[go: up one dir, main page]
More Web Proxy on the site http://driver.im/

Cáceres et al., 2008 - Google Patents

Playing the network: the use of time delays as musical devices

Cáceres et al., 2008

View PDF
Document ID
7563271512053224327
Author
Cáceres J
Renaud A
Publication year
Publication venue
ICMC

External Links

Snippet

The native time delay of audio transmission over high speed networks is used to create musical devices to play on and with the network. Different strategies that have been part of the practice of the Net vs. Net collective—a permanent network ensemble playing …
Continue reading at ccrma.stanford.edu (PDF) (other versions)

Classifications

    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H1/00—Details of electrophonic musical instruments
    • G10H1/0033—Recording/reproducing or transmission of music for electrophonic musical instruments
    • G10H1/0041—Recording/reproducing or transmission of music for electrophonic musical instruments in coded form
    • G10H1/0058—Transmission between separate instruments or between individual components of a musical system
    • H—ELECTRICITY
    • H04—ELECTRIC COMMUNICATION TECHNIQUE
    • H04R—LOUDSPEAKERS, MICROPHONES, GRAMOPHONE PICK-UPS OR LIKE ACOUSTIC ELECTROMECHANICAL TRANSDUCERS; DEAF-AID SETS; PUBLIC ADDRESS SYSTEMS
    • H04R1/00—Details of transducers, loudspeakers or microphones
    • H04R1/20—Arrangements for obtaining desired frequency or directional characteristics
    • H04R1/32—Arrangements for obtaining desired frequency or directional characteristics for obtaining desired directional characteristic only
    • H04R1/40—Arrangements for obtaining desired frequency or directional characteristics for obtaining desired directional characteristic only by combining a number of identical transducers
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2210/00—Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
    • G10H2210/155—Musical effects
    • G10H2210/265—Acoustic effect simulation, i.e. volume, spatial, resonance or reverberation effects added to a musical sound, usually by appropriate filtering or delays
    • G10H2210/295—Spatial effects, musical uses of multiple audio channels, e.g. stereo
    • H—ELECTRICITY
    • H04—ELECTRIC COMMUNICATION TECHNIQUE
    • H04L—TRANSMISSION OF DIGITAL INFORMATION, e.g. TELEGRAPHIC COMMUNICATION
    • H04L65/00—Network arrangements or protocols for real-time communications
    • H04L65/40—Services or applications
    • H—ELECTRICITY
    • H04—ELECTRIC COMMUNICATION TECHNIQUE
    • H04R—LOUDSPEAKERS, MICROPHONES, GRAMOPHONE PICK-UPS OR LIKE ACOUSTIC ELECTROMECHANICAL TRANSDUCERS; DEAF-AID SETS; PUBLIC ADDRESS SYSTEMS
    • H04R1/00—Details of transducers, loudspeakers or microphones
    • H04R1/02—Casings; Cabinets; Supports therefor; Mountings therein
    • H—ELECTRICITY
    • H04—ELECTRIC COMMUNICATION TECHNIQUE
    • H04R—LOUDSPEAKERS, MICROPHONES, GRAMOPHONE PICK-UPS OR LIKE ACOUSTIC ELECTROMECHANICAL TRANSDUCERS; DEAF-AID SETS; PUBLIC ADDRESS SYSTEMS
    • H04R2227/00—Details of public address [PA] systems covered by H04R27/00 but not provided for in any of its subgroups
    • H04R2227/003—Digital PA systems using, e.g. LAN or internet

Similar Documents

Publication Publication Date Title
US10911501B2 (en) Collaborative session over a network
Rottondi et al. An overview on networked music performance technologies
Cáceres et al. Playing the network: the use of time delays as musical devices
Drioli et al. Networked performances and natural interaction via LOLA: Low latency high quality A/V streaming system
Barbosa Displaced soundscapes: A survey of network systems for music and sonic art creation
Rofe et al. Telematic performance and the challenge of latency
Carôt et al. Network music performance-problems, approaches and perspectives
Cairns et al. Evaluation of metaverse music performance with bbc maida vale recording studios
Wilson Aesthetic and technical strategies for networked music performance
Rossetti et al. Live Electronics, Audiovisual Compositions, and Telematic Performance: Collaborations During the Pandemic
Hoy et al. A technological and methodological ecosystem for dynamic virtual acoustics in telematic performance contexts
Chafe Tapping into the internet as an acoustical/musical medium
Comanducci et al. Investigating networked music performances in pedagogical scenarios for the intermusic project
Mills Dislocated sound: A survey of improvisation in networked audio platforms
Topper et al. Spatio-operational spectral (sos) synthesis
Rowe Real time and unreal time: Expression in distributed performance
Bouillot The auditory consistency in distributed music performance: a conductor based synchronization
Alexandraki Experimental investigations and future possibilities in network-mediated folk music performance
Chafe The Qualities and Flow of Imagined Sound and Music
Kim et al. Perception of simultaneity and detection of asynchrony between audio and structural vibration in multimodal music reproduction
Rowe et al. The Technophobe and the Madman: an Internet2 distributed musical
Engum et al. Improvising Inside a House of Cards: New performance and music-making through a collective networked instrument
Ritsch ICE-towards distributed networked computermusic ensemble
Wilson The constraints, aesthetic implications, and creative strategies of composing for networked music performance
Ratnaningsih et al. The Analyze of Android's microphone audio streaming BeatME