Canévet et al., 2004 - Google Patents
Auditory perception of sounds radiated by a fluid-loaded vibrating plate excited by a transient point forceCanévet et al., 2004
View PDF- Document ID
- 5784832133526308440
- Author
- Canévet G
- Habault D
- Meunier S
- Demirdjian F
- Publication year
- Publication venue
- Acta Acustica united with Acustica
External Links
- 239000012530 fluid 0 title abstract description 28
Classifications
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10K—SOUND-PRODUCING DEVICES; ACOUSTICS NOT OTHERWISE PROVIDED FOR
- G10K11/00—Methods or devices for transmitting, conducting or directing sound in general; Methods or devices for protecting against, or for damping, noise or other acoustic waves in general
- G10K11/16—Methods or devices for protecting against, or damping of, acoustic waves, e.g. sound
- G10K11/162—Selection of materials
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10K—SOUND-PRODUCING DEVICES; ACOUSTICS NOT OTHERWISE PROVIDED FOR
- G10K15/00—Acoustics not otherwise provided for
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10K—SOUND-PRODUCING DEVICES; ACOUSTICS NOT OTHERWISE PROVIDED FOR
- G10K11/00—Methods or devices for transmitting, conducting or directing sound in general; Methods or devices for protecting against, or for damping, noise or other acoustic waves in general
- G10K11/18—Methods or devices for transmitting, conducting, or directing sound
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H2250/00—Aspects of algorithms or signal processing methods without intrinsic musical character, yet specifically adapted for or used in electrophonic musical processing
- G10H2250/131—Mathematical functions for musical analysis, processing, synthesis or composition
- G10H2250/215—Transforms, i.e. mathematical transforms into domains appropriate for musical signal processing, coding or compression
- G10H2250/235—Fourier transform; Discrete Fourier Transform [DFT]; Fast Fourier Transform [FFT]
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H1/00—Details of electrophonic musical instruments
- G10H1/02—Means for controlling the tone frequencies, e.g. attack, decay; Means for producing special musical effects, e.g. vibrato, glissando
- G10H1/06—Circuits for establishing the harmonic content of tones, or other arrangements for changing the tone colour
- G10H1/16—Circuits for establishing the harmonic content of tones, or other arrangements for changing the tone colour by non-linear elements
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H2210/00—Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H7/00—Instruments in which the tones are synthesised from a data store, e.g. computer organs
- G10H7/08—Instruments in which the tones are synthesised from a data store, e.g. computer organs by calculating functions or polynomial approximations to evaluate amplitudes at successive sample points of a tone waveform
- G10H7/10—Instruments in which the tones are synthesised from a data store, e.g. computer organs by calculating functions or polynomial approximations to evaluate amplitudes at successive sample points of a tone waveform using coefficients or parameters stored in a memory, e.g. Fourier coefficients
Similar Documents
Publication | Publication Date | Title |
---|---|---|
Freed | Auditory correlates of perceived mallet hardness for a set of recorded percussive sound events | |
McAdams et al. | The psychomechanics of simulated sound sources: Material properties of impacted bars | |
Suied et al. | Auditory gist: recognition of very short sounds from timbre cues | |
Canévet et al. | Auditory perception of sounds radiated by a fluid-loaded vibrating plate excited by a transient point force | |
CN106997765A (en) | The quantitatively characterizing method of voice tone color | |
Misdariis et al. | Validation of a multidimensional distance model for perceptual dissimilarities among musical timbres | |
CN109720288B (en) | A kind of active denoising method, system and new energy vehicle | |
Faure et al. | Perceptual assessment of the influence of structural parameters for a radiating plate | |
Aramaki et al. | Imagine the sounds: an intuitive control of an impact sound synthesizer | |
Shin | Comparative study of the commercial software for sound quality analysis | |
Meunier et al. | Auditory evaluation of sound signals radiated by a vibrating surface | |
Sung et al. | Descriptors of sound from HVAC&R equipment | |
Cuzzucoli et al. | Classical guitar design | |
JP3584287B2 (en) | Sound evaluation method and system | |
JP4590545B2 (en) | Acoustic evaluation method and system | |
Ilkowska et al. | Sharpness versus brightness: A comparison of magnitude estimates | |
Zhang et al. | Psychoacoustic study on contribution of fan noise to engine noise | |
Sottek | Modeling engine roughness | |
Camacho et al. | Exploring roughness perception in car engine noises through complex cepstrum analysis | |
Mason et al. | Development of the interaural cross-correlation coefficient into a more complete auditory width prediction model | |
Sciabica et al. | Towards timbre modeling of sounds inside accelerating cars | |
Li et al. | A sound quality model for the range hood noise and its application in noise control | |
Matsumoto et al. | Application of an auditory filter for the evaluation of sounds and sound fields | |
Baliello et al. | The colour of music: Spectral characterisation of musical sounds filtered by a cochlear model | |
Sacks et al. | Subjective evaluation of simulated engine induction noise |