⇒ 29 more: I, 4-1: Cardillac I. Akt (Original) • I, 4-2: Cardillac II. Akt (Original) • I, 4-3: Cardillac III. Akt (Original) • I, 6: Szenische Versuche • II, 1: Orchesterwerke: 1916-30 • II, 2: Orchesterwerke: 1932-34 • II, 3: Symphonische Tänze • II, 4: Orchesterwerke: 1940-43 • II, 7: Orchesterwerke: 1958-60 • III, 3: Violinkonzert / Konzertmusik, op.48 (frühe Fassung) • III, 4: Bratschenkonzerte • III, 5: Konzert in Es-Dur für Violoncello und Orchester op.3 • III, 6: Konzert für Violoncello und Orchester (1940) • III, 7: Bläserkonzerte I • III, 8: Bläserkonzerte II • V, 5: Streicherkammermusik II • V, 6: Streicherkammermusik III • V, 6: Streicherkammermusik III, (Solostimmen) • V, 7: Streicherkammermusik IV • V, 7: Streicherkammermusik IV, (Solostimmen) • V, 9: Klaviermusik I • V, 9: Klaviermusik I, (Klaviersonate, Op.17, rekonstruierte Fassung) • V, 10: Klaviermusik II • VI, 1: Klavierlieder I • VI, 4: Sologesänge mit Instrumentation • VI, 5: Sologesänge mit Orchester • VII, 1: Das Unaufhörliche • VII, 2: When lilacs last in the door-yard bloom'd • VII, 5: Chorwerke a cappella
| Editor
|
Series editors - see below
|
| Publisher. Info.
|
Mainz: B. Schott’s Söhne, 1975-97. Various plates.URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
|
| Copyright
|
|
| Misc. Notes
|
600 dpi. Page size is 10.67 x 14.763 inches. All commentary in the prefaces by each editor has been removed due to copyright. Also any engraved pieces (or facsimiles) that were posthumously published after Hindemith's death had to be excluded from the files until the piece(s) enters the public domain after 50 years from either the first performance date or publication. Any text translations of any translator that have died less than 50 years ago, had also been removed from the scans due to Canadian Copyright still being enforced. Critical notes about all pieces are included towards the end of every volume (except multipart volumes, the critical notes in this case are at the end of the last part in the subset volume, such as I, 4-3).
|
| Purchase
|
Javascript is required for this feature.
|
| |
