Lord Jim (1965 film)

The story begins on a fully rigged naval training ship for cadets.

Jim is a promising young English merchant seaman who rises to first officer under Captain Marlow. However, Jim is injured and left at Java. When he is fit again, he signs on with the first available ship, a dilapidated freighter called the SS Patna, crammed with hundreds of Muslims on a pilgrimage to Mecca. When a storm threatens the leaking ship, the crew panics and takes to the lifeboats, abandoning their passengers; in a moment of weakness, Jim joins them.

When they reach port, the sailors are stunned to find an intact Patna already there before them. The rest of the crew disappears, but Jim insists on confessing his guilt at an official inquiry and is stripped of his sailing papers. Filled with self-loathing, Jim becomes a drifter.

One day, he saves a boatload of gunpowder from sabotage. Stein, the cargo's owner, offers him an extremely dangerous job: transporting it and some rifles by river to distant Patusan to help Stein's old friend, the town's chief, lead an uprising against bandits led by a local warlord named The General.

When Schomberg is bribed to deny Stein the use of the motorboat he had promised, Jim takes a sailboat with two native crewmen, leaving the aged Stein behind. As they near their destination, one of the crewmen reveals himself to be working for the General. He kills the other sailor and flees to warn the General. Jim manages to hide the cargo before he is captured.

Jim is tortured but refuses to divulge the location. This surprises Cornelius, the drunken, cowardly agent of Stein's trading company who has joined the general. That night, the Girl leads Jim's rescue.

Jim distributes the arms and plans the attack on the General's stockade. He is assisted by Waris, the chief Du-Ramin's son. After much bloody fighting, Jim delivers the crushing blow, pushing a barrel of gunpowder through a hail of bullets into the bandits' final stronghold, blowing it up along with the General. Only Cornelius survives, hiding in a secret underground room with the General's hidden treasure. Jim is hailed as a hero. Du-Ramin bestows the title tuan on him, which translates as "Lord".

Jim is content to live in Patusan with the Girl. Cornelius and Schomberg recruit notorious cut-throat "Gentleman" Duncan Brown and his men to steal the treasure, and in the course of this they are detected and cornered. At an impasse, Brown offers to leave peacefully, but the village does not trust him. Jim insists they be allowed to go, offering his own life as forfeit if anyone is killed as a result. As Brown and his men feign to leave, under cover of heavy fog, they make one last attempt at the treasure. Waris and Jim dispatch them, although Waris is mortally wounded.

Afterward, Stein pleads with Du-Ramin to spare Jim. Du-Ramin agrees if Jim leaves the following morning. Stein urges Jim to leave, but he refuses. The following morning as the funeral procession for the dead villagers starts, Jim walks up to Du-Ramin and waits, taking in the village's beauty. Du-Ramin shoots him and Jim's body is added to the procession, which ends in the cremation of the dead.

Brooks optioned the novel in 1957.^[3] The film was made at Shepperton Studios, England, and on location in Angkor Wat, Cambodia; Hong Kong; and Malacca, Malaysia. In a 1971 interview,^[4] O'Toole spoke of some of the difficulties of location filming:

"The three months we spent in Cambodia were dreadful. Sheer hell. A nightmare. There we were, all of us, knee deep in lizards and all kinds of horrible insects. And everyone hating us. Awful."

It was photographed in Super Panavision 70 by Freddie Young. The music score by Bronisław Kaper featured the use of gamelan musicians. The crew and cast of the film were joined by Cambodian translator Dith Pran, who was a liaison between Cambodians and the film-makers and cast. Later, he left the country after the 1975 Communist takeover and his own imprisonment, which were told in the 1984 film The Killing Fields with Haing S. Ngor as Pran.

The film opened to bad reviews and to minimal box-office returns. Bosley Crowther of the New York Times called Lord Jim a "big, gaudy, clanging color film" that "misses at being either Conrad or sheer entertainment cinema."^[5] Neither was he satisfied with O'Toole's performance, characterising it as "so sullen, soggy, and uncertain, especially toward the end, that it is difficult to find an area of recognisable sensitivity in which one can make contact with him."^[5] Variety was equally critical, stating "Brooks has teetered between making it a full-blooded, no-holds-barred adventure yarn and the fascinating psychological study that Conrad wrote."^[6] O'Toole's performance was described as "self-indulgent and lacking in real depth."^[6]

Cambodian Head of State and former King Norodom Sihanouk did not like the film's portrayal of Cambodia.^[7] Thus, by 1966 he countered it by making the film Apsara, which was his first feature-length and color film.

The film holds a 57% rating on Rotten Tomatoes based on reviews from 14 critics.^[8] The score was nominated for the American Film Institute's 2005 list AFI's 100 Years of Film Scores.^[9]

Lord Jim was preserved by the Academy Film Archive in 2000.^[10]

• Gold Key: Lord Jim (September 1965)^[11]

• Lord Jim at IMDb
• Lord Jim at the TCM Movie Database
• Lord Jim at AllMovie
• Lord Jim at the AFI Catalog of Feature Films