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Rodolfo Pallucchini (born November 10, 1908 in Milan, Italy, and died April 8, 1989, in Venice) is an Italian art historian, professor, administrator, curator and patron. Pallucchini was the son of an engineer who moved with his family to Venice in 1925.[1] In nearby Padua, Pallucchini followed his university studies, graduating in literature in 1931 under the guidance of Giuseppe Fiocco with a thesis, published three years later, focused on the figure of Giovanni Battista Piazzetta.[2]

Rodolfo Pallucchini
Born
Rodolfo Pallucchini

November 10, 1908
Milan, Italy
DiedApril 8, 1989
Venice, Italy
Occupation(s)Art historian
officer

Career

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In 1935, Pallucchini was appointed inspector at the Estense Gallery in Modena, and became its director in 1939. His academic career began in 1937, and he later held the chair of History of Medieval and Modern Art in various Italian universities: Bologna, Venice and Padua.[3]

Pallucchini curated the exhibition Five centuries of Venetian painting set up in 1945 at the Procuratie Nuove in Venice, considered a model for subsequent "regional reconnaissance" exhibitions organized throughout Italy.[4] In 1947, Pallucchini founded the magazine Arte Veneta of which he also took over the direction. Pallucchini published numerous studies collected in books and magazines, even after ceasing his academic activity in 1979. Among his colleagues and friends were the art historians Giulio Carlo Argan, Lionello Venturi and Carlo Ludovico Ragghianti.[3] Pallucchini is noted for putting forth and emphasizing of the theory that Giambattista Pittoni studied under Antonio Balestra that has now generally been discounted in the classical arts historical circles.[5]

Death

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Pallucchini died on April 8, 1989, in Venice, Italy.[3] His library and personal archive were donated to the University of Udine by his heirs, his daughters Vittoria and Teresa: the library in 1989 and personal archive in 2001. The material is preserved in the Special Collections Section of the university's Humanities Library.[6]

Administrative positions

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Select bibliography

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  • Venetian painting of the sixteenth century (in 2 volumes, 1944) [8]
  • The Youth of Tintoretto (1950)
  • Piazzetta (1956)
  • Giovanni Bellini (1959)
  • Venetian painting of the 18th century (1960)
  • Venetian painting of the 17th century (1981)

References

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  1. ^ Scarpa, Paola (November 5, 2008). "Rodolfo Pallucchini, the inventor of the most beautiful biennials". The News of Venezia and Mestre. Retrieved January 19, 2018.
  2. ^ Pallucchini, Rodolfo. "Pallucchini, Rodolfo". Retrieved May 11, 2021.
  3. ^ a b c d "Biographical profile of Rodolfo Pallucchini". Regione Veneto. Retrieved January 18, 2018.
  4. ^ Anna Chiara Cimoli (2007), Ephemeral Museums. Exhibition installations in Italy 1949-1963, Milan: Il Saggiatore, ISBN 978-88-428-1334-7
  5. ^ Alice Binion (n.d.). Pittoni, Giambattista. Grove Art Online / Oxford Art Online. Oxford: Oxford University Press. (subscription required).
  6. ^ "Archivio Rodolfo Pallucchini". Retrieved 11 May 2021.
  7. ^ "Prize Minister 1961-2011 SMSF Class. Rodolfo Pallucchini. Criticism of Art and Poetry, 1964". Retrieved 11 May 2021.
  8. ^ "Publications "Pallucchini, Rodolfo"". Retrieved 11 May 2021.

Bibliography

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  • Mirella Levi d'Ancona; Francesca d'Arcais; Elena Bassi; Sylvie Béguin; Franco Bernabei (1979). Alfieri; Electa (eds.). Art history magazine dedicated to Rodolfo's seventieth birthday Pallucchini. Venetian art (n. 32). Vol. 2 vols. p. 718. OCLC 9154285.
  • Claudio Lorenzini, ed. (2019). Rodolfo Pallucchini: stories, archives, critical perspectives. Udine: Forum. ISBN 978-88-328-3142-9.