Super assassin 13 (Aurora Ribero) has one problem: she actually has feelings. That’s how she ends up pulled into Jakarta’s underworld searching for a young boy. The film is full of derivative moments you’ve probably seen in other revenge-fueled action flicks — blood on the snow in Japan, a neon-lit shootout in a club, drug deal gone horribly wrong — but makes up for it with some inventive fight choreography and an escalating level of cartoonish ultraviolence.

If there was an award for best use of a frying pan, this movie would win hands down.