Barr, 1963 - Google Patents
CinemaScope: Before and afterBarr, 1963
- Document ID
- 5412219143234511355
- Author
- Barr C
- Publication year
- Publication venue
- Film Quarterly
External Links
Snippet
CinemaScope was introduced by 20th Century-Fox in 1953. It confused a lot of people, and has continued to do so. It was assumed that its value was purely a sensational one, that it was self-evidently" inartistic," and that once the novelty wore off the companies would be …
- 238000000034 method 0 abstract description 23
Classifications
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B19/00—Teaching not covered by other main groups of this subclass
- G09B19/06—Foreign languages
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B19/00—Teaching not covered by other main groups of this subclass
- G09B19/22—Games, e.g. card games
Similar Documents
| Publication | Publication Date | Title |
|---|---|---|
| Barr | CinemaScope: Before and after | |
| Vaughan | For documentary: twelve essays | |
| Schwartz | Cinematic spectatorship before the apparatus: The public taste for reality in fin-de-siecle Paris | |
| Casetti | Eye of the century: Film, experience, modernity | |
| Zone | 3-D revolution: The history of modern stereoscopic cinema | |
| Angier | Train your gaze: A practical and theoretical introduction to portrait photography | |
| Cardullo et al. | Bazin at Work: Major Essays and Reviews from the Forties and Fifties | |
| Penrose | Surrealist Lee Miller | |
| Keil et al. | The Oxford Handbook of Silent Cinema | |
| Gazetas | An introduction to world cinema | |
| Giannetti | Cinematic metaphors | |
| Humm | Virginia Woolf and visual culture | |
| Cook | A History of Three-Dimensional Cinema | |
| Lippard | Independent identities | |
| Henisch | Positive Pleasures: Early Photography and Humor | |
| Mason | An interview with George Hallett | |
| Smith | Momentum and design | |
| Bezirdzhyan | Victorian Media Re-Viewed: Literature and the Politics of Visual Representation in Britain, 1839-1879 | |
| Dumbrăveanu | The syntax of the film language between the screen of the lumiere brothers and the 3D VR glasses | |
| Wigoder | The Surface-Depth of Photography’s Stereoscopic Imagination | |
| Deamer | ‘Living pictures': Bergson, cinema, and film-philosophy | |
| Deamer | Bergson, cinema, and film-philosophy | |
| Bevan | Photographic practice and the status of superposition: image, observation, event | |
| Weiberg | Image as collective: history of optical effects in Hollywood's studio system | |
| Elkington | Moments in Space, Spaces in Time: Phenomenology and the embodied depth of cinematic image |