stream of dependencies, we can also eject from the routine stress of those dependencies changing or breaking under our feet and throwing wrenches into our workflows — all while delivering more robust and performant websites to end users.
Annalee Newitz:
When we imagine future tech, we usually focus on the ways it could turn humans into robotic workers, easily manipulated by surveillance capitalism. And that’s not untrue. But in this story, I wanted to suggest that there is a more subversive possibility. Modifying our bodies with technology could bring us closer to the natural world.
The last few times I’ve seen Phil, I’ve really enjoyed chatting to him about the joy of singing together with others. I’m glad he’s written it all down here. It reminds me of Brian Eno’s philosophy on group singing.
See, about a year or so ago, I took inspiration from Kevin Smokler to set about listening through my entire music library alphabetically by song title.
I think I’m going to do this! I have a paltry 10,602 songs so it should take a mere 29 days of continuous listening.
If you were at dConstruct on Friday and you enjoyed the mood music during the breaks, this is what you were listening to.
My talk, Building, was about the metaphors we use to talk about the work we do on the web. So I’m interested in this analysis of the metaphors used to talk about markup:
- Data is documents, processing data is clerking
- Data is trees, processing data is forestry
- Data is buildings, processing data is construction
- Data is a place, processing data is a journey
- Data is a fluid, processing data is plumbing
- Data is a textile, processing data is weaving
- Data is music, processing data is performing
Decades before fiber optic cable spanned the bottom of the ocean to link continents, the airborne voice of a spring songbird did.
Mario Popova writes of an interspecies broadcast:
Those were the early days of broadcasting and recorded music, when the technology was both too primitive and too expensive to make the joy of music as ambient as air; the days before we made our Faustian deal with the technocrats who made music cheap and musicians poor so that we could stream it anytime anywhere with no recompense or thought of the souls from which the stream pours.
An ode to an ode. Both of them beautiful.