VALUTAZIONE IMDb
6,7/10
33.036
LA TUA VALUTAZIONE
Un uomo crea un legame inaspettato con una donna vagabonda che vive nel suo furgone parcheggiato nel suo vialetto.Un uomo crea un legame inaspettato con una donna vagabonda che vive nel suo furgone parcheggiato nel suo vialetto.Un uomo crea un legame inaspettato con una donna vagabonda che vive nel suo furgone parcheggiato nel suo vialetto.
- Nominato ai 1 BAFTA Award
- 1 vittoria e 8 candidature totali
Trama
Lo sapevi?
- QuizThis movie was shot in the actual house on the street where the events took place, Gloucester Crescent in Camden Town. Some of the same people still lived there when the star prop arrived, decades later.
- BlooperMargaret/Mary is shown parking her new Commer van in the drive of Alan Bennett's house and she pulls up on the handbrake in the middle of the van, where a handbrake would normally be. In fact Commer vans had their handbrake to the right of the driver's seat between the seat and the door - not between the two front seats.
- Citazioni
Rufus: Sorry, you can't park here.
Miss Shepherd: No, I've had guidance. This is where it should go.
Rufus: Guidance? Who from?
Miss Shepherd: The Virgin Mary. I spoke to her yesterday. She was outside the post office.
Rufus: What does she know about parking?
- Curiosità sui creditiDuring the first part of the credits, a young Margaret can be seen playing the piano at her concert in King's Hall.
- ConnessioniFeatured in Alan Bennett at 80: Bennett Meets Hytner (2014)
- Colonne sonorePiano Concerto No. 1 In E Minor, OP. 11
Written by Frédéric Chopin
Performed by Clare Hammond and BBC Concert Orchestra
Orchestra Leader Charles Mutter
[The principal piano piece that recurs throughout the film is Chopin's Piano Concerto 1, using both the slow middle (second) movement "romanza" and the quick final (third) movement "rondo". Alfred Cortot was especially associated with playing Chopin's piano oeuvre.]
Recensione in evidenza
A very entertaining, and occasionally touching, film written by Alan Bennett, a British National Treasure - though I'm sure he must be irritated, if not sickened, by being so described. His unique voice is instantly recognisable: self-knowing, self-mocking, never ever self-regarding. In spite of a string of stage and screen successes, he is essentially a man of letters: there is a literary quality about his work, and a good deal of his humour emerges from the contrast between the elegance of his sentences and the earthy, realistic observations they contain.
Bennett adapted his memoir about Miss Shepherd, whose residence is the eponymous vehicle (one of a series of vehicles, as it turns out) that occupies his driveway for fifteen years, for the stage, which brought director Nicholas Hytner and actors Maggie Smith and Alex Jennings on to the project. All three return for this film version, and an excellent job they make of it.
Bennett slyly juggles a number of subplots without you ever really being aware that is what they are. When they are finally identified and tied up in a package, it feels a little too neat and tidy after all that sprawl - an interesting comparison is Charlie Kaufmann's bleaker vision of a writer's struggle with a piece of work, Synechdoche New York - but Bennett's droll dialogue, and his clear-sightedness over the way compassion intertwines with guilt, compensates for the sense of well-made screenplay that dominates the closing section of the film.
Highly recommended.
Bennett adapted his memoir about Miss Shepherd, whose residence is the eponymous vehicle (one of a series of vehicles, as it turns out) that occupies his driveway for fifteen years, for the stage, which brought director Nicholas Hytner and actors Maggie Smith and Alex Jennings on to the project. All three return for this film version, and an excellent job they make of it.
Bennett slyly juggles a number of subplots without you ever really being aware that is what they are. When they are finally identified and tied up in a package, it feels a little too neat and tidy after all that sprawl - an interesting comparison is Charlie Kaufmann's bleaker vision of a writer's struggle with a piece of work, Synechdoche New York - but Bennett's droll dialogue, and his clear-sightedness over the way compassion intertwines with guilt, compensates for the sense of well-made screenplay that dominates the closing section of the film.
Highly recommended.
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- How long is The Lady in the Van?Powered by Alexa
Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Lady in the Van
- Luoghi delle riprese
- 23 Gloucester Crescent, London, Greater London, Inghilterra, Regno Unito(Alan Bennett's house where the events actually occurred)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 6.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 10.021.175 USD
- Lordo in tutto il mondo
- 41.387.687 USD
- Tempo di esecuzione1 ora 44 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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By what name was The Lady in the Van (2015) officially released in India in Hindi?
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