[go: up one dir, main page]
More Web Proxy on the site http://driver.im/

Parrott, 2017 - Google Patents

Transposition in Monteverdi's Vespers of 1610: An 'aberration'defended

Parrott, 2017

Document ID
16743103124372991175
Author
Parrott A
Publication year
Publication venue
Monteverdi

External Links

Snippet

This chapter shows that'obligatory transposition'is implicit in the notation of much vocal music of the late 16th and early 17 th centuries and that some of Claudio Monteverdi's music requires it. It suggests that downward transposition of a 4th brings those Vespers …
Continue reading at www.taylorfrancis.com (other versions)

Classifications

    • G—PHYSICS
    • G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
    • G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
    • G09B15/00—Teaching music
    • G09B15/02—Boards or like means for providing an indication of notes
    • G09B15/04—Boards or like means for providing an indication of notes with sound emitters
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H1/00—Details of electrophonic musical instruments
    • G10H1/0033—Recording/reproducing or transmission of music for electrophonic musical instruments
    • G10H1/0041—Recording/reproducing or transmission of music for electrophonic musical instruments in coded form
    • G10H1/0058—Transmission between separate instruments or between individual components of a musical system
    • G—PHYSICS
    • G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
    • G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
    • G09B15/00—Teaching music
    • G09B15/001—Boards or like means for providing an indication of chords
    • G—PHYSICS
    • G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
    • G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
    • G09B15/00—Teaching music
    • G09B15/02—Boards or like means for providing an indication of notes
    • G09B15/026—Non-electrically operated
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D3/00—Details of, or accessories for, stringed musical instruments, e.g. slide-bars
    • G10D3/06—Fingerboards ; Necks
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H1/00—Details of electrophonic musical instruments
    • G10H1/0008—Associated control or indicating means
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10G—AIDS FOR MUSIC; SUPPORTS FOR MUSICAL INSTRUMENTS; OTHER AUXILIARY DEVICES OR ACCESSORIES FOR MUSIC OR MUSICAL INSTRUMENTS
    • G10G1/00—Means for the representation of music
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H1/00—Details of electrophonic musical instruments
    • G10H1/36—Accompaniment arrangements
    • G10H1/38—Chord
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D1/00—General design of stringed musical instruments
    • G10D1/12—General design of stringed musical instruments of zithers, e.g. autoharp
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2210/00—Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
    • G10H2210/395—Special musical scales, i.e. other than the 12- interval equally tempered scale; Special input devices therefor
    • G10H2210/525—Diatonic scales, e.g. aeolian, ionian or major, dorian, locrian, lydian, mixolydian, phrygian, i.e. seven note, octave-repeating musical scales comprising five whole steps and two half steps for each octave, in which the two half steps are separated from each other by either two or three whole steps
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D9/00—Details of, or accessories for, wind musical instruments
    • G10D9/04—Valves; valve controls
    • G10D9/043—Valves; valve controls for woodwind instruments
    • G10D9/046—Valves; valve controls for woodwind instruments with continuous change of tonal pitch
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2220/00—Input/output interfacing specifically adapted for electrophonic musical tools or instruments
    • G10H2220/005—Non-interactive screen display of musical or status data
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D13/00—Percussion musical instruments; Details or accessories
    • G10D13/08—Multi-toned musical instruments, with sonorous bars, blocks, forks, gongs, plates, rods, or teeth
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D1/00—General design of stringed musical instruments
    • G10D1/08—General design of stringed musical instruments of guitars
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2220/00—Input/output interfacing specifically adapted for electrophonic musical tools or instruments
    • G10H2220/091—Graphical user interface [GUI] specifically adapted for electrophonic musical instruments, e.g. interactive musical displays, musical instrument icons or menus; Details of user interactions therewith
    • G10H2220/096—Graphical user interface [GUI] specifically adapted for electrophonic musical instruments, e.g. interactive musical displays, musical instrument icons or menus; Details of user interactions therewith using a touch screen
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10G—AIDS FOR MUSIC; SUPPORTS FOR MUSICAL INSTRUMENTS; OTHER AUXILIARY DEVICES OR ACCESSORIES FOR MUSIC OR MUSICAL INSTRUMENTS
    • G10G5/00—Supports for musical instruments
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10C—PIANOS, HARPSICHORDS, SPINETS OR SIMILAR STRINGED MUSICAL INSTRUMENTS WITH ONE OR MORE KEYBOARD
    • G10C3/00—Details or accessories
    • G10C3/12—Keyboards; Keys

Similar Documents

Publication Publication Date Title
Parrott Transposition in Monteverdi’s Vespers of 1610: An ‘aberration’defended
Gould Behind bars: the definitive guide to music notation
Pian Sonq dynasty musical sources and their interpretation
Marissen The Social and Religious Designs of JS Bach's Brandenburg Concertos
Melamed JS Bach and the German motet
WO2023059360A1 (en) Performance improvement with the damonn music notation system
Gaare Alternatives to Traditional Notation: Traditional notation has survived the test of time and is read by musicians around the world, but there are many musicians who desire, devise, or use alternative systems
Wild Genus, species and mode in Vicentino’s 31-tone compositional theory
Feist Berklee contemporary music notation
Skinner Toward a quarter-tone syntax: Analyses of selected works by Blackwood, Haba, Ives, and Wyschnegradsky
Dahmer Re-editing Isaia Billè's 24 Studi-Capricci per Contrabbasso a 4 Corde to modern notation for double bass
Dragoi The G-clef piano/harpsichord, harp, viola, cello, double bass etc, all based on a unitary G-clef grand staff (GCGS)
Pohlit Julien Jalâl Ed-Dine Weiss: A Novel Proposal for the Middle Eastern Qānūn
Whittaker Chordal Cello Accompaniment: The Proof and Practice of Figured Bass Realization on the Violoncello from 1660–1850
de Ghizé More Intervals
Jang Analyzing Johann Kaspar Mertz’s Guitaristic Idioms in Sechs Schubert’sche Lieder, with an Arrangement for the Modern Classical Guitar
Hall Improvised ensemble counterpoint: on the notation of the bass in Agostino Agazzari’s Eumelio (1606)
Francis A performance and pedagogical analysis of compositions for unaccompanied solo trumpet by Persichetti, Wolpe, Sampson, and Ticheli
Gökpınar Some Notes on Woodwind Instruments in al-Fārābī’s Kitāb al-Mūsīqī al-kabīr
Simmons A Performance Edition of Concerto in Modo Antico by Rudolf Matz
Randvere The Issue of Size: A Glimpse into the History of the Violoncello Piccolo
Donahue A style and usage guide to writing about music
Hart Introduction to music theory and rudiments
Knapp Chords
Nickol Learning To Read Music 3rd Edition: How to make sense of those mysterious symbols and bring music alive