[go: up one dir, main page]
More Web Proxy on the site http://driver.im/

Chaiklin, 2014 - Google Patents

Ivory and the Aesthetics of Modernity in Meiji Japan

Chaiklin, 2014

Document ID
16221649515714817321
Author
Chaiklin M
Publication year

External Links

Snippet

The opening of the ports of Japan in 1859 brought a flood of Japanese craft products to the world marketplace. For ivory it was a golden age. This book examines the role that ivory and ivory carvers played in the expression of nationalism and the development of sculpture in …
Continue reading at books.google.com (other versions)

Similar Documents

Publication Publication Date Title
Brusati et al. Artifice and illusion: the art and writing of Samuel van Hoogstraten
McShine The museum as muse: artists reflect
Fitzgerald Making modernism: Picasso and the creation of the market for twentieth-century art
Grieve The Federal Art Project and the creation of middlebrow culture
Lovell Art in a Season of Revolution: Painters, Artisans, and Patrons in Early America
Rogers Fashioning identities in renaissance art
Muan Citing Angkor: The “Cambodian arts” in the age of restoration, 1918–2000
Calo Critical Issues in American Art: A Book of Readings
Mazaroff Henry Walters and Bernard Berenson: Collector and Connoisseur
Van Horn Portraits of resistance: Activating art during slavery
Beach Sculpture at the Ends of Slavery
Rodini Gentile Bellini's Portrait of Sultan Mehmed II: Lives and Afterlives of an Iconic Image
Chaiklin Ivory and the Aesthetics of Modernity in Meiji Japan
Richardson Art, Design, Craft, Beauty and All Those Things...
Lewthwaite A Contested Art: Modernism and Mestizaje in New Mexico
Moses Fakes, Forgeries, and Frauds
Lewis The Artistic and Architectural Patronage of Angela Burdett Coutts
Hirayama " With ƒclat": The Boston Athenaeum and the Origin of the Museum of Fine Arts, Boston
Schmitter The display of distinction: Art collecting and social status in early sixteenth-century Venice
Long Paul T. Frankl and modern American design
Langlois Exhibiting Japan: gender and national identity at the World's Columbian Exposition of 1893
Weiss Simins " A Little Deviltry": Gilded Age Celebrity and William Merritt Chase's Tenth Street Studio as Advertisement
Grove A Cultural Trade? Canadian Magazine Illustrators at Home and in the United States, 1880-1960
Musteata The" I" of the Artist-Curator
Van Hensbergen Print, poetry and posterity: Grinling Gibbons’s statue of Charles II for the Royal Exchange