[go: up one dir, main page]
More Web Proxy on the site http://driver.im/

Glynn, 2020 - Google Patents

The Beatles and Film: From Youth Culture to Counterculture

Glynn, 2020

Document ID
9900631974354104368
Author
Glynn S
Publication year

External Links

Snippet

This concise yet comprehensive study explores the emblematic journey by four young men from Liverpool from the epicentre of teen-led youth culture to the experimentation of the counterculture and beyond. Beginning with the celebration of Britain's own 'youthquake'in …
Continue reading at www.taylorfrancis.com (other versions)

Classifications

    • GPHYSICS
    • G09EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
    • G09BEDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
    • G09B5/00Electrically-operated educational appliances
    • G09B5/06Electrically-operated educational appliances with both visual and audible presentation of the material to be studied
    • G09B5/065Combinations of audio and video presentations, e.g. videotapes, videodiscs, television systems
    • GPHYSICS
    • G11INFORMATION STORAGE
    • G11BINFORMATION STORAGE BASED ON RELATIVE MOVEMENT BETWEEN RECORD CARRIER AND TRANSDUCER
    • G11B27/00Editing; Indexing; Addressing; Timing or synchronising; Monitoring; Measuring tape travel
    • G11B27/10Indexing; Addressing; Timing or synchronising; Measuring tape travel
    • G11B27/102Programmed access in sequence to addressed parts of tracks of operating record carriers
    • G11B27/105Programmed access in sequence to addressed parts of tracks of operating record carriers of operating discs

Similar Documents

Publication Publication Date Title
Peterson Education in the school of dreams: Travelogues and early nonfiction film
Monaco How to read a film: the world of movies, media, and multimedia: language, history, theory
Shail The cinema and the origins of literary modernism
Keddie Bringing online video into the classroom: BRINGING CLASSROOM
Fisher Ezra Pound's radio operas: the BBC experiments, 1931-1933
Brown et al. The sounds of the silents in Britain
Kaizen Against Immediacy: Video Art and Media Populism
Oldham First cut 2: More conversations with film editors
Glynn The Beatles and Film: From Youth Culture to Counterculture
Wilson et al. The wired church 2.0
Johnson U2, mythology, and mass-mediated survival
Erdoğan Early cinema-going and the emergence of film culture: The first Pathé Cinema Theatre opens in Istanbul (1908)
Stalarow Listening to a Liberated Paris: Pierre Schaeffer Experiments with Radio
Moore 7. A ‘Distant Reading’of the ‘Chaser Theory’: Local Views and the Digital Generation of New Cinema History
McCorkle Fandom’s new frontier: Star Trek in the concert hall
Galimberti et al. Video Void: Australian Video Art
Clendinning A Street for All? Pluralism and the Performing Arts in Jalan Sesama (Indonesian Sesame Street)
Alwakeel How We Used Saint Etienne to Live
Penz et al. The Everyday in Visual Culture: Slices of Lives
Sekar Liveness, Liveliness, aLiveness: an empirical study on audience experience in Film-with-Live-Orchestra concerts
Hockings Into the Twentieth Century: Science and Entertainment, Two Realms Apart?
Ruoff Around the World in Eighty Minutes: the travel lecture film
Coley Projected performances: The phenomenology of hybrid theater
MacInnis Leonard Bernstein's and Roger Englander's educational mission: Music appreciation and the 1961–62 season of “Young People's Concerts”
Duckett Unwinding the film spool: Hugo, Méliès, and our return to early film