Nella Firenze degli anni trenta, il piccolo Luca rimasto orfano della madre e abbandonato dal padre che non lo riconosce, viene accudito e cresciuto da un gruppo di dame inglesi piene di amm... Leggi tuttoNella Firenze degli anni trenta, il piccolo Luca rimasto orfano della madre e abbandonato dal padre che non lo riconosce, viene accudito e cresciuto da un gruppo di dame inglesi piene di ammirazione per Mussolini.Nella Firenze degli anni trenta, il piccolo Luca rimasto orfano della madre e abbandonato dal padre che non lo riconosce, viene accudito e cresciuto da un gruppo di dame inglesi piene di ammirazione per Mussolini.
- Ha vinto 1 BAFTA Award
- 5 vittorie e 3 candidature totali
Trama
Lo sapevi?
- QuizCher has stated that the only reason she took the part of Elsa was because Writer and Director Franco Zeffirelli said he could only see her and no other actress in the role.
- BlooperThe tanks the Germans ride in are, in fact, U.S. Army M4 Shermans, not German-built Panzers.
- Citazioni
Lady Hester: The Germans and the Italians couldn't get rid of us. There is absolutely no reason why we should surrender to the Scots.
- Versioni alternativeThe MGM DVD, ISBN 0-7928-4300-2, is missing least one shot: The original tea with Mussolini scene ends with Mussolini forcing himself upon the reporter, forcing her onto his desk (i.e., he rapes her.) This DVD omits that ending and leaves the reporter's change in behavior unexplained.
- Colonne sonoreMattinata Fiorentina
Written by Giovanni D'Anzi (as D'Anzi) and Michele Galdieri (as Galdieri)
Performed by Alberto Rabagliati
The setting is the Florentine treasure troves of Tuscan art, the Uffizi, Il Duomo and the Academy. The English are led by three grand dames of the theatre, Joan Plowright as Arabella, Luca's chief protector, Maggie Smith, and Judy Dench (with her real life husband Michael Williams in a supporting role as the British consul.). Then there are two equally larger than life Americans, a retired but still glamorous movie star played by Cher, and a bike-riding lesbian archaeologist played by Lily Tomlin. Most of the Italian characters are overshadowed by all this Anglo ego. (Or maybe it's just poor dubbing, or John Mortimer's part in the scriptwriting). The two boys playing Luca at different ages are good looking but the older one in particular is a bit vacuous, and Cher's impossibly handsome Italian boyfriend puts in a wooden performance.
There are a couple of plot-lines (will Cher escape the Jewish round-up, will the ladies make it through the war OK) and the occasional funny scene but the interest is really in the characters. Not that all of them are particularly attractive people. Maggie Smith's Lady Hester, widow of a former British Ambassador to Italy, is a dreadful old snob with hardly any brains who likes the fascists and has scarcely a good word for anybody else except her late husband. She engineers the tea party with Il Duce, fondly imagining that Mussolini himself will ensure the ladies' safety in Florence. A few days later the local fascists tip them out of the Uffizi gallery where they were accustomed to take tea while they sketched the old masters. Yet at the end she does show a little genuine good grace when she intervenes to help Cher.
It's a curious piece, reminiscent of "Life is Beautiful" - a light comedy with a deadly serious titanic struggle between good and evil going on in the background, a background which seems altogether too gorgeous to accommodate such evil. Good, represented by a Scottish major, triumphs in the end, only to be put in his place by the Scorpioni. Zeffirelli here pays his artistic and personal debt to them. Wacky though they were, the Scorpioni did know the difference between good and evil, or at least the difference between good art and bad art, and they taught Zeffirelli well.
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Dettagli
Botteghino
- Budget
- 12.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 14.401.563 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.633.183 USD
- 16 mag 1999
- Lordo in tutto il mondo
- 14.401.563 USD
- Tempo di esecuzione1 ora 57 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1