[go: up one dir, main page]
More Web Proxy on the site http://driver.im/

Boone, 2011 - Google Patents

Mashups: History, legality, and aesthetics

Boone, 2011

View PDF
Document ID
17099052591683087214
Author
Boone C
Publication year

External Links

Snippet

As the popularity of mashups attests, individual songs and their increasingly irrelevant prepackaged albums no longer seem to constitute a finished product to many who listen to them. Instead individual songs often serve as raw ingredients for use in another recipe–the …
Continue reading at repositories.lib.utexas.edu (PDF) (other versions)

Classifications

    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H1/00Details of electrophonic musical instruments
    • G10H1/0008Associated control or indicating means
    • G10H1/0025Automatic or semi-automatic music composition, e.g. producing random music, applying rules from music theory or modifying a musical piece
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2210/00Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
    • G10H2210/101Music Composition or musical creation; Tools or processes therefor
    • G10H2210/151Music Composition or musical creation; Tools or processes therefor using templates, i.e. incomplete musical sections, as a basis for composing
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2210/00Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
    • G10H2210/031Musical analysis, i.e. isolation, extraction or identification of musical elements or musical parameters from a raw acoustic signal or from an encoded audio signal
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H1/00Details of electrophonic musical instruments
    • G10H1/36Accompaniment arrangements
    • GPHYSICS
    • G11INFORMATION STORAGE
    • G11BINFORMATION STORAGE BASED ON RELATIVE MOVEMENT BETWEEN RECORD CARRIER AND TRANSDUCER
    • G11B27/00Editing; Indexing; Addressing; Timing or synchronising; Monitoring; Measuring tape travel
    • G11B27/10Indexing; Addressing; Timing or synchronising; Measuring tape travel
    • G11B27/102Programmed access in sequence to addressed parts of tracks of operating record carriers
    • G11B27/105Programmed access in sequence to addressed parts of tracks of operating record carriers of operating discs
    • GPHYSICS
    • G06COMPUTING; CALCULATING; COUNTING
    • G06FELECTRICAL DIGITAL DATA PROCESSING
    • G06F17/00Digital computing or data processing equipment or methods, specially adapted for specific functions
    • G06F17/30Information retrieval; Database structures therefor; File system structures therefor
    • G06F17/30017Multimedia data retrieval; Retrieval of more than one type of audiovisual media
    • G06F17/3005Presentation of query results
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H1/00Details of electrophonic musical instruments
    • G10H1/0033Recording/reproducing or transmission of music for electrophonic musical instruments
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2240/00Data organisation or data communication aspects, specifically adapted for electrophonic musical tools or instruments
    • G10H2240/075Musical metadata derived from musical analysis or for use in electrophonic musical instruments
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2240/00Data organisation or data communication aspects, specifically adapted for electrophonic musical tools or instruments
    • G10H2240/171Transmission of musical instrument data, control or status information; Transmission, remote access or control of music data for electrophonic musical instruments
    • G10H2240/281Protocol or standard connector for transmission of analog or digital data to or from an electrophonic musical instrument
    • G10H2240/295Packet switched network, e.g. token ring
    • G10H2240/305Internet or TCP/IP protocol use for any electrophonic musical instrument data or musical parameter transmission purposes
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2240/00Data organisation or data communication aspects, specifically adapted for electrophonic musical tools or instruments
    • G10H2240/121Musical libraries, i.e. musical databases indexed by musical parameters, wavetables, indexing schemes using musical parameters, musical rule bases or knowledge bases, e.g. for automatic composing methods
    • G10H2240/131Library retrieval, i.e. searching a database or selecting a specific musical piece, segment, pattern, rule or parameter set
    • GPHYSICS
    • G06COMPUTING; CALCULATING; COUNTING
    • G06FELECTRICAL DIGITAL DATA PROCESSING
    • G06F17/00Digital computing or data processing equipment or methods, specially adapted for specific functions
    • G06F17/30Information retrieval; Database structures therefor; File system structures therefor
    • G06F17/3074Audio data retrieval
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2220/00Input/output interfacing specifically adapted for electrophonic musical tools or instruments
    • G10H2220/005Non-interactive screen display of musical or status data
    • G10H2220/011Lyrics displays, e.g. for karaoke applications

Similar Documents

Publication Publication Date Title
Collins From Pac-Man to pop music: interactive audio in games and new media
Demers Steal this music: How intellectual property law affects musical creativity
Collins et al. Electronic music
Butler Unlocking the groove: Rhythm, meter, and musical design in electronic dance music
Rambarran Virtual Music: Sound, Music, and Image in the Digital Era
Moy Authorship roles in Popular Music: Issues and debates
Peterson Sound work: Music as labor and the 1940s recording bans of the American Federation of musicians
Adams What Did Danger Mouse Do? The Grey Album and Musical Composition in Configurable Culture
Mills Media and popular music
Brøvig Parody in the Age of Remix: Mashup Creativity vs. the Takedown
Battino et al. The art of digital music: 56 visionary artists & insiders reveal their creative secrets
Harkins Appropriation, additive approaches and accidents: The sampler as compositional tool and recording dislocation
McGranahan Mashnography: Creativity, consumption, and copyright in the mashup community
Boone Mashups: History, legality, and aesthetics
Greenfield-Casas Re: Replay: On the Classical Arrangement and Concertization of Video Game Music
Dineley Covers Uncovered: A History of the" Cover Version," from Bing Crosby to the Flaming Lips
Harvey Virtual garage bands: Collaborative cybercommunities of Internet musicians
Khachatryan The Stairway to Fairness: Copyright and Creativity in the Digital Age
Wallmark Making music in the digital age: How technological developments shape the way we create and listen to music
Harkins Following the instruments and users: the mutual shaping of digital sampling technologies
Anderson Fair Use as Reparations
Olabode Sampling in Hip-Hop-Creative Genius or a Total Flop: The Aesthetics’ Preservation and Continuity of a Black Musical Tradition
Stratton Spectacle, Fashion and the Dancing Experience in Britain, 1960-1990
O'Connor et al. Determining the Composition
Fulton A Scientist of Songs