[go: up one dir, main page]
More Web Proxy on the site http://driver.im/

Boyle, 2022 - Google Patents

Is notation for the Hammond organ a help or a constraint?

Boyle, 2022

View PDF
Document ID
546000926241294383
Author
Boyle A
Publication year

External Links

Snippet

This commentary explores the notational demands of composing for the Hammond organ. The aims of this research have been to develop existing notation for the Hammond, find new performance techniques for the instrument with notation for these, and to develop a notation …
Continue reading at eprints.nottingham.ac.uk (PDF) (other versions)

Classifications

    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H1/00Details of electrophonic musical instruments
    • G10H1/0033Recording/reproducing or transmission of music for electrophonic musical instruments
    • G10H1/0041Recording/reproducing or transmission of music for electrophonic musical instruments in coded form
    • G10H1/0058Transmission between separate instruments or between individual components of a musical system
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H1/00Details of electrophonic musical instruments
    • G10H1/0033Recording/reproducing or transmission of music for electrophonic musical instruments
    • G10H1/0083Recording/reproducing or transmission of music for electrophonic musical instruments using wireless transmission, e.g. radio, light, infrared
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H1/00Details of electrophonic musical instruments
    • G10H1/0008Associated control or indicating means
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H1/00Details of electrophonic musical instruments
    • G10H1/36Accompaniment arrangements
    • GPHYSICS
    • G09EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
    • G09BEDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
    • G09B15/00Teaching music
    • G09B15/02Boards or like means for providing an indication of notes
    • G09B15/04Boards or like means for providing an indication of notes with sound emitters
    • GPHYSICS
    • G09EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
    • G09BEDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
    • G09B15/00Teaching music
    • G09B15/001Boards or like means for providing an indication of chords
    • G09B15/002Electrically operated systems
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H1/00Details of electrophonic musical instruments
    • G10H1/32Constructional details
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2210/00Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
    • G10H2210/031Musical analysis, i.e. isolation, extraction or identification of musical elements or musical parameters from a raw acoustic signal or from an encoded audio signal
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2210/00Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
    • G10H2210/101Music Composition or musical creation; Tools or processes therefor
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2210/00Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
    • G10H2210/395Special musical scales, i.e. other than the 12- interval equally tempered scale; Special input devices therefor
    • G10H2210/525Diatonic scales, e.g. aeolian, ionian or major, dorian, locrian, lydian, mixolydian, phrygian, i.e. seven note, octave-repeating musical scales comprising five whole steps and two half steps for each octave, in which the two half steps are separated from each other by either two or three whole steps
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2240/00Data organisation or data communication aspects, specifically adapted for electrophonic musical tools or instruments
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H3/00Instruments in which the tones are generated by electromechanical means
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2220/00Input/output interfacing specifically adapted for electrophonic musical tools or instruments
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H7/00Instruments in which the tones are synthesised from a data store, e.g. computer organs
    • G10H7/08Instruments in which the tones are synthesised from a data store, e.g. computer organs by calculating functions or polynomial approximations to evaluate amplitudes at successive sample points of a tone waveform
    • G10H7/10Instruments in which the tones are synthesised from a data store, e.g. computer organs by calculating functions or polynomial approximations to evaluate amplitudes at successive sample points of a tone waveform using coefficients or parameters stored in a memory, e.g. Fourier coefficients
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10DSTRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D13/00Percussion musical instruments; Details or accessories
    • G10D13/08Multi-toned musical instruments, with sonorous bars, blocks, forks, gongs, plates, rods, or teeth
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10DSTRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D1/00General design of stringed musical instruments
    • G10D1/12General design of stringed musical instruments of zithers, e.g. autoharp
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10DSTRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D3/00Details of, or accessories for, stringed musical instruments, e.g. slide-bars
    • G10D3/06Fingerboards ; Necks
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10GAIDS FOR MUSIC; SUPPORTS FOR MUSICAL INSTRUMENTS; OTHER AUXILIARY DEVICES OR ACCESSORIES FOR MUSIC OR MUSICAL INSTRUMENTS
    • G10G1/00Means for the representation of music
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10CPIANOS, HARPSICHORDS, SPINETS OR SIMILAR STRINGED MUSICAL INSTRUMENTS WITH ONE OR MORE KEYBOARD
    • G10C3/00Details or accessories

Similar Documents

Publication Publication Date Title
Kallionpaa Beyond the piano: the super instrument. Widening the instrumental capacities in the context of the piano music of the 21st century
Boyle Is notation for the Hammond organ a help or a constraint?
Beegle Playing with Orff and classroom instruments
Dent The pianoforte and its influence on modern music
Albertovna AUTHOR-SENIOR TEACHER OF THE CHAMBER MUSIC DEPARTMENT OF THE STATE CONSERVATORY OF UZBEKISTAN
Hwang Choral and Orchestral Conducting: History, Priorities, and Strategies
CORNER The Multifunctional Pianist: The Recipe for Orchestral Color and Playing
Kilby A Musical Approach to Marimba Education: Incorporating Global History and Folkloric Repertoire
Giorgio Off the Beaten Path: A Graded List of Selected Violin Repertoire with Irregular and Mixed Meter
James Orchestration at A level
Otis Six Recital Pieces for Percussion
Shaymukhametova Contrapuntal Compositions in the Form of Historical Dances in the Conditions of Ensemble Music-Making
Khodjayev Teaching Higher Education Music Students How to Work with Orchestral and Ensemble Scores
Fileva–Ruseva BUILDING A STYLE SENSE AND ENHANCING THE STYLE CULTURE BY PERFORMING PIANO WORKS ON ANOTHER MUSICAL INSTRUMENT
Denson Melodic and chordal applications for harmonics on the double bass: A study of techniques, chords, and composition
Danard Études in Performing Extended Techniques: Twelve Newly-Commissioned Canadian Works for Solo Clarinet
Liang Performance Technical Guide of Makrokosmos Volume Ii by George Crumb: An Extension of the Piano
Berliner Soda Bottles, Whale Bones, Sitars, and Shells—A World Music Perspective
Ladd An examination of works for wind band and brass ensemble: Toccata for band by Frank Erickson, Mutations from Bach by Samuel Barber, and Nobles of the Mystic Shrine by John Philip Sousa
Johnson An examination of the works of Mother Earth by David Maslanka, English Folk Song Suite by Ralph Vaughan Williams, Symphony# 1 In Memoriam Dresden–1945 by Daniel Bukvich, and Concertino for B [flat] clarinet by Carl Maria Von Weber, OP. 26/arranged by ML Lake.
Liu An analysis of Chen Yi's orchestral work “Momentum”
Ellis On the Basis of Music, Containing an Elementary Account of the Nature of Musical Notes and Chords, the Generation of Scales and Modulations, and the Origin and Effects of the Usual Tempered Scales...
Schille Allan Holdsworth: reshaping harmony
Porter Music, a Comprehensive Introduction: A Complete Music Appreciation Course
Lanners Hearing voices?