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US3797137A - Ballet slipper - Google Patents

Ballet slipper Download PDF

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Publication number
US3797137A
US3797137A US00305737A US3797137DA US3797137A US 3797137 A US3797137 A US 3797137A US 00305737 A US00305737 A US 00305737A US 3797137D A US3797137D A US 3797137DA US 3797137 A US3797137 A US 3797137A
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United States
Prior art keywords
slipper
plastic base
ballet
toe
accordance
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Expired - Lifetime
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US00305737A
Inventor
R Harkness
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PIRVOETTE PROJECTS Inc
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PIRVOETTE PROJECTS Inc
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    • AHUMAN NECESSITIES
    • A43FOOTWEAR
    • A43BCHARACTERISTIC FEATURES OF FOOTWEAR; PARTS OF FOOTWEAR
    • A43B23/00Uppers; Boot legs; Stiffeners; Other single parts of footwear
    • A43B23/08Heel stiffeners; Toe stiffeners
    • A43B23/081Toe stiffeners
    • A43B23/086Toe stiffeners made of impregnated fabrics, plastics or the like
    • A43B23/087Toe stiffeners made of impregnated fabrics, plastics or the like made of plastics
    • AHUMAN NECESSITIES
    • A43FOOTWEAR
    • A43BCHARACTERISTIC FEATURES OF FOOTWEAR; PARTS OF FOOTWEAR
    • A43B5/00Footwear for sporting purposes
    • A43B5/12Dancing shoes

Definitions

  • ABSTRACT There .is disclosed a ballet slipper consisting of two main parts a fabric upper and a plastic foot support.
  • the plastic foot support is substituted for the conventional last and serves the additional function of replacing the stiffening material which is usually provided in the toe of a ballet slipper. If the plastic has the same color as the upper, there is no need to cover the toe of the slipper with fabric; in such a case, the ballet slipper can have an extraordinarily long life.
  • This invention relatesto ballet slippers, and more particularly to ballet slippers which do not exhibit the disadvantages of the conventional leather-last prior art constructions.
  • I provide a plastic base section for a ballet slipper. This section replaces the prior art leather last and toe stiffener. To the top of the plastic base there is sewn a fabric upper, the upper including a'conventional lin- 'ing, edge tape and tie string.
  • the fabric upper does not cover the snub-nosed toe of the plastic basesection.
  • the plastic is of the same color as the fabric and thus, at least from a distance, the ballet slipper looks no different from a conventional slipper.
  • the use of the plastic base overcomes the disadvantages of the, prior art.
  • the plastic is less prone to snap than a conventional leather last, and because there is no fabric over the toe which can become abraded so that it can catch in wood splinters, the slipper issafer to use.
  • the reduced number of component parts makes the slipper relatively easy to construct. Because the plastic piece can be molded, by making an individual mold for a dancer all slippers for that dancer can be designed with individual foot dimensions in mind. But.
  • FIG. 1- is a bottom perspective view of the plastic base section of my invention
  • FIG. 2 is a topplan view of a ballet slipper constructed in accordance with the principles of my invention
  • FIG. 3 is a sectional view through the line 33 of FIG. 2;
  • FIG. 4 is a sectional view, through the line 4-4 of FIG. 2;
  • FIG. 5 is a sectional view through the line 5-5 of FIG. 2.
  • The'plastic base section '10 of FIG; 1, designed for the right foot of a dancer, is a unitary piece of plastic such as polyvinylchloride, and preferably the piece is molded in accordance with the foot measurements of a particular dancer.
  • the base includes a forward section 12 into which the toes of thedancer fit, this section terminating in a snub-nosed toe 14. All around the rear half of the basesection, there is a groove 20, seen most clearly in FIGS. 1 and 4.
  • the bottom 16 of the plastic base bears against the floor, while the foot of the dancer is actually supported by the upper section 18 of the base.
  • a plurality of grooves 22 At the forward lower end of the base section there is provided a plurality of grooves 22, seen most clearly in FIGS. 1 and 3. The resulting ridges at the forward end of the slipper prevent sliding. As shown in FIGS. 1 and 5, on one side of the slipper holes 24 are provided from the grooves through the plastic base. These holes are for breathing and provide greater comfort to the dancer. Similar holes can be provided on the other side of the grooves, and even along parts of the plastic base section, e. g., along upper section 12.
  • the walls of 'theplastic base section are of various thicknesses depending on the functions to be performed by each part of the slipper. For example, the base portion (sections .16 and 18) is thick enough to allow the slipper to flex without breaking, while the toe enclosing portion 12 is thinner since it must provide a lesser support function.
  • the fabric upper is shaped so that when it is placed on the plastic base section, it extends past sloping edge 34 of the base section but not all the way to the snubnosed toe 14.
  • the upper 30 includes two sides 31 as seen most clearly in FIG. 4. At the lower end of each side, the material is folded and inserted into the groove 20, as shown by the. numeral 31a.
  • the fabric upper is secured to the plastic base section by a continuous stitch line 32 which starts on the toe section 12 and slopes downward and rearward on each side of the slipper.
  • the stitching then continues along the lower edge of each side of the plastic base with the fabric material still being on the outside of the base. However, at approximately the center of the base section, the fabric is tucked into the groove 20. At this point, the stitching extends along the lower surface 16 of the slipper and goes through the lower surface 16 of the base section to be folded edges 31a as seen most clearly in FIG. 4.
  • the stitch lines 32 are shown dotted in FIGS. 2 and 3.
  • a conventional folded tape 36 in which there is contained a tie string 38.
  • Conventional elastic bands 40 and 44 are also provided as is known in the art.
  • Standard laces 42 are also sewn to the fabric upper.
  • a strip of stiffening material 46 may be provided at the rear of the fabric upper.
  • the fabric upper may be lined as is known in the art. For the most part, the construction of the fabric upper is along conventional lines, although the bottom of the fabric is shaped so that it can be sewn along an edge as shown by the stitch line 32.
  • the conventional leather last and toe stiffener are not required nor is there any need for an inner sole.
  • a foam rubber inner sole may be placed along base section 18 of the slipper when it is worn by a dancer.
  • ridges can be provided without requiring any additional steps in order to prevent sliding, and breathing holes may be provided at the same time.
  • all ballet slippers made with that mold will conform perfectly to the shape of the dancers foot.
  • fabric may be provided even over the snub-nosed toe of the base section, it is not necessary to extend the fabric over' the front of the plastic base section in order to provide an aesthetically pleasing ballet slipper.
  • the plastic has the same color as the fabric, it is very difficult for an audience to discern that the toe portion of the ballet slipper is not actually covered with fabric.
  • by not covering the toe not only are there no ragged edges which may catch on floor splinters, but also the same pair of ballet slippers may be used for numerous performances.
  • a ballet slipper comprising a unitary plastic base having a foot supporting section and a toe enclosing section, said toe enclosing section including a toe having an external snub-nosed shape and an internal configuration conforming to the toe dimensions of a dancer, and a fabric upper secured to said plastic base.
  • a ballet slipper in accordance with claim 1 wherein said fabric upper terminates above said snubnosed shaped toe so that said snub-nosed shape toe is visible, and said plastic and said fabric upper are of the same color.
  • a ballet slipper in accordance with claim 2 wherein the rear section of said plastic base includes a groove along the sides thereof for containing an edge of said fabric upper.
  • a ballet slipper in accordance with claim 1 wherein a plurality of ventilation holes extend through said plastic base.
  • a ballet slipper in accordance with claim 1 wherein the rear section of said plastic base includes a groove along the sides thereof for containing an edge of said fabric upper.
  • a ballet slipper in accordance with claim 9 wherein said fabric upper is secured to said plastic base by stitching along an edge thereof.

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  • Health & Medical Sciences (AREA)
  • General Health & Medical Sciences (AREA)
  • Physical Education & Sports Medicine (AREA)
  • Footwear And Its Accessory, Manufacturing Method And Apparatuses (AREA)

Abstract

There is disclosed a ballet slipper consisting of two main parts - a fabric upper and a plastic foot support. The plastic foot support is substituted for the conventional last and serves the additional function of replacing the stiffening material which is usually provided in the toe of a ballet slipper. If the plastic has the same color as the upper, there is no need to cover the toe of the slipper with fabric; in such a case, the ballet slipper can have an extraordinarily long life.

Description

United States Patent 119 Harkness [451 Mar. 19, 1974 BALLET SLIPPER [75] Inventor:
[73 Assignee: Pirvoette Projects, Inc., .New York,
22 Filed: Nov. 13, 1972 21 Appl. 110.; 305,737
[52] US. ,Cl. 36/25 AE [51] Int. Cl. .L A43b 00/00 [58] Field of Search 36/25 R, 2.5 AE, 2.5 AF,
[ References Cited. 1
UNITED STATES PATENTS v 1.813.561 7/1931 C'apezio 1. 36/25 AE 6/1951' Crooker ..'36/32 R Rebekah Harkness, New York, NY.
Savino.. 36/25 AE ROOI 36/32 R 1.953.659 2.65l.l l8
Primary Examiner-Patrick D. Lawson Attorney, Agent, or Firm-Gottlieb, Rackman, Reisman & Kirsch 7] ABSTRACT There .is disclosed a ballet slipper consisting of two main parts a fabric upper and a plastic foot support. The plastic foot support is substituted for the conventional last and serves the additional function of replacing the stiffening material which is usually provided in the toe of a ballet slipper. If the plastic has the same color as the upper, there is no need to cover the toe of the slipper with fabric; in such a case, the ballet slipper can have an extraordinarily long life.
10 Claims, 5 Drawing Figures PATENTEI] MR 1 9 i974 SHEET- 1 [IF 2 PAIENTEBHARIS mm 3797; 137
' sum 2 or 2 BALLET SLIPPER This invention relatesto ballet slippers, and more particularly to ballet slippers which do not exhibit the disadvantages of the conventional leather-last prior art constructions.
The art of making ballet slippers is well developed and numerous advances have been made during the course of many years. The constructions of ballet slippers have been, disclosed inmany prior art patents, such as U.S. Pat. No. 1,891,022 issued to Salvatore Capezio on Dec. 13, 1932. As disclosed in this patent, the conventional slipper consists of several major parts which are sewn together. Includedamong them are a dancers are on their toes, as a result of the leather last being insufficiently flexible. Prior art slippers", despite even three pairs of ballet slippers during a single performance. It is also known that as the toe fabric shreds during the course of a performance, the yarn ends can catch on splinters in the floor, and can lead to injuries.
It is a general object of my invention to provide a ballet slipper which overcomes the aforesaid disadvantages of the prior art.
Briefly, in accordance with the principles of my invention, I provide a plastic base section for a ballet slipper. This section replaces the prior art leather last and toe stiffener. To the top of the plastic base there is sewn a fabric upper, the upper including a'conventional lin- 'ing, edge tape and tie string.
In the preferred embodiment ofthe invention, the fabric upper does not cover the snub-nosed toe of the plastic basesection. The plastic is of the same color as the fabric and thus, at least from a distance, the ballet slipper looks no different from a conventional slipper. The use of the plastic base overcomes the disadvantages of the, prior art. The plastic is less prone to snap than a conventional leather last, and because there is no fabric over the toe which can become abraded so that it can catch in wood splinters, the slipper issafer to use. The reduced number of component parts makes the slipper relatively easy to construct. Because the plastic piece can be molded, by making an individual mold for a dancer all slippers for that dancer can be designed with individual foot dimensions in mind. But.
perhaps most important is the fact that because there is no fabric over the toe'which can be worn away, the same pair of slippers may be used for many performances. I i
It is a feature of my invention to provide a plastic base section in lieu of the conventional leather lastand toe stiffener to be found, in prior art ballet slippers.
' Further objects, features and advantages of my invention will become apparent upon consideration of the following detailed description in conjunction with the drawing, in which:
FIG. 1- is a bottom perspective view of the plastic base section of my invention;
FIG. 2 is a topplan view of a ballet slipper constructed in accordance with the principles of my invention;
FIG. 3 is a sectional view through the line 33 of FIG. 2;
'FIG. 4 is a sectional view, through the line 4-4 of FIG. 2; and
FIG. 5 is a sectional view through the line 5-5 of FIG. 2.
The'plastic base section '10 of FIG; 1, designed for the right foot of a dancer, is a unitary piece of plastic such as polyvinylchloride, and preferably the piece is molded in accordance with the foot measurements of a particular dancer. The base includes a forward section 12 into which the toes of thedancer fit, this section terminating in a snub-nosed toe 14. All around the rear half of the basesection, there is a groove 20, seen most clearly in FIGS. 1 and 4. The bottom 16 of the plastic base bears against the floor, while the foot of the dancer is actually supported by the upper section 18 of the base. i
r At the forward lower end of the base section there is provided a plurality of grooves 22, seen most clearly in FIGS. 1 and 3. The resulting ridges at the forward end of the slipper prevent sliding. As shown in FIGS. 1 and 5, on one side of the slipper holes 24 are provided from the grooves through the plastic base. These holes are for breathing and provide greater comfort to the dancer. Similar holes can be provided on the other side of the grooves, and even along parts of the plastic base section, e. g., along upper section 12.
Surface 18 which supports the dancers foot slopes slightly inwardly from each side, as seen most clearly in FIGS. 3 and 4, to conform to the foot dimensions. The walls of 'theplastic base section are of various thicknesses depending on the functions to be performed by each part of the slipper. For example, the base portion (sections .16 and 18) is thick enough to allow the slipper to flex without breaking, while the toe enclosing portion 12 is thinner since it must provide a lesser support function.
The fabric upper is shaped so that when it is placed on the plastic base section, it extends past sloping edge 34 of the base section but not all the way to the snubnosed toe 14. The upper 30 includes two sides 31 as seen most clearly in FIG. 4. At the lower end of each side, the material is folded and inserted into the groove 20, as shown by the. numeral 31a. The fabric upper is secured to the plastic base section by a continuous stitch line 32 which starts on the toe section 12 and slopes downward and rearward on each side of the slipper. The stitching then continues along the lower edge of each side of the plastic base with the fabric material still being on the outside of the base. However, at approximately the center of the base section, the fabric is tucked into the groove 20. At this point, the stitching extends along the lower surface 16 of the slipper and goes through the lower surface 16 of the base section to be folded edges 31a as seen most clearly in FIG. 4. The stitch lines 32 are shown dotted in FIGS. 2 and 3.
7 They are also shown in FIG. 1, even though this figure does not illustrate the fabric, in order that the continuous stitch line be understood most clearly.
As seen in FIGS. 2 and 3, at the top of the fabric upper there is provided a conventional folded tape 36, in which there is contained a tie string 38. Conventional elastic bands 40 and 44 are also provided as is known in the art. Standard laces 42 are also sewn to the fabric upper. As seen in FIGS. 2 and 3, at the rear of the fabric upper a strip of stiffening material 46 may be provided. Also, although not shown in the drawing, the fabric upper may be lined as is known in the art. For the most part, the construction of the fabric upper is along conventional lines, although the bottom of the fabric is shaped so that it can be sewn along an edge as shown by the stitch line 32.
One of the striking advantages of the invention is the simplicity of construction. The conventional leather last and toe stiffener are not required nor is there any need for an inner sole. (For greater comfort, a foam rubber inner sole may be placed along base section 18 of the slipper when it is worn by a dancer.) Not only is it easier to make the lower portion of a ballet slipper by using a plastic base, but by so doing ridges can be provided without requiring any additional steps in order to prevent sliding, and breathing holes may be provided at the same time. Also, after a mold is taken of the foot of an individual dancer, all ballet slippers made with that mold will conform perfectly to the shape of the dancers foot.
Although, if desired, fabric may be provided even over the snub-nosed toe of the base section, it is not necessary to extend the fabric over' the front of the plastic base section in order to provide an aesthetically pleasing ballet slipper. if the plastic has the same color as the fabric, it is very difficult for an audience to discern that the toe portion of the ballet slipper is not actually covered with fabric. Furthermore, by not covering the toe, not only are there no ragged edges which may catch on floor splinters, but also the same pair of ballet slippers may be used for numerous performances.
Although the invention has been described with reference to a particular embodiment, it is to be understood that this embodiment is merely illustrative of the application of the principles of the invention. Numerous modifications may be made therein and other arrangements may be devised without departing from the spirit and scope of the invention.
What I claim is:
1. A ballet slipper comprising a unitary plastic base having a foot supporting section and a toe enclosing section, said toe enclosing section including a toe having an external snub-nosed shape and an internal configuration conforming to the toe dimensions of a dancer, and a fabric upper secured to said plastic base.
2. A ballet slipper in accordance with claim 1 wherein said fabric upper terminates above said snubnosed shaped toe so that said snub-nosed shape toe is visible, and said plastic and said fabric upper are of the same color.
3. A ballet slipper in accordance with claim 2 wherein the forward lower surface of said plastic base has ridges thereon for preventing sliding on a floor by a dancer wearing the slipper.
4. A ballet slipper in accordance with claim 2 wherein a plurality of ventilation holes extend through said plastic base.
5. A ballet slipper in accordance with claim 2 wherein the rear section of said plastic base includes a groove along the sides thereof for containing an edge of said fabric upper.
6. A ballet slipper in accordance with claim 5 wherein said fabric upper is secured to said plastic base by stitching along an edge thereof.
7. A ballet slipper in accordance with claim 1 wherein the forward lower surface of said plastic base has ridges thereon for preventing sliding on a floor by a dancer wearing the slipper.
8. A ballet slipper in accordance with claim 1 wherein a plurality of ventilation holes extend through said plastic base.
9. A ballet slipper in accordance with claim 1 wherein the rear section of said plastic base includes a groove along the sides thereof for containing an edge of said fabric upper.
10. A ballet slipper in accordance with claim 9 wherein said fabric upper is secured to said plastic base by stitching along an edge thereof.

Claims (10)

1. A ballet slipper comprising a unitary plastic base having a foot supporting section and a toe enclosing section, said toe enclosing section including a toe having an external snub-nosed shape and an internal configuration conforming to the toe dimensions of a dancer, and a fabric upper secured to said plastic base.
2. A ballet slipper in accordance with claim 1 wherein said fabric upper terminates above said snub-nosed shaped toe so that said snub-nosed shape toe is visible, and said plastic and said fabric upper are of the same color.
3. A ballet slipper in accordance with claim 2 wherein the forward lower surface of said plastic base has ridges thereon for preventing sliding on a floor by a dancer wearing the slipper.
4. A ballet slipper in accordance with claim 2 wherein a plurality of ventilation holes extend through said plastic base.
5. A ballet slipper in accordance with claim 2 wherein the rear section of said plastic base includes a groove along the sides thereof for containing an edge of said fabric upper.
6. A ballet slipper in accordance with claim 5 wherein said fabric upper is secured to said plastic base by stitching along an edge thereof.
7. A ballet slipper in accordance with claim 1 wherein the forward lower surface of said plastic base has ridges thereon for preventing sliding on a floor by a dancer wearing the slipper.
8. A ballet slipper in accordance with claim 1 wherein a plurality of ventilation holes extend through said plastic base.
9. A ballet slipper in accordance with claim 1 wherein the rear section of said plastic base includes a groove along the sides thereof for containing an edge of saId fabric upper.
10. A ballet slipper in accordance with claim 9 wherein said fabric upper is secured to said plastic base by stitching along an edge thereof.
US00305737A 1972-11-13 1972-11-13 Ballet slipper Expired - Lifetime US3797137A (en)

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Cited By (20)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US4026046A (en) * 1976-07-29 1977-05-31 Clark Ann V Dancing slipper with self-molding toe insert
JPS5472940U (en) * 1977-10-31 1979-05-24
US4199878A (en) * 1977-08-17 1980-04-29 Hugo Wossner Ballet and toe-dance shoe
US4901453A (en) * 1988-03-18 1990-02-20 Gaynor Elizabeth H Ballet slipper and method of manufacturing a ballet slipper
WO1991001659A1 (en) * 1989-08-11 1991-02-21 Cole, Charles, D. Shoe employing negative toe rocker for foot muscle intensive sports
US5035069A (en) * 1988-03-18 1991-07-30 Minden Elizabeth G Ballet slipper and method of manufacturing a ballet slipper
US5142797A (en) * 1989-08-11 1992-09-01 Cole Iii Charles D Shoe employing negative toe rocker for foot muscle intensive sports
US5170575A (en) * 1990-04-23 1992-12-15 Raymond Pelfrey Football kicking shoe
US5191726A (en) * 1991-05-03 1993-03-09 Repetto Asymmetric ballet shoe and pair of such shoes
FR2758950A1 (en) * 1997-01-14 1998-08-07 Patrick Valdivia Ballet shoe
US20040093761A1 (en) * 2002-11-19 2004-05-20 Nye William S. Toe shoe
WO2005089579A2 (en) 2004-03-15 2005-09-29 Freddy S.P.A. Dance shoe of the half point type
EP2023756A2 (en) * 2006-06-05 2009-02-18 NIKE International Ltd. Article of footwear with open upper
US20110010966A1 (en) * 2009-07-16 2011-01-20 Strada Shoe Limitada Shoe and Method of Making Same
US9314068B2 (en) 2010-04-30 2016-04-19 Kelly Susan Schmutte Self-customized, moldable, weight-distributing insert for ballet pointe shoes
USD856641S1 (en) * 2018-04-27 2019-08-20 Tewani Creative Group, LLC Slipper
USD903990S1 (en) * 2016-11-01 2020-12-08 Lisias Ransan Footwear component
USD912375S1 (en) * 2018-11-01 2021-03-09 Lisias Ransan Footwear component
USD920642S1 (en) * 2019-12-03 2021-06-01 Lisias Ransan Ballet pointe shoe
US20210267310A1 (en) * 2018-11-01 2021-09-02 Lisias Ransan Ballet pointe shoe

Citations (4)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US1813561A (en) * 1929-03-01 1931-07-07 Capezio Salvatore Ballet slipper
US1953659A (en) * 1931-04-22 1934-04-03 Savino Michele Ballet slipper
US2557946A (en) * 1948-02-18 1951-06-26 Lloyd L Felker Nonskid rubber sole construction
US2651118A (en) * 1948-10-27 1953-09-08 United Shoe Machinery Corp Molding soles and heels to uppers

Patent Citations (4)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US1813561A (en) * 1929-03-01 1931-07-07 Capezio Salvatore Ballet slipper
US1953659A (en) * 1931-04-22 1934-04-03 Savino Michele Ballet slipper
US2557946A (en) * 1948-02-18 1951-06-26 Lloyd L Felker Nonskid rubber sole construction
US2651118A (en) * 1948-10-27 1953-09-08 United Shoe Machinery Corp Molding soles and heels to uppers

Cited By (27)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US4026046A (en) * 1976-07-29 1977-05-31 Clark Ann V Dancing slipper with self-molding toe insert
US4199878A (en) * 1977-08-17 1980-04-29 Hugo Wossner Ballet and toe-dance shoe
JPS5472940U (en) * 1977-10-31 1979-05-24
JPS5541042Y2 (en) * 1977-10-31 1980-09-25
US4901453A (en) * 1988-03-18 1990-02-20 Gaynor Elizabeth H Ballet slipper and method of manufacturing a ballet slipper
US5035069A (en) * 1988-03-18 1991-07-30 Minden Elizabeth G Ballet slipper and method of manufacturing a ballet slipper
WO1991001659A1 (en) * 1989-08-11 1991-02-21 Cole, Charles, D. Shoe employing negative toe rocker for foot muscle intensive sports
US5142797A (en) * 1989-08-11 1992-09-01 Cole Iii Charles D Shoe employing negative toe rocker for foot muscle intensive sports
US5170575A (en) * 1990-04-23 1992-12-15 Raymond Pelfrey Football kicking shoe
US5191726A (en) * 1991-05-03 1993-03-09 Repetto Asymmetric ballet shoe and pair of such shoes
FR2758950A1 (en) * 1997-01-14 1998-08-07 Patrick Valdivia Ballet shoe
US6895694B2 (en) * 2002-11-19 2005-05-24 William S. Nye Toe shoe
US20050198861A1 (en) * 2002-11-19 2005-09-15 Nye William S. Toe shoe
US7254904B2 (en) * 2002-11-19 2007-08-14 Nye William S Toe shoe
US20040093761A1 (en) * 2002-11-19 2004-05-20 Nye William S. Toe shoe
WO2005089579A2 (en) 2004-03-15 2005-09-29 Freddy S.P.A. Dance shoe of the half point type
WO2005089579A3 (en) * 2004-03-15 2006-04-06 Freddy Spa Dance shoe of the half point type
EP2023756A4 (en) * 2006-06-05 2012-11-14 Nike International Ltd Article of footwear with open upper
EP2023756A2 (en) * 2006-06-05 2009-02-18 NIKE International Ltd. Article of footwear with open upper
US20110010966A1 (en) * 2009-07-16 2011-01-20 Strada Shoe Limitada Shoe and Method of Making Same
US8991070B2 (en) 2009-07-16 2015-03-31 Strada Shoe Limitada Shoe and method of making same
US9314068B2 (en) 2010-04-30 2016-04-19 Kelly Susan Schmutte Self-customized, moldable, weight-distributing insert for ballet pointe shoes
USD903990S1 (en) * 2016-11-01 2020-12-08 Lisias Ransan Footwear component
USD856641S1 (en) * 2018-04-27 2019-08-20 Tewani Creative Group, LLC Slipper
USD912375S1 (en) * 2018-11-01 2021-03-09 Lisias Ransan Footwear component
US20210267310A1 (en) * 2018-11-01 2021-09-02 Lisias Ransan Ballet pointe shoe
USD920642S1 (en) * 2019-12-03 2021-06-01 Lisias Ransan Ballet pointe shoe

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