US20190066647A1 - Musical instrument electronic interface - Google Patents
Musical instrument electronic interface Download PDFInfo
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- US20190066647A1 US20190066647A1 US16/116,176 US201816116176A US2019066647A1 US 20190066647 A1 US20190066647 A1 US 20190066647A1 US 201816116176 A US201816116176 A US 201816116176A US 2019066647 A1 US2019066647 A1 US 2019066647A1
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- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H3/00—Instruments in which the tones are generated by electromechanical means
- G10H3/12—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument
- G10H3/14—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means
- G10H3/18—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means using a string, e.g. electric guitar
- G10H3/182—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means using a string, e.g. electric guitar using two or more pick-up means for each string
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H1/00—Details of electrophonic musical instruments
- G10H1/46—Volume control
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H3/00—Instruments in which the tones are generated by electromechanical means
- G10H3/12—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument
- G10H3/14—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means
- G10H3/18—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means using a string, e.g. electric guitar
- G10H3/181—Details of pick-up assemblies
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H3/00—Instruments in which the tones are generated by electromechanical means
- G10H3/12—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument
- G10H3/14—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means
- G10H3/18—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means using a string, e.g. electric guitar
- G10H3/185—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means using a string, e.g. electric guitar in which the tones are picked up through the bridge structure
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H3/00—Instruments in which the tones are generated by electromechanical means
- G10H3/12—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument
- G10H3/14—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means
- G10H3/18—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means using a string, e.g. electric guitar
- G10H3/186—Means for processing the signal picked up from the strings
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
- G10H2220/00—Input/output interfacing specifically adapted for electrophonic musical tools or instruments
- G10H2220/461—Transducers, i.e. details, positioning or use of assemblies to detect and convert mechanical vibrations or mechanical strains into an electrical signal, e.g. audio, trigger or control signal
Definitions
- Conventional electric guitars interface with a single amplifier, due to the size and expense of an amplifier. Multiple pickups on the guitar are adapted to receive a signal from the vibration of guitar strings. Due to the different location of the pickups, each pickup may interpret a slightly different sound from the same string.
- a typical guitar has neck, bridge, and middle pickups, referring to the location of the pickup on the instrument.
- Conventional guitars employ a selector switch or the like on the guitar to direct signals from a particular pickup to the amplifier or receiver connected to the guitar.
- Modern electronics allow recordation and mixing of musical audio signals, and widely available applications (apps) allow even a novice user to perform sophisticated manipulations of multiple recorded tracks.
- These modern apps allow users to perform sound editing on a standard computing device (e.g. laptop or smartphone) to a level which was once only available to professionals having expensive hardware.
- a switching device receives an output cable from a musical instrument such as a guitar.
- the output cable has a plurality of conductors corresponding to each of the pickups on the guitar, typically 2 or 3.
- a passthrough signal based on a manually switched pickup selection corresponds to a main guitar output in conventional approaches.
- a pickup buffer circuit on the guitar isolates the signal conductors from the selected passthrough signal, and the pickup buffer circuit switches on and off to allow for backwards compatibility.
- a multi-conductor cable and jack simultaneously transmits the plurality of signals to the switching device.
- the switching device receives the multi-conductor cable in place of a conventional breakout box.
- a combination circuit in the switching device combines the signals from the pickups and also delivers the individual pickup signals to a respective output jack.
- Each output jack simultaneously delivers the respective pickup or combined signal to a mixer, amplifier or other signal processing device for recording and/or further processing.
- a power supply delivers DC power for the switching device, and also delivers 9v to the pickup buffer circuit on the guitar through one of the conductors in the cable.
- Configurations herein are based, in part, on the observation that conventional electric guitars employ only a single mono plug for connection to downstream devices such as amplifiers, mixers and recorders.
- Guitars often have multiple “pickups,” which are sensory devices between the strings and guitar body that sense the vibration in the guitar strings and convert the vibratory movement into electronic signals.
- a bridge pickup and neck pickup are adjacent the guitar bridge and neck, respectively.
- the signals delivered from the pickups may exhibit a slightly different musical characteristic.
- the output signal from the guitar may be from one of the pickups, or from a combination of the pickups.
- conventional guitars suffer from the shortcoming that only one signal may be delivered at a time to the downstream devices.
- configurations herein substantially overcome the shortcomings of single signals by providing a switching device similar to a breakout box, switching circuit and cable for providing simultaneous output signals from multiple pickups. Simultaneous output is selectable from either pickup, a middle pickup as available on some guitars, or a combination of the pickups. All signals may be simultaneously transmitted to the downstream devices, such as a multi-channel mixer that can now simultaneously record individual tracks corresponding to the signals from each pickup or combination thereof. Individual signals may be selected by a foot-activatable mute switch on the device.
- FIG. 1 is a context view of the switching device in use with a guitar and mixing appliance
- FIG. 2 is a perspective view of the switching device of FIG. 1 ;
- FIG. 3 is an architecture diagram of the switching device of FIG. 2 ;
- FIG. 4 is a multi-conductor plug and jack operable for use with the switching device of FIG. 3 ;
- FIG. 5 shows a backwards compatible jack in the arrangement of FIG. 4 ;
- FIG. 6 is a block diagram of the pickup buffer circuit on the guitar
- FIG. 7 is a schematic diagram of a pickup buffer circuit for a 2 pickup guitar.
- FIG. 8 is a schematic diagram of a pickup buffer circuit for a 3 pickup guitar.
- FIG. 1 Depicted below is an example configuration of the switching device in the context of a guitar based rendering for simultaneously delivering musical signals (signals) from each of the neck and bridge pickups, along with a combined signal and a “through” or switched signal controlled by a switch on the guitar.
- a typical guitar has a body mounted pickup selector switch for selecting either of the pickups as the output.
- this through signal is the sole mono signal emanated from the guitar, as is typical with conventional musical instruments.
- FIG. 1 is a context view of the switching device 150 in use with a guitar 110 and mixing appliance 112 .
- the guitar 110 includes a bridge pickup 121 , neck pickup 122 , and a pickup selector switch 124 .
- the pickup selector switch 124 in conventional guitars, select the single output to be based on the bridge pickup, neck pickup, or a combined neck and bridge signal, but only a single mono signal is output based on the pickup selector switch 124 .
- a pickup buffer circuit 130 allows simultaneous output from the bridge and neck pickups, in addition to the through signal based on the pickup selector switch 124 .
- Music signals are any analog or digital signal adapted to render an audio impulse on a speaker or similar device.
- a switching device 150 for music signals includes an input jack 152 adapted to receive a cable 120 from a musical instrument.
- the cable 120 has conductors 160 corresponding to the input jack 152 and including power 162 , ground 164 , and a plurality of signal conductors 166 - 1 . . . 166 - 3 ( 166 generally).
- a plurality of output jacks 170 - 1 . . . 170 - 4 ( 170 generally) are each configured to simultaneously transmit an output signal. Each output signal is based on one or more of the signal conductors 166 .
- the switching device 150 aggregates some of the signals on the signal conductors 166 to generate combined signals, hence the number of output jacks 170 may be greater than the number of signal conductors 166 on the input.
- the output jacks further include a through jack 170 - 1 for passing a musical signal on a signal conductor responsive to the pickup selector switch 124 on the musical instrument (the through signal), and jacks 170 - 2 , 170 - 3 having the respective bridge and neck pickup signals.
- An aggregate jack 170 - 4 passes an aggregate signal based on a combination of the neck and bridge ( 166 - 2 , 166 - 3 ) signal conductors.
- the device 150 includes a buffer, discussed further below, connected between the aggregate jack and the neck and bridge signal conductors to isolate the aggregate output and avoid signal degradation or compromise that would otherwise occur from multiple “pickoff” or taps onto the signal conductors 166 .
- Mute switches 346 discussed further below, turn individual outputs on and off.
- FIG. 2 is a perspective view of the switching device of FIG. 1 .
- the novel switching device 150 has an appearance and placement similar to a conventional breakout box, which typically occupies the floor area in front of the musician and has foot-actuated switches in a button form.
- FIG. 2 is an example of a device 150 configuration operable with a 3 pickup guitar, having neck, bridge and middle pickups.
- the input jack 152 supports power 162 , ground 164 , and signal conductors 166 corresponding to each of the bridge, neck and middle pickups, in addition to the through conductor 166 - 1 .
- a corresponding plug 153 engages the jack, 152 , discussed further below.
- Aggregated output signals include bridge and middle, middle and neck, and neck and bridge, in addition to the dedicated individual pickups and the through signal. Both two pickup and 3 pickup configurations are discussed further below, however the disclosed signal aggregation could be implemented for any suitable number of pickups or similar signal origination on other musical instruments.
- FIG. 3 is an architecture diagram of the switching device of FIG. 2 .
- the architecture 300 is implemented in the switching device 150 for connecting and aggregating the signals on the input conductors 166 to the output jacks 170 .
- FIGS. 2 and 3 depict an implementation with a 3 pickup guitar, while FIG. 1 shows a 2 pickup guitar. In each case, handling of the additional middle pickup with either of the neck or bridge is similar to the 2 pickup processing of the neck and bridge.
- the cable 120 provides a 6 channel (6 conductor) connection. Any suitable connection, such as an XLR plug, a 1 ⁇ 4 in. microphone plug discussed below, or other engaging connector may be used.
- Each conductor 166 provides a corresponding input signal 366 .
- the through conductor 166 - 1 provides through signal 366 - 1 .
- a bridge pickup conductor 166 - 2 provides a bridge pickup signal 366 - 2 .
- a neck pickup conductor 166 - 3 carries neck pickup signal 366 - 3 , and a middle pickup conductor provides a middle pickup signal 366 - 4 (the 2 pickup configuration of FIG. 1 has no middle pickup).
- Single pickup signals are passed through to the corresponding output. This includes the through signal 366 - 1 that provides through output 170 - 1 .
- Bridge pickup signal 366 - 2 provides bridge output (pickup 1) 170 - 2 .
- Neck signal 366 - 3 provides neck output (pickup 2) 170 - 4
- middle pickup signal provides middle output (pickup 3) 170 - 6 .
- a buffer 340 connects each of a plurality of the signal conductors 166 to an aggregate jack for forming a combined signal.
- the buffer 340 isolates the “pickoff” or tap of the input so that the additional combined output does not interfere with the dedicated pickup signal.
- a buffer 340 as employed herein refers to a circuit function interposed to interface between two subcircuits.
- the buffer 340 is an interposed element which keeps the source from being affected by the load attributes, but delivers the same or nearly the same voltage and current it sees at its own input. In the architecture 300 of FIG.
- a buffer 340 is connected between each aggregate jack 170 - 3 , 170 - 5 , 170 - 7 and the plurality of signal conductors 166 upon which the aggregate signal is based.
- a combiner 343 defines an analog mixing of the constituent signals, however other circuitry, such as digital combination and variable contribution may be performed. For example, a rheostat may be included to vary the relative signal contribution other than a 50-50 equal contribution.
- lag or delay circuitry 342 may be provided for any of the individual or aggregate signals delivered on output jacks 170 - 2 . . . 170 - 7 .
- Other audio processing 344 may also be implemented in the device 150 for varied effects before emanating on an output jack 170 .
- a push button mute switch 346 enables and disables the respective signal output, such as by a foot press of the musician.
- a mute switch 346 switch connects to each of the output jacks for selective activation of a musical signal carried via the output jacks.
- Each of the output jacks 170 is adapted to receive a connection to a subsequent musical input device 112 , typically via a standard 1 ⁇ 4 TRS plug, although any suitable output plug may be employed, and individual output signals may be suppressed using the mute switch 346 .
- the subsequent musical input device 112 may include one or more of a mixer, amplifier, speaker, sound processor or recorder, such that the subsequent musical input device is adapted for simultaneous receipt of musical signals carried on a plurality of the output jacks. Once recorded, any suitable electronic medium 113 may receive the subsequent recordings or individual tracks.
- a 9v DC power signal 162 and ground 164 are provided for powering the pickup buffer circuit 130 on the guitar.
- the same 9V power supply may be invoked for powering an active pickup, pre-amplifier, or any electronics onboard the guitar that require power through a connection to the power conductor 162 for powering the active pickup.
- the signal conductors 166 include the through conductor 166 - 1 which carries a signal responsive to the pickup selector switch 124 on the musical instrument.
- the pickup selector switch allows legacy operation using a conventional mono plug, and may also be used to augment the other signal conductors 166 , as all are received by the device 150 .
- the through signal is passed from the guitar 110 without aggregation with signals on other conductors 166 .
- the pickup selector switch 124 rather, is used to determine the pickup(s) carried by the through conductor 166 - 1 .
- the pickup buffer circuit 130 includes relays activated by the 9V power conductor. When no 9V power is seen on the cable 120 , the guitar defaults to a mono mode where only the signal based on the pickup selector switch is output, discussed further now with respect to FIGS. 4 and 5 .
- FIG. 4 is a multi-conductor plug and jack operable for use with the switching device of FIG. 3 .
- the signal conductors 166 connect to the musical instrument via a plug 155 having a respective axially arranged concentric conductor for each of the ground 1164 , power 1162 and signal conductors 1166 - 1 . . . 1166 - 3 ( 1166 generally), such that the plug 155 corresponds to an industry standard mono plug size of 1 ⁇ 4 in. TRS, taking the form of a T4RS for 4 conductors in addition to the tip and ground.
- the plug 155 has similar male contact arrangements on both ends of the cable 120 .
- the jack 157 has the corresponding conductor arrangement, as well as the jack 152 on the device 150 for receiving the plug 153 . While the T4RS plug disclosed facilitates backwards compatibility with 1 ⁇ 4 in. phone plugs, any suitable form of an engaging plug may be employed.
- the pickup buffer circuit 130 therefore connects to the plug receptacle jack 157 adapted to receive the plug and engages the plug receptacle contacts for each of the plurality of concentric conductors, such that each of the cable conductors corresponds to one of the concentric conductors.
- the pickup buffer circuit 130 therefore outputs the pickup signals on the corresponding signal conductors 166 for receipt by the switching device 150 .
- FIG. 5 shows a backwards compatible jack in the arrangement of FIG. 4 .
- the plug receptacle 157 of the pickup buffer circuit 130 when a standard 1 ⁇ 4 in. tsp plug 155 ′ is inserted, no power source is available, causing the pickup buffer circuit 130 to enter a legacy mode where the signal conductors 166 are seen as grounds except for the tip 166 - 1 , resulting in a standard mono signal on the conductor 166 - 1 corresponding to the through (pickup selector 124 switched) and ground.
- FIG. 6 is a block diagram of the pickup buffer circuit 130 on the guitar 110 .
- each of the signal conductors 166 connects to at least one pickup 121 , 122 of the guitar 110 via a relay switched connection.
- the guitar 110 has a bridge pickup 121 , neck pickup 122 and may also include a middle pickup.
- the pickup buffer circuit 130 is implemented between the pickups and the existing pickup selector switch 124 and any other effects, such as attenuation, delay, damping, etc, present on the guitar 110 .
- the block diagram in FIG. 6 includes a 3 pickup implementation, including pickup 1 (bridge) 121 , pickup 2 (neck) 122 , and pickup 3 (middle) 123 .
- Each pickup connects to a respective relay 1121 , 1122 and 1123 having a NO (normally open) and NC (normally closed) output.
- the power conductor 162 connects to the relays for activating the relays to switch the bridge, neck and middle pickups through the buffer circuit to a respective signal conductor in the cable. When energized by the power conductor 162 , the NO branch closes to receive the pickup signal and direct it to the corresponding buffer.
- Each of the bridge and neck pickups is connected to a relay switched buffer circuit 640 .
- the power conductor 162 is connected to the relays for activating the relays to switch the bridge and neck pickups through the buffer circuit to a respective signal conductor in the cable 120 .
- the buffer circuits 640 simultaneously pass a signal from the bridge, neck and middle (if present) pickups to the native electronics 125 on the guitar, in which the native electronics connect to a signal conductor to the through jack.
- a tap 1 P, 2 P, 3 P also receives the pickup signal and directs it to the corresponding conductor on the switching device 150 .
- the buffer 640 isolates the pickup signal to allow the preexisting guitar electronics 125 including the pickup selector 124 to also receive an unadulterated signal.
- Each of the signal conductors 166 is therefore responsive to a buffer circuit 640 the musical instrument, such that the buffer circuit 640 is configured to isolate the signal conductors from a native output signal of the musical instrument. Without the buffer, the “split” or tapped signal might be affected, however the buffer 640 ensures that substantially the same input is seen from the pickup. In this scenario, the native output signal passes through the pickup selector switch 124 such that the pickup selector switch is operable to provide a musical signal to the through jack 170 - 1 , based on one or more of the pickups, simultaneously with musical signals on the other signal conductors 166 .
- the relays In the backwards compatibility case where a standard mono plug is inserted, the relays default to the NC position and simply pass the pickup signal through to the preexisting electronics 125 , as the buffer 640 is inactive. This allows the guitar 110 to perform as if no pickup buffer circuit 130 were present.
- FIG. 7 is a schematic diagram of a pickup buffer circuit for a 2 pickup guitar. Referring to FIGS. 6 and 7 , no handling of pickup 3 (middle) is needed in FIG. 7 .
- a buffer circuit 640 is responsive to the relay 1121 , 1122 when the relay switched by the power conductor from the cable, such that the relay has a normally open position for powering the buffer circuit and a normally closed position for permitting a single output signal corresponding to the pickup selector switch.
- the implemented relay 700 is a DPDT (double pole, double throw) leaving the switching operation of relays 1121 , 1122 encapsulated together Multiple SPST relays could have been employed. In both FIGS.
- the buffer circuit 640 connects each of the pickups 121 , 122 to a signal conductor for isolating the signal conductor from the native output signal, in which the native output signal corresponds to the through jack 170 - 1 and each of the buffer circuits connects to a corresponding pickup for providing a musical signal on a corresponding signal conductor 166 .
- FIG. 8 is a schematic diagram of a pickup buffer circuit for a 3 pickup guitar.
- DPDT relays are also employed, however only one pole of the relay serving pickup 3 (middle) is needed. The remaining pole is available for expansion.
- the implementation of FIG. 8 encapsulates the pickup buffer circuit 124 for a 3 element guitar 110 connected to the switching device 150 .
- the switching device includes an input jack adapted to receive a cable from an output of the guitar, the input jack 152 having conductors for power 162 , ground 164 , and a plurality of signals 166 . Each signal of the plurality of signals is based on at least one pickup on the guitar, and others are a combination of 2 or more pickups.
- a plurality of output jacks include a primary pass through responsive to the pickup selector switch 124 on the guitar, and selectable outputs are responsive to the pickups on the guitar.
- a plurality of mute switches 346 activates each of the selectable outputs.
- the selectable outputs include an output from each pickup on the guitar, and an aggregate output from a combination of pickups on the guitar.
- a buffer 640 is connected between the aggregate output and an input from which the aggregate output is combined.
- Each of the output jacks 170 is adapted to simultaneously provide a corresponding output signal based on the plurality of signals received via the input jack, allowing simultaneous rendering and/or recording of each individual pickup as well as the combined aggregate signals from the neck/bridge, neck/middle and middle/bridge.
- the cable 120 may be terminated by other suitable connectors for providing the needed conductors, depending on the number of pickups captured.
- the switching device 150 may employ alternate signal combinations in addition to those disclosed.
- the disclosed T4S connector plug may be employed in alternate configurations for providing a plurality of conductors in a form factor similar to a 1 ⁇ 4 phone plug.
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Abstract
Description
- This patent application claims the benefit under 35 U.S.C. § 119(e) of U.S. Provisional Patent App. No. 62/551,382, filed Aug. 29, 2017, entitled “MUSICAL INSTRUMENT ELECTRONIC INTERFACE,” incorporated herein by reference in entirety.
- Conventional electric guitars interface with a single amplifier, due to the size and expense of an amplifier. Multiple pickups on the guitar are adapted to receive a signal from the vibration of guitar strings. Due to the different location of the pickups, each pickup may interpret a slightly different sound from the same string. A typical guitar has neck, bridge, and middle pickups, referring to the location of the pickup on the instrument. Conventional guitars employ a selector switch or the like on the guitar to direct signals from a particular pickup to the amplifier or receiver connected to the guitar.
- Modern electronics allow recordation and mixing of musical audio signals, and widely available applications (apps) allow even a novice user to perform sophisticated manipulations of multiple recorded tracks. These modern apps allow users to perform sound editing on a standard computing device (e.g. laptop or smartphone) to a level which was once only available to professionals having expensive hardware.
- Conventional musical instruments, however, typically deliver a single (mono) sound signal. Performed music requires multiple microphones to capture stereo left and right signals. Some instruments, such as electric guitars, directly deliver an electronic medium, however it is still a mono signal.
- A switching device receives an output cable from a musical instrument such as a guitar. The output cable has a plurality of conductors corresponding to each of the pickups on the guitar, typically 2 or 3. A passthrough signal based on a manually switched pickup selection corresponds to a main guitar output in conventional approaches. A pickup buffer circuit on the guitar isolates the signal conductors from the selected passthrough signal, and the pickup buffer circuit switches on and off to allow for backwards compatibility. A multi-conductor cable and jack simultaneously transmits the plurality of signals to the switching device. The switching device receives the multi-conductor cable in place of a conventional breakout box. A combination circuit in the switching device combines the signals from the pickups and also delivers the individual pickup signals to a respective output jack. Each output jack simultaneously delivers the respective pickup or combined signal to a mixer, amplifier or other signal processing device for recording and/or further processing. A power supply delivers DC power for the switching device, and also delivers 9v to the pickup buffer circuit on the guitar through one of the conductors in the cable.
- Configurations herein are based, in part, on the observation that conventional electric guitars employ only a single mono plug for connection to downstream devices such as amplifiers, mixers and recorders. Guitars often have multiple “pickups,” which are sensory devices between the strings and guitar body that sense the vibration in the guitar strings and convert the vibratory movement into electronic signals. In a typical guitar, a bridge pickup and neck pickup are adjacent the guitar bridge and neck, respectively. The signals delivered from the pickups may exhibit a slightly different musical characteristic. The output signal from the guitar may be from one of the pickups, or from a combination of the pickups. Unfortunately, conventional guitars suffer from the shortcoming that only one signal may be delivered at a time to the downstream devices. Accordingly, configurations herein substantially overcome the shortcomings of single signals by providing a switching device similar to a breakout box, switching circuit and cable for providing simultaneous output signals from multiple pickups. Simultaneous output is selectable from either pickup, a middle pickup as available on some guitars, or a combination of the pickups. All signals may be simultaneously transmitted to the downstream devices, such as a multi-channel mixer that can now simultaneously record individual tracks corresponding to the signals from each pickup or combination thereof. Individual signals may be selected by a foot-activatable mute switch on the device.
- The foregoing and other objects, features and advantages of the invention will be apparent from the following description of particular embodiments of the invention, as illustrated in the accompanying drawings in which like reference characters refer to the same parts throughout the different views. The drawings are not necessarily to scale, emphasis instead being placed upon illustrating the principles of the invention.
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FIG. 1 is a context view of the switching device in use with a guitar and mixing appliance; -
FIG. 2 is a perspective view of the switching device ofFIG. 1 ; -
FIG. 3 is an architecture diagram of the switching device ofFIG. 2 ; -
FIG. 4 is a multi-conductor plug and jack operable for use with the switching device ofFIG. 3 ; -
FIG. 5 shows a backwards compatible jack in the arrangement ofFIG. 4 ; -
FIG. 6 is a block diagram of the pickup buffer circuit on the guitar; -
FIG. 7 is a schematic diagram of a pickup buffer circuit for a 2 pickup guitar; and -
FIG. 8 is a schematic diagram of a pickup buffer circuit for a 3 pickup guitar. - Depicted below is an example configuration of the switching device in the context of a guitar based rendering for simultaneously delivering musical signals (signals) from each of the neck and bridge pickups, along with a combined signal and a “through” or switched signal controlled by a switch on the guitar. A typical guitar has a body mounted pickup selector switch for selecting either of the pickups as the output. In conventional approaches, this through signal is the sole mono signal emanated from the guitar, as is typical with conventional musical instruments.
-
FIG. 1 is a context view of theswitching device 150 in use with aguitar 110 and mixingappliance 112. Theguitar 110 includes abridge pickup 121,neck pickup 122, and apickup selector switch 124. The pickup selector switch 124, in conventional guitars, select the single output to be based on the bridge pickup, neck pickup, or a combined neck and bridge signal, but only a single mono signal is output based on thepickup selector switch 124. In configurations herein, apickup buffer circuit 130 allows simultaneous output from the bridge and neck pickups, in addition to the through signal based on thepickup selector switch 124. Music signals, as denoted herein, are any analog or digital signal adapted to render an audio impulse on a speaker or similar device. - In a musical performing and recording environment 100, a
switching device 150 for music signals includes aninput jack 152 adapted to receive acable 120 from a musical instrument. Thecable 120 hasconductors 160 corresponding to theinput jack 152 and includingpower 162,ground 164, and a plurality of signal conductors 166-1 . . . 166-3 (166 generally). A plurality of output jacks 170-1 . . . 170-4 (170 generally) are each configured to simultaneously transmit an output signal. Each output signal is based on one or more of the signal conductors 166. Theswitching device 150 aggregates some of the signals on the signal conductors 166 to generate combined signals, hence the number of output jacks 170 may be greater than the number of signal conductors 166 on the input. - In the example of
FIG. 1 , the output jacks further include a through jack 170-1 for passing a musical signal on a signal conductor responsive to thepickup selector switch 124 on the musical instrument (the through signal), and jacks 170-2, 170-3 having the respective bridge and neck pickup signals. An aggregate jack 170-4 passes an aggregate signal based on a combination of the neck and bridge (166-2, 166-3) signal conductors. Thedevice 150 includes a buffer, discussed further below, connected between the aggregate jack and the neck and bridge signal conductors to isolate the aggregate output and avoid signal degradation or compromise that would otherwise occur from multiple “pickoff” or taps onto the signal conductors 166.Mute switches 346, discussed further below, turn individual outputs on and off. -
FIG. 2 is a perspective view of the switching device ofFIG. 1 . Referring toFIGS. 1 and 2 , thenovel switching device 150 has an appearance and placement similar to a conventional breakout box, which typically occupies the floor area in front of the musician and has foot-actuated switches in a button form.FIG. 2 is an example of adevice 150 configuration operable with a 3 pickup guitar, having neck, bridge and middle pickups. In such a configuration, theinput jack 152 supportspower 162,ground 164, and signal conductors 166 corresponding to each of the bridge, neck and middle pickups, in addition to the through conductor 166-1. Acorresponding plug 153 engages the jack, 152, discussed further below. Aggregated output signals include bridge and middle, middle and neck, and neck and bridge, in addition to the dedicated individual pickups and the through signal. Both two pickup and 3 pickup configurations are discussed further below, however the disclosed signal aggregation could be implemented for any suitable number of pickups or similar signal origination on other musical instruments. -
FIG. 3 is an architecture diagram of the switching device ofFIG. 2 . Referring toFIGS. 1-3 , thearchitecture 300 is implemented in theswitching device 150 for connecting and aggregating the signals on the input conductors 166 to the output jacks 170.FIGS. 2 and 3 depict an implementation with a 3 pickup guitar, whileFIG. 1 shows a 2 pickup guitar. In each case, handling of the additional middle pickup with either of the neck or bridge is similar to the 2 pickup processing of the neck and bridge. Thecable 120 provides a 6 channel (6 conductor) connection. Any suitable connection, such as an XLR plug, a ¼ in. microphone plug discussed below, or other engaging connector may be used. Each conductor 166 provides a corresponding input signal 366. The through conductor 166-1 provides through signal 366-1. A bridge pickup conductor 166-2 provides a bridge pickup signal 366-2. A neck pickup conductor 166-3 carries neck pickup signal 366-3, and a middle pickup conductor provides a middle pickup signal 366-4 (the 2 pickup configuration ofFIG. 1 has no middle pickup). Single pickup signals are passed through to the corresponding output. This includes the through signal 366-1 that provides through output 170-1. Bridge pickup signal 366-2 provides bridge output (pickup 1) 170-2. Neck signal 366-3 provides neck output (pickup 2) 170-4, and middle pickup signal provides middle output (pickup 3) 170-6. - Aggregate signals that combine multiple pickups are combined according to combinational processing 320 (similar handling occurs for each of the 3 aggregate signals). A
buffer 340 connects each of a plurality of the signal conductors 166 to an aggregate jack for forming a combined signal. Thebuffer 340 isolates the “pickoff” or tap of the input so that the additional combined output does not interfere with the dedicated pickup signal. Abuffer 340 as employed herein refers to a circuit function interposed to interface between two subcircuits. Thebuffer 340 is an interposed element which keeps the source from being affected by the load attributes, but delivers the same or nearly the same voltage and current it sees at its own input. In thearchitecture 300 ofFIG. 3 , abuffer 340 is connected between each aggregate jack 170-3, 170-5, 170-7 and the plurality of signal conductors 166 upon which the aggregate signal is based. Acombiner 343 defines an analog mixing of the constituent signals, however other circuitry, such as digital combination and variable contribution may be performed. For example, a rheostat may be included to vary the relative signal contribution other than a 50-50 equal contribution. - For any of the individual or aggregate signals delivered on output jacks 170-2 . . . 170-7, lag or
delay circuitry 342 may be provided. Otheraudio processing 344 may also be implemented in thedevice 150 for varied effects before emanating on an output jack 170. A push buttonmute switch 346 enables and disables the respective signal output, such as by a foot press of the musician. Amute switch 346 switch connects to each of the output jacks for selective activation of a musical signal carried via the output jacks. Each of the output jacks 170 is adapted to receive a connection to a subsequentmusical input device 112, typically via a standard ¼ TRS plug, although any suitable output plug may be employed, and individual output signals may be suppressed using themute switch 346. The subsequentmusical input device 112 may include one or more of a mixer, amplifier, speaker, sound processor or recorder, such that the subsequent musical input device is adapted for simultaneous receipt of musical signals carried on a plurality of the output jacks. Once recorded, any suitable electronic medium 113 may receive the subsequent recordings or individual tracks. - In addition to the signal conductors 166 providing the pickup signals, a 9v
DC power signal 162 andground 164 are provided for powering thepickup buffer circuit 130 on the guitar. The same 9V power supply may be invoked for powering an active pickup, pre-amplifier, or any electronics onboard the guitar that require power through a connection to thepower conductor 162 for powering the active pickup. - The signal conductors 166 include the through conductor 166-1 which carries a signal responsive to the
pickup selector switch 124 on the musical instrument. The pickup selector switch allows legacy operation using a conventional mono plug, and may also be used to augment the other signal conductors 166, as all are received by thedevice 150. The through signal, however, is passed from theguitar 110 without aggregation with signals on other conductors 166. Thepickup selector switch 124, rather, is used to determine the pickup(s) carried by the through conductor 166-1. Thepickup buffer circuit 130 includes relays activated by the 9V power conductor. When no 9V power is seen on thecable 120, the guitar defaults to a mono mode where only the signal based on the pickup selector switch is output, discussed further now with respect toFIGS. 4 and 5 . -
FIG. 4 is a multi-conductor plug and jack operable for use with the switching device ofFIG. 3 . In an example arrangement as shown, the signal conductors 166 connect to the musical instrument via aplug 155 having a respective axially arranged concentric conductor for each of theground 1164,power 1162 and signal conductors 1166-1 . . . 1166-3 (1166 generally), such that theplug 155 corresponds to an industry standard mono plug size of ¼ in. TRS, taking the form of a T4RS for 4 conductors in addition to the tip and ground. Theplug 155 has similar male contact arrangements on both ends of thecable 120. Thejack 157 has the corresponding conductor arrangement, as well as thejack 152 on thedevice 150 for receiving theplug 153. While the T4RS plug disclosed facilitates backwards compatibility with ¼ in. phone plugs, any suitable form of an engaging plug may be employed. Thepickup buffer circuit 130 therefore connects to theplug receptacle jack 157 adapted to receive the plug and engages the plug receptacle contacts for each of the plurality of concentric conductors, such that each of the cable conductors corresponds to one of the concentric conductors. Thepickup buffer circuit 130 therefore outputs the pickup signals on the corresponding signal conductors 166 for receipt by theswitching device 150. -
FIG. 5 shows a backwards compatible jack in the arrangement ofFIG. 4 . Continuing with theplug receptacle 157 of thepickup buffer circuit 130, when a standard ¼ in. tsp plug 155′ is inserted, no power source is available, causing thepickup buffer circuit 130 to enter a legacy mode where the signal conductors 166 are seen as grounds except for the tip 166-1, resulting in a standard mono signal on the conductor 166-1 corresponding to the through (pickup selector 124 switched) and ground. -
FIG. 6 is a block diagram of thepickup buffer circuit 130 on theguitar 110. On theguitar 110, each of the signal conductors 166 connects to at least onepickup guitar 110 via a relay switched connection. Theguitar 110 has abridge pickup 121,neck pickup 122 and may also include a middle pickup. Thepickup buffer circuit 130 is implemented between the pickups and the existingpickup selector switch 124 and any other effects, such as attenuation, delay, damping, etc, present on theguitar 110. - The block diagram in
FIG. 6 includes a 3 pickup implementation, including pickup 1 (bridge) 121, pickup 2 (neck) 122, and pickup 3 (middle) 123. Each pickup connects to arespective relay power conductor 162 connects to the relays for activating the relays to switch the bridge, neck and middle pickups through the buffer circuit to a respective signal conductor in the cable. When energized by thepower conductor 162, the NO branch closes to receive the pickup signal and direct it to the corresponding buffer. Each of the bridge and neck pickups is connected to a relay switchedbuffer circuit 640. Thepower conductor 162 is connected to the relays for activating the relays to switch the bridge and neck pickups through the buffer circuit to a respective signal conductor in thecable 120. Thebuffer circuits 640 simultaneously pass a signal from the bridge, neck and middle (if present) pickups to thenative electronics 125 on the guitar, in which the native electronics connect to a signal conductor to the through jack. Atap switching device 150. Thebuffer 640 isolates the pickup signal to allow thepreexisting guitar electronics 125 including thepickup selector 124 to also receive an unadulterated signal. Each of the signal conductors 166 is therefore responsive to abuffer circuit 640 the musical instrument, such that thebuffer circuit 640 is configured to isolate the signal conductors from a native output signal of the musical instrument. Without the buffer, the “split” or tapped signal might be affected, however thebuffer 640 ensures that substantially the same input is seen from the pickup. In this scenario, the native output signal passes through thepickup selector switch 124 such that the pickup selector switch is operable to provide a musical signal to the through jack 170-1, based on one or more of the pickups, simultaneously with musical signals on the other signal conductors 166. - In the backwards compatibility case where a standard mono plug is inserted, the relays default to the NC position and simply pass the pickup signal through to the
preexisting electronics 125, as thebuffer 640 is inactive. This allows theguitar 110 to perform as if nopickup buffer circuit 130 were present. -
FIG. 7 is a schematic diagram of a pickup buffer circuit for a 2 pickup guitar. Referring toFIGS. 6 and 7 , no handling of pickup 3 (middle) is needed inFIG. 7 . Abuffer circuit 640 is responsive to therelay relay 700 is a DPDT (double pole, double throw) leaving the switching operation ofrelays FIGS. 6 and 7 , thebuffer circuit 640 connects each of thepickups -
FIG. 8 is a schematic diagram of a pickup buffer circuit for a 3 pickup guitar. InFIG. 8 , DPDT relays are also employed, however only one pole of the relay serving pickup 3 (middle) is needed. The remaining pole is available for expansion. The implementation ofFIG. 8 encapsulates thepickup buffer circuit 124 for a 3element guitar 110 connected to theswitching device 150. The switching device includes an input jack adapted to receive a cable from an output of the guitar, theinput jack 152 having conductors forpower 162,ground 164, and a plurality of signals 166. Each signal of the plurality of signals is based on at least one pickup on the guitar, and others are a combination of 2 or more pickups. A plurality of output jacks include a primary pass through responsive to thepickup selector switch 124 on the guitar, and selectable outputs are responsive to the pickups on the guitar. A plurality ofmute switches 346 activates each of the selectable outputs. The selectable outputs include an output from each pickup on the guitar, and an aggregate output from a combination of pickups on the guitar. Abuffer 640 is connected between the aggregate output and an input from which the aggregate output is combined. Each of the output jacks 170 is adapted to simultaneously provide a corresponding output signal based on the plurality of signals received via the input jack, allowing simultaneous rendering and/or recording of each individual pickup as well as the combined aggregate signals from the neck/bridge, neck/middle and middle/bridge. - Other musical instruments having capability for multiple outputs may also be configured as disclosed, such as a bass or keyboard, for example. The
cable 120 may be terminated by other suitable connectors for providing the needed conductors, depending on the number of pickups captured. Similarly, theswitching device 150 may employ alternate signal combinations in addition to those disclosed. Also, the disclosed T4S connector plug may be employed in alternate configurations for providing a plurality of conductors in a form factor similar to a ¼ phone plug. - While the system and methods defined herein have been particularly shown and described with references to embodiments thereof, it will be understood by those skilled in the art that various changes in form and details may be made therein without departing from the scope of the invention encompassed by the appended claims.
Claims (17)
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US16/116,176 US10490177B2 (en) | 2017-08-29 | 2018-08-29 | Musical instrument electronic interface |
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US201762551382P | 2017-08-29 | 2017-08-29 | |
US16/116,176 US10490177B2 (en) | 2017-08-29 | 2018-08-29 | Musical instrument electronic interface |
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US10490177B2 US10490177B2 (en) | 2019-11-26 |
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US10490177B2 (en) | 2019-11-26 |
WO2019046414A1 (en) | 2019-03-07 |
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