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List of works by Thomas Eakins

This is a list of professionally authenticated paintings, drawings, and sculptures by Thomas Eakins (1844–1916). As there is no catalogue raisonné of Eakins' works,[1] this is an aggregation of existing published catalogs.

Photograph of Thomas Eakins c. 1882

Background

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During his lifetime, Thomas Eakins sold few paintings. On his death, ownership of his unsold works passed to his widow, Susan Macdowell Eakins, who kept them in their Philadelphia home. She dedicated the remaining years of her life to burnishing his legacy. In this, she was quite successful; in the period between Thomas Eakins' death and her own, she donated many of the strongest remaining pictures to museums around the world. The Philadelphia Museum of Art benefited particularly from these donations.

After Susan Macdowell Eakins' death in 1938, her executors emptied the house of anything which could be sold at auction. When former Eakins student Charles Bregler arrived at the house after it had been stripped he was horrified at what he found, describing it as the "most tragic and pitiful sight I ever saw. Every room was cluttered with debris as all the contents of the various drawers, closets etc were thrown upon the floor as they removed the furniture. All the life casts were smashed... I never want to see anything like this again."[2] The number of works lost or destroyed at this time will never be known.

Bregler carefully collected what was left. Most of what remained were drawings and other preparatory studies. He was highly secretive about the contents of his collection and rarely allowed anyone to see it. After Bregler's death, ownership of the collection passed to his second wife, Mary Louise Picozzi Bregler, who was even more guarded as to its contents. In 1986, shortly before her death, Mary Bregler agreed to sell the works to the Pennsylvania Academy of the Fine Arts.[3]

Historiography

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In the early 1930s, Susan Macdowell Eakins invited art historian Lloyd Goodrich into her home. Goodrich inventoried the collection in the house, interviewed Eakins' surviving associates, and studied Eakins' personal notes. In 1933, Goodrich published Thomas Eakins: His Life and Works. Though it was incomplete, un-illustrated, and did not include Eakins' photographs, Goodrich's book was the first definitive study of Eakins and the first attempt to catalog his artistic output.[4]

In the 1970s, Gordon Hendricks published two Eakins catalogs. The Photographs of Thomas Eakins (1972; ISBN 0-670-55261-5) is a fully illustrated catalog of photographs by Thomas Eakins and his associates. Because Eakins did not keep detailed records of his photographs, nor did he sign, title, or date them, many of the dates and photographers listed in the catalog are educated guesses on Hendricks' part. It is difficult to know who took a particular photograph because Eakins often had his students use it.[further explanation needed] Hence, the attribution on many of these photographs is "Circle of Eakins" to indicate that a photograph was taken either by Eakins or one of his associates. The Life and Work of Thomas Eakins (1974; ISBN 0-670-42795-0) included a checklist of Eakins' works, a number of which had not been included in the 1933 Goodrich catalog.

In the 1980s, Lloyd Goodrich returned to the subject of Thomas Eakins. He began writing a three-volume book, Thomas Eakins. The first two volumes, published in 1982, were biographic in nature. Goodrich was unable to complete the third volume, a Thomas Eakins catalogue raisonné, before he died in 1987. He donated his papers to the Philadelphia Museum of Art, in the hopes that the curators there would finish the catalogue raisonné. This has not happened.

Until 1986, the Charles Bregler collection was effectively unknown to art historians. A few of the works in the Bregler collection were included in the 1933 Goodrich catalog, but after that they effectively disappeared from the scholarly community. A proper inventory became possible only after their 1986 sale to the Pennsylvania Academy of Fine Arts. In 1997, art historian Kathleen Foster published a definitive catalog of the Bregler collection, Thomas Eakins Rediscovered. (ISBN 0-300-06174-9)

List organization

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Paintings, drawings, and sculptures are listed, where possible, by their Goodrich catalog number supplemented with modifications from Goodrich's notes for his never-completed Eakins catalogue raisonné.[5] The Goodrich catalog can be subdivided into three parts:

  • Juvenalia – Goodrich classified several early works by Thomas Eakins (works made prior to Eakins' arrival in Paris) as juvenalia, and prefaced with a "J". Though mentioned throughout the Eakins literature, the catalog itself was not published. However, the list is accessible in the Goodrich papers in the Philadelphia archives.
  • 1933 catalog works – "G" followed by a number indicates it is from Goodrich's 1933 Eakins catalog.
  • 1980s catalog works – "G" followed by a number and then a letter indicates a work that was not included in the 1933 Goodrich catalog, but was included in his two volume Thomas Eakins, or in notes for the third volume, the never-finished catalog.

Works in the Charles Bregler collection at the Pennsylvania Academy of the Fine Arts are listed according to their number in Thomas Eakins Rediscovered.

Goodrich catalogue of Eakins' paintings and sculptures

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Title Catalog # Image Format Year Dimensions (inches) Collection Notes
Map of Switzerland J1   Pen, ink, and watercolor on paper c. 1856–1857 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[6][7]
Map of France, Spain, Portugal, and Italy J2   Pen, ink, and watercolor on paper c. 1856–1857 16 × 20 Collection of Mr. and Mrs. Francis Walters[8]
Spanish Scene: Peasant Crossing a Stream J3   Pencil and chalk on paper March 1858 10+1⁄16 × 14+7⁄16 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[9][10]
Spanish Scene: Peasants and Travellers Among Ruins J4   Pencil and ink on paper 1858 11+1⁄2 × 16+15⁄16 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[9][11]
Camel and Rider J5   Pencil and ink on paper 1858 Collection of Mr. and Mrs. Daniel Dietrich II[12]
Perspective of a Lathe J6   Pencil and ink on paper 1860 16+5⁄16 × 22 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[13][14]
Drawing of Gears J7  

  		Pen, ink, and pencil on paper c. 1860 11+7⁄16 × 16+7⁄8 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[15][16]
Visiting Card with Landscape J8   c. late 1850s Hirshhorn Museum and Sculpture Garden, Washington, D.C.[17]
Machinery J9 c. 1860
The Icosahedron J10   c. 1860 Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[18]
"Freedom" J11   c. 1860 Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[19] A drawing after the Statue of Freedom by Thomas Crawford
Nude woman, seated, wearing a mask 1   Charcoal on paper c. 1863–1866 24+1⁄4 × 18+5⁄8 inches Philadelphia Museum of Art, Philadelphia, Pennsylvania[20]
Nude woman, back turned 2   Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[21]
Nude boy 3   Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[22]
Nude man, seated 4   Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[23]
Nude woman reclining, back turned 5   Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[24]
Nude woman, reclining, seen from the front 6  

  		Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[25]
Head, bust and arm of a child 7   Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[26]
Arm resting on the back of a chair 8   Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[27]
Nude man with a beard, seated on the floor 9   Charcoal on paper 1869 Philadelphia Museum of Art, Philadelphia, Pennsylvania[28] On the reverse is the middle section of a nude man.
Nude man standing 10 Charcoal on paper
Legs of a seated model 11   Charcoal on paper Newark Museum, Newark, New Jersey[29]
Legs of a standing model 12 Charcoal on paper
Head and bust of an Arab man with a turban 13   Charcoal on paper 1866–1867 Fine Arts Museums of San Francisco, San Francisco[30]
Torso and arm of a nude man 14 Charcoal on paper
Nude woman reclining on a couch 15   Charcoal on paper 1863–1866 Fogg Art Museum, Cambridge, Massachusetts[31]
Nude woman reclining, wearing a mask 16 Charcoal on paper
Nude woman standing 17 Charcoal on paper 1876
Nude man seated 18  

  		Charcoal on paper c. 1869 Double sided with "Head of a Warrior".
Auctioned at Christie's NY, December 8, 2008; sold for $50,000[32]
Illustrated letter to his Mother, Nov. 8–9, 1866 18A  

  		Hirshhorn Museum and Sculpture Garden, Washington, D.C.[33][34]
Antique study, female head 19 Oil on heavy paper c. 1867–1869 Lost[35]
Antique study, male roman head 20 Oil on canvas c. 1867–1869 Lost[35]
Study of a leg 21   Oil on heavy paper c. 1867–1869 Joslyn Art Museum, Omaha, Nebraska
Study of a ram's head 22 Oil on canvas c. 1867–1869 Lost[35]
Study of a girl's head 23   Oil on canvas c. 1868–1869 Private collection[35]
Study of a girl's head 24   Oil on canvas c. 1867–1874 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[36][37]
Study of a girl's head 25   Oil on canvas c. 1867–1869 Philadelphia Museum of Art, Philadelphia, Pennsylvania[38]
The Strong Man 26   Oil on canvas c. 1867–1869 Philadelphia Museum of Art, Philadelphia, Pennsylvania[39] Study
Bust of a Man (Study of a Nude Man) 27   Oil on canvas c. 1867–1869 Philadelphia Museum of Art, Philadelphia, Pennsylvania[40]
Study of a student's head 28   Oil on canvas mounted on cardboard c. 1867–1878 Thought to have been lost.[35]
Auctioned at Sotheby's NY, May 2001; sold for $46,750.[41]
Study of a student's head 29   Oil on canvas mounted on cardboard c. 1867–1879 Collection of William E. Stokes[42]
Female Model
(formerly called A Negress) 		30   Oil on canvas M. H. de Young Memorial Museum, San Francisco, California[43]
Scene in a Cathedral 31   Oil on canvas Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, December 1, 2010; sold for $18,750.[44]
Carmelita Requena 32   Oil on canvas 1869 Metropolitan Museum of Art, New York City, New York[45]
A Street Scene in Seville 33   Oil on canvas 1870 Collection of Erving and Joyce Wolf[46]
A Spanish Woman (Also known as "Dolores") 34   Oil on canvas
Francis Eakins 35   Oil on canvas Late 1870/Early 1871 Nelson-Atkins Museum of Art, Kansas City, Missouri[47]
At the Piano 36   Oil on canvas Late 1870/Early 1871 Blanton Museum of Art, Austin, Texas[48]
Home Scene 37   Oil on canvas Late 1870/Early 1871 Brooklyn Museum of Art, New York City[49]
Benjamin Eakins 38   Watercolor on paper c. 1870 Private collection
Margaret in Skating Costume 39   Oil on canvas 1871 Philadelphia Museum of Art, Philadelphia, Pennsylvania[50]
Margaret (study) 40   Oil on canvas c. 1871 Deaccessioned from Hirshhorn Museum and Sculpture Garden.
Auctioned at Sotheby's NY, May 19, 2010, Lot 109.[51][52]
Margaret (sketch) 41   Oil on canvas c. 1871 Mitchell Museum at Cedarhurst, Mount Vernon, Illinois[53]
Hiawatha 42 Watercolor on paper No longer exists.[54]
Hiawatha 43   Oil on canvas Hirshhorn Museum and Sculpture Garden, Washington, D.C.[54][55] Study for Hiawatha watercolor. Described erroneously as unfinished.[54]
Max Schmitt in a Single Scull 44   Oil on canvas 1871 Metropolitan Museum of Art, New York[56]
Drawing of the Girard Avenue Bridge 44A  

  		Drawing Hirshhorn Museum and Sculpture Garden, Washington, D.C.[57][58] Double sided: reverse side depicts the sketch for an oar.
Portrait of M.H. Messchert 44B Painting
Kathrin (Girl with a cat) 45   Oil on canvas 1872 Yale University Art Gallery, New Haven, Connecticut[59]
Study for Kathrin 45A   Drawing
Elizabeth Crowell and her Dog 46   Oil on canvas Early 1870s San Diego Museum of Art, San Diego, California[60]
Mrs. James W. Crowell 47   Oil on canvas Early 1870s
Grouse 48   Oil on canvas 1872 Mint Museum of Art, Charlotte, North Carolina[61]
The Pair-Oared Shell 49   Oil on canvas 1872 Philadelphia Museum of Art, Philadelphia, Pennsylvania[62]
Perspective Drawing for The Pair-Oared Shell 50   Pencil and ink on paper mounted on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[63][64]
Perspective Drawing for The Pair-Oared Shell 51   Pencil, ink, and watercolor on paper mounted on cardboard 1872 Philadelphia Museum of Art, Philadelphia, Pennsylvania[65]
The Biglin Brothers Turning the Stake 52   Oil on canvas 1873 Cleveland Museum of Art, Cleveland, Ohio[66]
Perspective Drawing for the Biglin Brothers Turning the Stake 52A   Drawing Cleveland Museum of Art, Cleveland, Ohio[67][68]
Perspective Drawing for the Biglin Brothers Turning the Stake 53   Pencil and ink on paper mounted on cardboard 1873 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[69][70]
The Pair-Oared Race – John and Barney Biglin Turning the Stake 54 Watercolor 1874 Lost[71]
A Rower 55 Watercolor Given to Jean-Léon Gérôme by Thomas Eakins. "Present location unknown"[5]
John Biglin (also known as "The Sculler") 56   Watercolor 1874 16+7⁄8 × 23+15⁄16 Yale University Art Gallery, New Haven, Connecticut[72][73]
John Biglin in a Single Scull 57   Watercolor on paper 1873 or early 1874 19+5⁄16 × 24+7⁄8 Metropolitan Museum of Art, New York[74][75]
Perspective Drawing for John Biglin in a Single Scull 58   Pencil and ink on paper mounted on cardboard c. 1874 27+3⁄8 × 45+1⁄4 Museum of Fine Arts, Boston, Boston, Massachusetts[76][77]
John Biglin in a Single Scull 59   Oil on canvas 1873–1874 24+3⁄8 × 16 Yale University Art Gallery, New Haven, Connecticut[78]
John Biglin in a Single Scull 60 Watercolor 1873–1874 Given to Jean-Léon Gérôme by Thomas Eakins.
The Biglin Brothers Racing 61   Oil on canvas Probably 1873 National Gallery of Art, Washington, D.C.[79]
Perspective Drawing for the Biglin Brothers Racing 62   Pencil and ink on paper mounted on cardboard Hirshhorn Museum and Sculpture Garden, Washington, D.C.[80][81][82]
Oarsmen on the Schuylkill 63   Oil on canvas c. 1873 Private Collection. Deaccessioned from Brooklyn Museum of Art.
Oarsman in a Single Scull (also known as "Sketch of Max Schmitt in a Single Scull") 64   Oil on canvas Philadelphia Museum of Art, Philadelphia, Pennsylvania[83]
Oarsmen 65   Oil on canvas Probably c. 1873 Portland Art Museum, Portland, Oregon[84]
The Schreiber Brothers 66   Oil on canvas 1874 Yale University Art Gallery, New Haven, Connecticut[85][86]
Perspective Drawing 67   Pencil and ink on paper mounted on cardboard Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[87]
The Artist and His Father Hunting Reed Birds 68   Oil on canvas c. 1874 Virginia Museum of Fine Arts, Richmond, Virginia[88]
Perspective Drawing for the Artist and His Father Hunting Reed Birds 69   Pencil and ink on paper mounted on cardboard
Pushing for the Rail 70   Oil on canvas 1874 Metropolitan Museum of Art, New York[89]
Whistling for Plover 71   Watercolor on paper 1874 Brooklyn Museum of Art, New York[90]
Whistling for Plover 72 Oil
Sketch for Hunting 73   Oil on canvas mounted on cardboard c. 1874 Collection of Jamie Wyeth
Studies of Game-Birds (Also known as "Plover") 74   Oil on canvas mounted on cardboard Virginia Museum of Fine Arts, Richmond, Virginia
Landscape with a Dog 75   Oil on canvas Philadelphia Museum of Art, Philadelphia, Pennsylvania[91]
Sailboats Racing on the Delaware 76   Oil on canvas 1874 Philadelphia Museum of Art, Philadelphia, Pennsylvania[92]
Sailing 77   Oil on canvas c. 1874 Philadelphia Museum of Art, Philadelphia, Pennsylvania[93]
Starting Out After Rail 78   Oil on canvas 1874 Museum of Fine Arts, Boston, Boston, Massachusetts[94]
Starting Out After Rail 79   Watercolor 1874 Wichita Art Museum, Wichita, Kansas[95]
Ships and Sailboats on the Delaware (also known as "Becalmed") 80   Oil on canvas 1874 Wadsworth Atheneum, Hartford, Connecticut[60]
Study for Ships and Sailboats on the Delaware 81   Oil on canvas mounted on cardboard Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[96]
Ships and Sailboats on the Delaware 82   Oil on canvas 1874 Philadelphia Museum of Art, Philadelphia, Pennsylvania[97]
Drifting 83   Watercolor c. 1874 National Gallery of Art, Washington, D.C.[98]
Mrs. Benjamin Eakins 84   Oil on canvas c. 1874 Collection of Mr. and Mrs. Daniel Dietrich II[99][100]
Portrait of Professor Benjamin H. Rand 85   Oil on canvas 1874 Crystal Bridges Museum of American Art, Bentonville, Arkansas Deaccessioned from Thomas Jefferson University, Philadelphia, Pennsylvania, April 2007 (after 130 years in the collection).[101]
Baseball Players Practicing 86   Watercolor on paper 1875 Rhode Island School of Design Museum, Providence, Rhode Island[102]
Perspective drawing for Baseball Players practicing 86A   Drawing Hirshhorn Museum and Sculpture Garden, Washington, D.C.[103][104][105]
Elizabeth at the Piano 87   Oil on canvas 1875 Addison Gallery of American Art, Andover, Massachusetts[60]
The Gross Clinic 88   Oil on canvas 1875 Philadelphia Museum of Art[106] and the Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[107]
Sketch for the Gross Clinic 89   Oil on canvas 1875 Philadelphia Museum of Art, Philadelphia, Pennsylvania[108]
Dr. Gross (Study for "The Gross Clinic) 90   Oil on canvas 1875 Worcester Art Museum, Worcester, Massachusetts[109]
Black and White version 91   India ink on cardboard 1875 Metropolitan Museum of Art, New York[110] Drawn after the painting, to be photographed and reproduced as a collotype.
Drawing of Two Heads 92   "India ink on paper, with pen and brush" 1876 Philadelphia Museum of Art, Philadelphia, Pennsylvania[111]
Robert C.V. Meyers 93   Oil on brown paper 1875 Collection of Mr. and Mrs. Daniel Dietrich II[112][113]
The Zither Player 94   Watercolor on paper 1876 Art Institute of Chicago, Chicago, Illinois[114]
J. Harry Lewis 95   Oil on canvas 1876 Philadelphia Museum of Art, Philadelphia, Pennsylvania[115]
The Chess Players 96   Wood 1876 Metropolitan Museum of Art, New York[116]
Perspective Drawing for the Chess Players 97   Pencil and ink on paper 1875–1876 Metropolitan Museum of Art, New York[117]
M. Gardel 98   Oil on paper mounted on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[118]
Baby at Play 99   Oil on canvas 1876 National Gallery of Art, Washington, DC.[119]
Studies of a Baby 100   Oil on canvas Duke-Semans Fine Arts Foundation (in the care of the Nasher Museum of Art, Durham, North Carolina) Double sided.
Dr. John H. Brinton 101   Oil on canvas 1876 The National Museum of Health and Medicine of the Armed Forces Institute of Pathology, Washington, D.C. On long-term loan to the National Gallery of Art[120] Dr. Brinton was a close friend of Eakins's, and succeeded Dr. Samuel D. Gross as chair of surgery at Jefferson Medical College.
(See G-126 for Eakins's portrait of Mrs. Brinton.)
Mrs. Samuel Hall Williams (Portrait of Abbie Williams) 102   Wood c. 1876 Deaccessioned from the Art Institute of Chicago.
Auctioned at Christie's NY, September 27, 2011; sold for $134,500.[121]
Columbus in Prison 103   Oil on canvas c. 1876 Kennedy Galleries, New York
Sketch for the Surrender of General Lee to General Grant at Appomattox 103A   Oil on canvas Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, September 27, 2011; sold for $32,500.[122]
Sketch for the Surrender of General Lee to General Grant at Appomattox 103B   Oil on canvas Museum of Fine Arts, Boston, Boston, Massachusetts[123]
Will Schuster and Blackman Going Shooting 104   Oil on canvas 1876 Yale University Art Gallery, New Haven, Connecticut[124]
Perspective Drawing for Will Schuster and Blackman Going Shooting 104A   Drawing Collection of Mr. and Mrs. Daniel Dietrich II[125]
Rail Shooting 105 Oil on canvas "Present whereabouts or existence unknown"[5]
In Grandmother's Time 106   Oil on canvas 1876 Smith College Museum of Art, Northampton, Massachusetts[126]
In Grandmother's Time 106A   Oil on wood Originally double sided with G-106B until the two images were split[5]
Landscape 106B   Oil on wood Originally double sided with G-106A until the two images were split[5]
Deassessioned from Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, March 23, 2016, Lot 57.[127]
Archbishop James Frederick Wood 107   Oil on canvas 1877 Crystal Bridges Museum of American Art, Bentonville, Arkansas[128] Deaccessioned from St. Charles Borromeo Seminary, Wynnewood, Pennsylvania, 2015.[129]
Study for the portrait of James Frederick Wood 108   Oil on canvas 1876 Yale University Art Gallery, New Haven, Connecticut[130]
Scenes in a Cathedral 108A, 108B, 108C, 108D, 108E, 108F, 108G, 108H, 108I   Drawings Hirshhorn Museum and Sculpture Garden, Washington, D.C.[131][132]
William Rush and His Model 109   Oil on canvas 1876–1877 Philadelphia Museum of Art, Philadelphia, Pennsylvania[133]
Studies for "William Rush" 109A, 109B, 109C, 109D, 109E, 109F, 109G, 109H,  

 

 

 

 

 

 

  		Drawings Hirshhorn Museum and Sculpture Garden, Washington, D.C.
Study for William Rush and His Model (Yale), G-111 110   Oil on cardboard, c. 1877 8+1⁄4 × 10+1⁄2 Farnsworth Art Museum, Rockland, Maine[134]
William Rush and His Model (Yale) 111   Oil on canvas 1876 Yale University Art Gallery, New Haven, Connecticut[135][136]
Interior of Rush's Shop 112   Oil on canvas 1876–1877 Philadelphia Museum of Art, Philadelphia, Pennsylvania[137]
The Model (Nude: Study)
Study for William Rush and His Model (Yale), G-111 		113   Oil on canvas 1876 Art Institute of Chicago, Chicago, Illinois[138]
Seventy Years Ago 114   Watercolor on paper 1877 Princeton University Art Museum, Princeton, New Jersey[139]
Sketch for Seventy Years Ago 115   Oil on canvas Seattle Art Museum, Seattle, Washington[140]
Young Girl Meditating 116   Watercolor on paper 1877 Metropolitan Museum of Art, New York[141]
Sketch for Young Girl Meditating 117   Oil on canvas Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[142]
Study for Young Girl Meditating 117A   Oil on canvas 1877 Collection of Martin Perez.[143]
In Washington (Lafayette Park, Washington, D.C.) 118   Wood 1877 Philadelphia Museum of Art, Philadelphia, Pennsylvania[144] Painted from a window of the White House, as Eakins waited for President Rutherford B. Hayes to sit for a portrait.
The Courtship 119   Oil on canvas c. 1878 M. H. de Young Memorial Museum, San Francisco, California[145]
Study for The Courtship 120   Oil on canvas 1877-1878 14 × 17 Auctioned at Christie's NY, June 3, 1983; sold for $80,000.[146]
Ex collection: Gulf States Paper Corporation, Tuscaloosa, Alabama (1983-2013).[147]
Auctioned at Christie's New York, September 25, 2013; sold for $32,500.[148]
The Spinner (sketch for The Courtship) 121   Oil on canvas c. 1878 Worcester Art Museum, Worcester, Massachusetts[60]
The Spinner (sketch for The Courtship) 122   Wood Private collection.[5] The reverse side has a sketch of Dr. Andrews.
The Young Man (sketch for The Courtship) 123 Oil on canvas
Anna Williams 123A  
Study for Anna Williams 123B  
Negro Boy Dancing (also known as "The Dancing Lesson") 124   Watercolor on paper 1878 Metropolitan Museum of Art, New York[149]
Drawing for the Negro Boy dancing 124A   Drawing 1878 Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[150][151]
Study for Negro Boy Dancing 125   Oil on canvas National Gallery of Art, Washington, D.C.[152]
Study for Negro Boy Dancing 125A   National Gallery of Art, Washington, D.C.[153]
Mrs. John H. Brinton 126   Oil on canvas 1878 Collection of Mrs. Rodolphe Meyer de Schauensee[154] Depicts Sarah (Ward) Brinton, wife of John H. Brinton (See G-101).[155]
The Spelling Bee at Angel's 127   1878 Published in Scribner's Magazine, November 1878
Thar's a New Game Down in Frisco 127A   Oil on canvas Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[156] Study for the central standing figure in the Spelling Bee at Angel's.
The Spelling Bee at Angel's 128   1878 Published in Scribner's Magazine, November 1878
Mr. Neelus Peeler's Conditions 129   Black ink and Chinese white on paper 1879 Brooklyn Museum of Art, New York[157] Published in Scribner's Magazine, June 1879
Perspective drawing for Mr. Neelus Peeler's Conditions 129A   Drawing Hirshhorn Museum and Sculpture Garden, Washington, D.C.[158]
Sketch for Mr. Neelus Peeler's Conditions 130  

  		Wood New Britain Museum of American Art, New Britain, Connecticut[159][160] Double sided. Often incorrectly referred to as "The Timer"[161]
Four anatomical drawings 130A, 130B, 130C, 130D  

  		Drawings Hirshhorn Museum and Sculpture Garden, Washington, D.C.[162][163]
A Quiet Moment 131 Oil on canvas 1879 Lost[164]
Sewing 132  

  		Oil on wood c. 1879 New Britain Museum of American Art, New Britain, Connecticut[165] Reverse side contains the sketch of an interior.
Study of a Woman Knitting 132A   Oil Hirshhorn Museum and Sculpture Garden, Washington, D.C.[166]
The Fairman Rogers Four-in-Hand 133   Oil on canvas 1879–1880 Philadelphia Museum of Art, Philadelphia, Pennsylvania[167]
Sketches for the Fairman Rogers Four-in-Hand 134  

  		Oil on wood 1879 Philadelphia Museum of Art, Philadelphia, Pennsylvania[168][169] Double sided: one side depicts the coach being driven across the picture; the other side is a study of Mrs. Rogers.
Landscape sketch for the Fairman Rogers Four-in-Hand 135  

 
Reverse of G135 as it appeared in 1933. 		Oil on wood Originally composed of five or six sketches, which were later split.[170]
Study of the Delaware River 135A   Oil Originally part of G-135 until they were split.[170]
Study of a Man's Head for Mending the Net 135B   Oil Private Collection. Originally part of G-135 until they were split.[170]
Auctioned at Christie's NY, May 19, 2005, Lot 1520; sold for $38,400.[171]
Study of a Woman's Head for Mending the Net 135C   Oil Originally part of G-135 until they were split.[170]
Landscape sketch for the Fairman Rogers Four-in-Hand 136  

  		Oil on wood Philadelphia Museum of Art, Philadelphia, Pennsylvania Double sided: one side is a study in Fairmount park. The other is a color note.
Study of Horse for The Fairman Rogers Four-in-Hand 137   Oil on wood 1879 Originally double sided with 137A until the two images were split[5]
Deaccessioned from Hirshhorn Museum and Sculpture Garden.
Auctioned at Sotheby's NY (in a lot with G-137A, G-199A & G-201A), May 21, 2009; the lot sold for $119,500.[172]
Study of Horses for The Fairman Rogers Four-in-Hand 137A   Oil on canvas 1879 Originally double sided with 137 until the two images were split[5]
Deaccessioned from Hirshhorn Museum and Sculpture Garden.
Auctioned at Sotheby's NY (in a lot with G-137, G-199A & G-201A), May 21, 2009; the lot sold for $119,500.[172]
Fan 137B   Sold at auction, January 24, 1994, for $160,000.
General George Cadwalader 138   Oil on canvas 1880 Butler Institute of American Art, Youngstown, Ohio[173]
General George Cadwalader 139   Oil on canvas 1880 Painted posthumously from a carte-de-visite.
Deassessioned from the collection of the Mutual Assurance Company of Philadelphia.[174]

Offered for auction at Sotheby's New York, November 13, 2017. Unsold.[175]

Retrospection 140   Oil on wood 1880 Yale University Art Gallery, New Haven, Connecticut[176]
Retrospection (Watercolor) 141   Watercolor on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[177]
Walter MacDowell 141A   Oil Private collection[5]
The Crucifixion 142   Oil on canvas 1880 Philadelphia Museum of Art, Philadelphia, Pennsylvania[178]
Sketch for the Crucifixion 143   Oil on canvas 1880 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[179][180]
J. Laurie Wallace posing 143A   Oil Private collection[181] Auctioned at Sotheby's NY, December 3, 1987; sold for $160,000.[182]
Spinning 144   Watercolor on paper 1881 Collection of Mrs. John Randolph Garrett Sr.[183]
Drawing for Spinning 144A Drawing
Sketch for Spinning 145   Oil on wood Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[184]
Spinning (also called "Homespun") 146   Watercolor on paper 1881 Metropolitan Museum of Art, New York[185]
Sketch for Spinning 147  

  		Oil on wood Yale University Art Gallery, New Haven, Connecticut[186] Double sided – the reverse side also contains a sketch for Spinning
The Pathetic Song 148   Oil on canvas 1881 Corcoran Museum of Art, Washington, DC.[60]
Sketch for the Pathetic Song 149   Oil on wood 1881 Hirshhorn Museum and Sculpture Garden, Washington, DC.[187]
The Pathetic Song 149A   Watercolor Metropolitan Museum of Art, New York[188]
Rail Shooting 150   Drawing 1881 Yale University Art Gallery, New Haven, Connecticut[189] Published in Scribner's Magazine, July 1881
A Pusher (also known as "Poleman in the Ma'sh) 151   Drawing 1881 11 × 5+7⁄8 National Gallery of Art, Washington, D.C.[190]
Drawing for William Rush Carving The Allegorical Figure Of The Schuylkill 151A   Drawing Hirshhorn Museum and Sculpture Garden, Washington, D.C.[191]
Shad-Fishing at Gloucester on the Delaware River (also called "Taking up the Net") 152   Oil on canvas 1881 Philadelphia Museum of Art, Philadelphia, Pennsylvania[192]
Shad-Fishing at Gloucester on the Delaware River (also called "Taking up the Net") 153   Watercolor on paper 1881 Metropolitan Museum of Art, New York[193]
Shad-Fishing at Gloucester on the Delaware River 154   Oil 1881 Ball State University Art Museum, Muncie, Indiana[194]
Mending the Net 155   Oil on canvas 1881 Philadelphia Museum of Art, Philadelphia, Pennsylvania[195]
Drawing for Mending the Net 155A Drawing
A Fisherman 156  

  		Oil on cardboard Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[196]
The Tree 157   Oil on wood Originally double sided with G-157A until the two images were split.[5]
Auctioned at Christie's New York, May 21, 2008, Lot 90; sold for $23,750.[197]
Mending the Net: Study of the Tree 157A Oil on wood Originally double sided with G-157 until the two images were split.[5]
Mending the Net 158   Watercolor on paper 1882 Auctioned at Christie's NY, June 5, 1997; sold for $1,400,000.[198]
Drawing the Seine 159   Watercolor on paper 1882 Philadelphia Museum of Art, Philadelphia, Pennsylvania[199]
Hauling the Seine 160   Oil on canvas 1882 Princeton University Art Museum, Princeton, New Jersey[200]
"The Meadows, Gloucester, New Jersey" 161   Oil on canvas c. 1882 Philadelphia Museum of Art, Philadelphia, Pennsylvania[201]
"Sketch for The Meadows, Gloucester, New Jersey" 162 Oil on wood Originally double sided with G-162A until the two images were split.[5]
Study 162A Oil Originally double sided with G-162 until the two images were split.[5]
In the Country 163   Oil on canvas c. 1882 10+1⁄4 × 14 Private collection[5] Auctioned at Sotheby's NY, November 29, 1990; sold for $30,000.[202]
Near the Sea (Also known as "Landscape study") 164 Oil on canvas Collection of Mr. and Mrs. Daniel Dietrich II[5]
Untitled landscape sketch 165   Oil on wood Originally double sided with G-165A until the two images were split.[5]
Study of a horse 165A Oil Originally double sided with G-165 until the two images were split.[5]
Untitled landscape sketch 166   Oil on canvas Philadelphia Museum of Art, Philadelphia, Pennsylvania[203]
Delaware River Scene 167   Oil on canvas Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[204]
Untitled landscape sketch 168 Oil on canvas
Untitled landscape sketch 169  

  		Oil on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[205]
Untitled landscape sketch 170  

  		Oil on paper Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[206]
Untitled landscape sketch 171 Oil on paper
Untitled landscape sketch 172   Oil on canvas Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[207]
Untitled landscape sketch 173   Oil on canvas Collection of Mr. and Mrs. Daniel Dietrich II[208]
Untitled landscape sketch 174 Oil on canvas University at Buffalo, The State University of New York art gallery, Buffalo, New York[5]
Untitled landscape sketch 175   Oil on cardboard Collection of Mr. and Mrs. Daniel Dietrich II[209]
Untitled landscape sketch 176 Oil on canvas
Untitled landscape sketch 177 Oil on cardboard
The Brinton House 177A   Oil 1878 Subject is the William Brinton 1704 House in Birmingham Township, Chester County, Pennsylvania.
Painted for Eakins's friend Dr. John H. Brinton (See G-101).[210]
Study for Old Man in Taking The Count 178   Oil on canvas c. 1898 13+1⁄4 × 10 Auctioned at Christie's New York, May 24, 2007; sold for $78,000.[211]
Auctioned at Freeman's Philadelphia, December 6, 2015; sold for $46,875.[212]
Untitled sketch 179 Oil on canvas mounted on cardboard
Untitled sketch ("Girl in Shade") 180 Oil on cardboard Joslyn Art Museum, Omaha, Nebraska
Untitled sketch 181 Oil on wood
Boatman (Study of a Groom) 182  

  		Oil on wood c. 1879 Philadelphia Museum of Art, Philadelphia, Pennsylvania[213][214] Double sided: one side is a study for the left leader horse in "The Fairman Rogers Four-In-Hand." The reverse side is the Study of a Groom.
Untitled sketch 183   Oil on cardboard Collection of Mr. and Mrs. Daniel Dietrich II[215]
Untitled sketch 184   Oil on heavy paper mounted on cardboard La Salle University Art Gallery, Philadelphia, Pennsylvania
Study of Three Balls of Wool and a Rosebush 185 Oil on canvas Joslyn Art Museum, Omaha, Nebraska
Two Cylinders and a Ball 185A   Oil Joslyn Art Museum, Omaha, Nebraska
Untitled sketch 186 Oil on heavy paper
Study of a woman seated 187 Oil on canvas mounted on cardboard Auctioned at Doyle's NY, November 28, 2007; unsold.[216]
Street Scene 187A   Oil Hirshhorn Museum and Sculpture Garden, Washington, D.C.[217]
The Writing Master 188   oil on canvas 1882 Metropolitan Museum of Art, New York[218]
Sketch for the Writing Master 189  

  		Oil on wood Philadelphia Museum of Art, Philadelphia, Pennsylvania[219][220] Double sided – one side is a sketch for "The Writing Master." The other side is Sketch of a Man and Study of Drapery
The Swimming Hole 190   Oil on canvas 1884–1885 Amon Carter Museum, Fort Worth, Texas[221]
Study for the Swimming Hole 191   Oil on wood 1884 Hirshhorn Museum and Sculpture Garden, Washington, DC.[222]
Sketch of the landscape for the Swimming Hole 192   Oil on wood Collection of Mr. I David Orr[223]
Sketches for the Swimming Hole 193  

  		Oil on cardboard Collection of Mr. and Mrs. Daniel Dietrich II[224][225] Double-sided, both sides are studies for "The Swimming Hole"
Sketches for the Swimming Hole 194  

  		Oil on cardboard Amon Carter Museum, Fort Worth, Texas[226] Double-sided, both sides are studies for "The Swimming Hole"
Study for The Swimming Hole 195   Oil on cardboard Collection of Mr. and Mrs. Daniel Dietrich II[227][228] Double-sided, obverse side contains study of the fisherman's hand from "Mending the Net"
Arcadia 196   Oil on canvas 1883 Metropolitan Museum of Art, New York[229]
Sketch for Arcadia 197   Oil on wood Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[230][231]
Youth Playing Pipes 198   Oil on wood Carnegie Museum of Art, Pittsburgh, Pennsylvania[232] J. Laurie Wallace posed as the model.
Boy Reclining 199   Oil on wood Hirshhorn Museum and Sculpture Garden, Washington, DC.[233] Originally double sided with G-199A until the two images were split.[5]
Study of a Horse 199A   Drawing Originally double sided with G-199 until the two images were split.[5]
Deaccessioned from Hirshhorn Museum and Sculpture Garden.
Auctioned at Sotheby's NY (in a lot with G-137, G-137A & G-201A), May 21, 2009; the lot sold for $119,500.[172]
An Arcadian 200   Oil on canvas c. 1883
Study for An Arcadian 201   Oil on wood Originally double sided with G-201A until the two images were split.[5]
Deassessioned from Hirshhorn Museum and Sculpture Garden.[60]
Auctioned at Christie's NY, March 23, 2016, Lot 56.[234]
Studies of a horse 201A   Drawing Originally double sided with G-201 until the two images were split.[5]
Deaccessioned from Hirshhorn Museum and Sculpture Garden.
Auctioned at Sotheby's NY (in a lot with G-137, G-137A & G-199A), 2009; the lot sold for $119,500.[172]
Weda Cook and Statue 201B Oil See G-267A for a related study.
A Woman's Back: Study 202   Oil on wood 1879 Collection of Mr. and Mrs. Daniel Dietrich II[235][236]
Female Nude 203   Oil on canvas Probably early 1880s Hirshhorn Museum and Sculpture Garden, Washington, D.C.[237][238]
Female Nude 204   Oil on canvas Probably early 1880s Nelson-Atkins Museum of Art, Kansas City, Missouri[239]
Female Nude 205   Watercolor on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[5]
Study for female nude 205A   Oil Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Sotheby's NY, September 29, 2010; sold for $50,000.[240]
J. Laurie Wallace 206   Oil on canvas c. 1883 Joslyn Art Museum, Omaha, Nebraska[241]
Drawing for J. Laurie Wallace 206A Drawing Joslyn Art Museum, Omaha, Nebraska[5]
Professionals at Rehearsal 207   Oil on canvas c. 1883 Philadelphia Museum of Art, Philadelphia, Pennsylvania[242]
Perspective Study Of Boy Viewing an Object 207A   Hirshhorn Museum and Sculpture Garden, Washington, D.C.[243]
Perspective drawing of a table 207B   Hirshhorn Museum and Sculpture Garden, Washington, D.C.[244]
Perspective drawing of two tables 207C
In the Studio 208   Oil on canvas 1884 The Hyde Collection, Glens Falls, New York[245]
In the Studio 209   Watercolor on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[246] Unfinished
A.B. Frost 210   Oil on canvas c. 1884 Philadelphia Museum of Art, Philadelphia, Pennsylvania[247]
Study for A.B. Frost 210A   Oil on cardboard Detroit Institute of Arts, Detroit, Michigan[5]
The Veteran 211   Oil on canvas c. 1886 Yale University Art Gallery, New Haven, Connecticut[248]
Mrs. William Shaw Ward 212   Oil on canvas Auctioned at Sothebys NY, December 2, 2010; sold for $242,500.[249]
The Artist's Wife and His Setter Dog 213   Oil on canvas 1885 Metropolitan Museum of Art, New York[250]
Professor George F. Barker[251] 214  

 
Barker's portrait as it appeared originally. 		Oil on canvas 1886 Mitchell Museum at Cedarhurst, Mount Vernon, Illinois[252] Originally 3/4-length and 60×40 inches, cut down to head-and-bust and 24×20 inches.
Sketch for Professor George F. Barker 215  

  		Oil on cardboard 1886 Philadelphia Museum of Art, Philadelphia, Pennsylvania[253][254] Doubled sided – one side is a sketch for Professor George F. Barker. The other side depicts seated figures.
Professor William D. Marks 216   Oil on canvas 1886 Washington University Gallery of Art, St. Louis, Missouri[255]
Professor William D. Marks (unfinished) 217   Oil on canvas c. 1886 76 × 54 Iris & B. Gerald Cantor Center for Visual Arts, Stanford, California
Miss Sophie Brooks 217A Oil
Frank McDowell[256] 218   Oil on canvas c. 1886 Virginia Museum of Fine Arts,
Richmond, Virginia 		Auctioned at Christie's NY, December 9, 1983; sold for $80,000.[257]
Frank MacDowell (unfinished) 219   Oil on canvas Hirshhorn Museum and Sculpture Garden, Washington, D.C.[258]
Portrait of Walt Whitman 220   Oil on canvas 1887–1888 Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[259]
Sketch for Walt Whitman 221   Oil on wood Probably 1887 Museum of Fine Arts, Boston, Boston, Massachusetts[260]
Mrs. Letitia Wilson Jordan 222   Oil on canvas 1888 Brooklyn Museum of Art, New York City[261]
Sketch for Mrs. Letitia Wilson Jordan Bacon 223   Oil on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[262]
Cowboys in the Badlands 224   Oil on canvas 1888 Anschutz collection, Denver, Colorado Auctioned at Christie's NY, May 22, 2003; sold for $5,383,500.
Set a record for an Eakins painting at auction.
Sketches for Cowboys in the Badlands 225   Oil on cardboard Albright-Knox Art Gallery, Buffalo, New York[263] Originally part of the same work with G-225A and G-225B.[264]
Sketch of a saddle 225A   Oil on canvas on cardboard 1887 Philadelphia Museum of Art, Philadelphia, Pennsylvania[265] Originally part of the same work with G-225 and G-225B.[264]
Study of a stirrup 225B Originally part of the same work with G-225 and G-225A.[264]
Sketch for Cowboys in the Badlands 226   Oil on canvas Denver Art Museum, Denver, Colorado[266][267] Deaccessioned by the Philadelphia Museum of Art, April 2008, to fund the co-purchase (with PAFA) of The Gross Clinic.
The Bad Lands 227   Oil on canvas mounted on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[268]
Study for Cowboys in the Badlands 227A   Oil on canvas 10+3⁄8 × 13+1⁄2 Auctioned at Sothebys NY, October 17, 1980; sold for $8,000.[269]
Landscape sketch for Cowboys in the Badlands 228   Oil on canvas mounted on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[270] Originally double sided with G-228A.
Landscape sketch for Cowboys in the Badlands 228A   Oil on canvas mounted on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[271] Originally double sided with G-228.
Cowboy Riding 229   Oil on canvas mounted on cardboard Denver Art Museum, Denver, Colorado[266][267] Deaccessioned from the Philadelphia Museum of Art, April 2008, to fund the co-purchase (with PAFA) of The Gross Clinic.
Cowboy (sketches) 230   Oil on canvas mounted on cardboard Edward Boulton posed as the model for the cowboy.
Cowboy Riding 230A   Oil on canvas 10+1⁄4 × 14+1⁄4 Auctioned at Freeman's Philadelphia, June 22, 2003; sold for $12,000.[272]
Cowboy (sketch) 231 Oil on canvas mounted on cardboard
Edward W. Boulton 232 c. 1888 Destroyed by vandalism – "The portrait of [Edward W.] Boulton by Eakins was lent to the University Club for an exhibit, and a waiter ran amuck and slashed it up."[273]
Douglass M. Hall 233   Oil on canvas c. 1888 Philadelphia Museum of Art, Philadelphia, Pennsylvania[274] Used as cover image for the album "Kapitulation" by the German indie rock band Tocotronic.
Girl in a Big Hat (Portrait of Lillian Hammitt) 234   Oil on canvas c. 1888 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[275] Hammitt paraded through the streets in a bathing suit and claimed to be Mrs. Thomas Eakins. She was committed to a mental hospital.
The Agnew Clinic 235   Oil on canvas 1889 University of Pennsylvania School of Medicine, Philadelphia, Pennsylvania[276]
Drawing of David Hayes Agnew 235A   Ink and pencil on paper c. 1889 9+9⁄16 x 6+1⁄16 Philadelphia Museum of Art
Sketch for the Agnew Clinic[277] 236   Oil on canvas mounted on cardboard Virginia Museum of Fine Arts,
Richmond, Virginia
Study of Dr. D. Hayes Agnew 237   Oil on canvas 1889 Yale University Art Gallery, New Haven, Connecticut[278]
Samuel Murray 238   Oil on canvas 1889 Mitchell Museum at Cedarhurst, Mount Vernon, Illinois[279]
Dr. Horatio C. Wood 239   Oil on canvas c. 1889 Detroit Institute of Arts, Detroit, Michigan[60]
Professor George W. Fetter 240   Oil on canvas 1890 Collection of the School District of Philadelphia, Philadelphia, Pennsylvania Rediscovered in 2004 by janitors in the boiler room of a Philadelphia school.[280] Currently in an undisclosed location.
Drawing for Professor George W. Fetter 241 Black ink on white tile
Portrait of Talcott Williams 242   Oil on canvas c. 1890 National Portrait Gallery, Washington, D.C.[281]
The Bohemian: Portrait of Franklin Louis Schenk 243   Oil on canvas c. 1890 Philadelphia Museum of Art, Philadelphia, Pennsylvania[282]
F.L. Schenk 244   Oil on canvas c. 1890 Delaware Art Museum, Wilmington, Delaware
F.L. Schenk 245 Oil on cardboard c. 1890 Private collection[5]
The Father of F.L. Schenk 246   Oil on canvas c. 1890 Collection of Nelson C. White[283]
Head of a Cowboy 247   Oil on canvas c. 1890 Mead Art Museum, Amherst, Massachusetts[284]
Home Ranch 248   Oil on canvas c. 1890 Philadelphia Museum of Art, Philadelphia, Pennsylvania[285]
Cowboy Singing 249   Watercolor on paper c. 1890 Metropolitan Museum of Art, New York[286]
Cowboy Singing 250   Oil on canvas c. 1890 Jointly owned by Anschutz collection and Denver Art Museum, Denver, Colorado[266][267] Deaccessioned from the Philadelphia Museum of Art, April 2008, to fund (with PAFA) the co-purchase of "The Gross Clinic."
Thomas B. Harned 251   Oil on canvas c. 1890 24 x 20 Collection of Dr. and Mrs. Herbert S. Harned, Jr. On long-term loan to the Ackland Art Museum, Chapel Hill, North Carolina[287]
Dr. Joseph Leidy II (also known as "Portrait of Man with Red Necktie") 252   Oil on canvas 1890 50 x 36 Deassessioned from Newark Museum, Newark, New Jersey.[288]
Auctioned at Sotheby's New York, 19 May 2021. Sold for $362,800.[289]
Dr. Joseph Leidy II (unfinished) 253 Oil on canvas
William H. Macdowell 254   Oil on canvas c. 1890 Yale University Art Gallery, New Haven, Connecticut[290]
Phidias Studying for the Frieze of the Parthenon 255   Oil on wood c. 1890 Collection of the Eakins Press Foundation[291] Originally double sided with G-255A until the two images were split.[5]
Two Nude Youths on Prancing Horses 255A   Oil on wood c. 1890 Originally double sided with G-255 until the two images were split.[5]
The Red Shawl 256   Oil on canvas c. 1890 Philadelphia Museum of Art, Philadelphia, Pennsylvania[292]
Francis J. Ziegler (also known as "The Critic") 257   Oil on canvas c. 1890 Fogg Art Museum, Cambridge, Massachusetts[293]
The Art Student: Portrait of James Wright 258   Oil on canvas c. 1890 Crystal Bridges Museum of American Art, Bentonville, Arkansas Ex collection: Maloogian Collection, on loan to Detroit Institute of Arts, Detroit, Michigan
The Black Fan 259   Oil on canvas c. 1891 Philadelphia Museum of Art, Philadelphia, Pennsylvania[294]
William H. Macdowell 260   Oil on canvas c. 1891 Taubman Museum of Art, Roanoke, Virginia
William H. Macdowell (study) 261   Oil on canvas c. 1891 Randolph-Macon Woman's College Art Gallery, Lynchburg, Virginia[60]
Portrait of William H. MacDowell 262   Paper on a stretcher Baltimore Museum of Art, Baltimore, Maryland Unfinished
Study for William H. MacDowell 262A   Oil on canvas Hirshhorn Museum and Sculpture Garden, Washington, D.C.[295]
Miss Amelia Van Buren 263   Oil on canvas c. 1891 The Phillips Collection, Washington, D.C.[60]
Professor Henry A. Rowland 264   Oil on canvas 1897 Addison Gallery of American Art, Andover, Massachusetts[60]
Sketch for Professor Henry A. Rowland 265   Oil on canvas Addison Gallery of American Art, Andover, Massachusetts[296]
The Concert Singer 266   Oil on canvas 1890–1892 Philadelphia Museum of Art, Philadelphia, Pennsylvania[297]
Sketch for the Concert Singer 267   Oil on canvas mounted on wood Philadelphia Museum of Art, Philadelphia, Pennsylvania[298]
Study for Weda Cook and Statue 267A  

  		Oil on canvas Blanton Museum of Art, Austin, Texas Also known as "The Opera Singer." On the reverse is "Woman on balcony waving white handkerchief."
Joshua Ballinger Lippincott 268   Oil on canvas 1892 Philadelphia Museum of Art, Philadelphia, Pennsylvania[299]
Study for Joshua Ballinger Lippincott 268A   Oil 1892 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[300]
Miss Blanche Hurlburt 269   Oil on canvas c. 1892 Philadelphia Museum of Art, Philadelphia, Pennsylvania[301]
Dr. Jacob M. Da Costa 270   Oil on canvas 1893 Pennsylvania Hospital[129][302]
Jacob M. Da Costa 270A Oil on canvas Destroyed by Thomas Eakins after DaCosta rejected it.[303]
Sketch for Dr. Jacob M. Da Costa 271   Oil on canvas mounted on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[304]
Girl with Puff Sleeves 272   Oil on canvas Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Sotheby's NY, September 29, 2010; sold for $18,750.[305]
Frank Hamilton Cushing 273   Oil on canvas Late 1894 or 1895 Gilcrease Museum, Tulsa, Oklahoma[306]
Study for Frank Hamilton Cushing 274   Oil on canvas Hirshhorn Museum and Sculpture Garden, Washington, D.C.[307]
Mrs. Frank Hamilton Cushing 275   Oil on canvas c. 1894 or 1895 Philadelphia Museum of Art, Philadelphia, Pennsylvania[308]
Study of James MacAlister (also known as "Man in the Red Necktie") 276   Oil on canvas mounted on cardboard ca. 1895 Metropolitan Museum of Art, New York[309] Originally double sided with G-276A until the two images were split.[5]
Study for William L. MacLean 276A   Oil on canvas mounted on cardboard ca. 1895 Originally double sided with G-276 until the two images were split.[5]
Weda Cook 277   Oil on canvas c. 1895 Columbus Museum of Art, Columbus, Ohio[310]
The Pianist (Stanley Addicks) 278   Oil on canvas c. 1895 Indianapolis Museum of Art, Indianapolis, Indiana[311]
Katherine Maud Cook 279   Oil on canvas 1895 Yale University Art Gallery, New Haven, Connecticut[312]
Riter Fitzgerald 280   Oil on canvas 1895 Art Institute of Chicago, Chicago, Illinois[313]
Sketch for Riter Fitzgerald 281   Oil on canvas mounted on cardboard The Huntington Library, San Marino, California[314]
Sketch for Riter Fitzgerald 282   Oil on canvas
Study for Mrs. Hubbard 283   Oil on canvas mounted on cardboard c. 1895 Sewell C. Biggs Museum of American Art, Dover, Delaware[315] Study for now-destroyed portrait of Mrs. Hubbard.
Auctioned at Sotheby's NY, March 11, 1999; sold for $34,500.[316]
John McLure Hamilton 284   Oil on canvas 1895 Wadsworth Atheneum, Hartford, Connecticut[60]
Sketch for John McLure Hamilton 285   Oil on canvas mounted on cardboard 14+5⁄8 × 10+5⁄8 Georgia Museum of Art, Athens, Georgia
Mrs. Charles L. Leonard 286   Oil on cardboard 1895 Thomas Colville Fine Art[317] Deaccessioned from Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, March 3, 2011; sold for $25,000.[318]
Miss Gertrude Murray 287   Oil on canvas 1895 Dallas Museum of Art, Dallas, Texas[60]
Charles Linford 288   Oil on canvas c. 1895 Ex collection: IBM.
Auctioned at Sotheby's NY, Mat 25, 1995; sold for $80,000.[319]
Captain Joseph Lapsley Wilson 289   Oil on canvas c. 1895 30 × 22 Collection of the First Troop Philadelphia City Cavalry
Sketch for Captain Joseph Lapsley Wilson 290 Oil on canvas mounted on cardboard c. 1895 7¾ × 5+1⁄4 Auctioned at Christie's NY, June 3, 1983; sold for $9000.[320]
Ex collection: Gulf States Paper Corporation, Tuscaloosa, Alabama (1983-2013).
Auctioned at Christie's New York, September 25, 2013, Lot 196, Unsold.[321]
The Cello Player 291   Oil on canvas 1896 Private collection Deaccessioned from the Pennsylvania Academy of the Fine Arts, 2007, to fund the co-purchase (with PMA) of "The Gross Clinic."
Sketch for the Cello Player 292   Oil on canvas 1896 Heckscher Museum of Art, Huntington, New York[322]
Mrs. James Mapes Dodge 293   Oil on canvas 1896 Philadelphia Museum of Art, Philadelphia, Pennsylvania[323]
Harrison S. Morris 294   Oil on canvas 1896 Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[324]
Sketch for Harrison S. Morris 295   Oil on canvas mounted on cardboard Newark Museum, Newark, New Jersey[325]
Professor William Woolsey Johnson 295A   Oil on canvas c. 1896 M. H. de Young Memorial Museum, San Francisco, California[326]
Dr. Charles Lester Leonard 296   Oil on canvas 1897 Collection of the University of Pennsylvania School of Medicine, Philadelphia, Pennsylvania
Jennie Dean Kershaw (Mrs. Samuel Murray) 297   Oil on canvas c. 1897 Sheldon Museum of Art, Lincoln, Nebraska[327]
Mrs. Samuel Murray (unfinished) 298   Oil on canvas Baltimore Museum of Art, Baltimore, Maryland
Miss Lucy Lewis 299   Oil on canvas c. 1897 Philadelphia Museum of Art, Philadelphia, Pennsylvania[328]
Miss Anna Lewis 300   Oil on canvas c. 1898 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[329]
William H. MacDowell with a Hat 301   Oil on canvas c. 1898 Taubman Museum of Art, Roanoke, Virginia
General E. Burd Grubb 302   Oil on canvas Probably 1898 Yale University Art Gallery, New Haven, Connecticut[330]
Taking the Count 303   Oil on canvas 1898 Yale University Art Gallery, New Haven, Connecticut[331]
Sketch for Taking the Count 304   Oil on canvas mounted on cardboard 1898 Yale University Art Gallery, New Haven, Connecticut[332]
Sketch for Taking the Count 305   Oil on canvas Hirshhorn Museum and Sculpture Garden, Washington, D.C.[333]
The Referee, H. Walter Schlichter 306   Oil on canvas 1898 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[334]
Maybelle 307   Oil on canvas 1898 Frye Art Museum, Seattle, Washington[335]
Sketch for Maybelle 308   Oil on canvas mounted on cardboard
John N. Fort 309   Oil on canvas 1898 Williams College Museum of Art, Williamstown, Massachusetts[336]
Salutat 310   Oil on canvas 1898 Addison Gallery of American Art, Phillips Academy[60]
Study for Salutat 311   Oil on canvas 1898 Carnegie Museum of Art, Pittsburgh, Pennsylvania[337]
Between Rounds 312   Oil on canvas 1898–1899 Philadelphia Museum of Art, Philadelphia, Pennsylvania[338]
Sketch for Between Rounds 313  

  		Oil on cardboard Hirshhorn Museum and Sculpture Garden, Washington, D.C.[339] Double sided – one side is a study for "Between Rounds;" the other side is a landscape sketch.
Billy Smith (sketch) 314   Oil on canvas c. 1898 Philadelphia Museum of Art, Philadelphia, Pennsylvania[340]
Billy Smith (study) 315   Oil on canvas 1898 Wichita Art Museum, Wichita, Kansas[341]
The Timer 316   Oil on canvas 1898 New Britain Museum of American Art, New Britain, Connecticut[60]
Wrestlers 317   Oil on canvas 1899 Los Angeles County Museum of Art, Los Angeles County, California[342]
Study for Wrestlers 318   Oil on canvas Los Angeles County Museum of Art, Los Angeles County, California[343]
Wrestlers (unfinished) 319   Oil on canvas 1899 Philadelphia Museum of Art, Philadelphia, Pennsylvania[344]
The Fairman Rogers Four-in-Hand (black & white) 320   Oil on canvas 1899 St. Louis Art Museum, St. Louis, Missouri[345] Black & white version of the 1879–80 original. Painted to be photographed as an illustration for Fairman Rogers, A Manual of Coaching (Philadelphia, 1900).
T. Ellwood Potts 321 1890–1900
Mrs. T Ellwood Potts 322 c. 1890–1900
Addie: A Woman in Black (Portrait of Miss Mary Adeline Williams) 323   Oil on canvas c. 1899 Art Institute of Chicago, Chicago, Illinois[346] In Eakins Revealed (pp. 369–371), author Henry Adams claims that Mary Adeline "Addie" Williams, an Eakins family friend, was the nude model for G-451 William Rush and his Model, and related studies G-445, G-446, G-447, G-452, G-453 and G-454.
Benjamin Eakins 324   Oil on canvas c. 1899 Philadelphia Museum of Art, Philadelphia, Pennsylvania[347]
Mrs. Thomas Eakins 325   Oil on canvas c. 1899 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[348]
Mrs. William H. Green 326   Oil on canvas 1899 Driscoll Babcock Galleries[349] Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Sotheby's NY, September 29, 2010; sold for $31,250.[350]
The Dean's Roll Call 327   Oil on canvas 1899 Museum of Fine Arts, Boston, Boston, Massachusetts[351]
Louis Husson 328   Oil on canvas 1899 National Gallery of Art, Washington, D.C.[352]
David Wilson Jordan 329   Oil on canvas 1899 The Huntington Library, San Marino, California[353]
Study for David Wilson Jordan 329A Oil
William Merritt Chase 330   Oil on canvas c. 1899 Hirshhorn Museum and Sculpture Garden, Washington, DC.[354][355]
The Thinker: Portrait of Louis N. Kenton 331   Oil on canvas 1900 Metropolitan Museum of Art, New York[356]
Sketch for The Thinker 332   Oil on cardboard mounted on wood Farnsworth Art Museum, Rockland, Maine[357] Originally double sided with G-365A until the two images were split.[5]
Addie (also known as "Portrait of Mary Adeline Williams") 333   Oil on canvas 1900 Philadelphia Museum of Art, Philadelphia, Pennsylvania[358]
Mrs. Mary Arthur 334   Oil on canvas 1900 Metropolitan Museum of Art, New York[359]
Robert M. Lindsay 335   Oil on canvas 1900 Detroit Institute of Arts, Detroit, Michigan[360]
Sketch for Robert M. Lindsay 336   Oil on wood Detroit Institute of Arts, Detroit, Michigan[361]
Frank Jay St. John 337   Oil on canvas 1900 M. H. de Young Memorial Museum, San Francisco, California[362]
Antiquated Music: Portrait of Sarah Sagehorn Frishmuth 338   Oil on canvas 1900 Philadelphia Museum of Art, Philadelphia, Pennsylvania[363]
Mrs. Joseph H. Drexel 339   Oil on canvas unstretched 1900 Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, May 18, 2011; sold for $68,500.[364]
Sketch for Mrs. Joseph H. Drexel 340 Oil on cardboard c. 1900
Dr. Daniel Garrison Brinton 340A   Oil Collection of the American Philosophical Society.[365]
Clara J. Mather 341   Oil on canvas c. 1900 Musée d'Orsay, Paris, France[366]
A Woman in Black (Portrait of Clara J. Mather) 342 Oil on wood
Elizabeth R. Coffin 343   Oil on canvas c. 1900 Coffin School collection, Egan Institute of Maritime Studies, Nantucket, Massachusetts[367]
Dr. Edward J. Nolan 344   Oil on canvas c. 1900 Philadelphia Museum of Art, Philadelphia, Pennsylvania[368]
Henry O. Tanner 345   Oil on canvas c. 1900 The Hyde Collection, Glens Falls, New York[60]
Honorable John A. Thorton 346   Oil on canvas Schwarz Gallery, Philadelphia, Pennsylvania
Monsignor James P. Turner 347   Oil on canvas c. 1900 Eakins later painted a full-length portrait of Monsignor Turner (G-438); sketch (G-439).
Deassessioned from St. Charles Borromeo Seminary, Wynnewood, Pennsylvania[129][369]
Auctioned at Christie's NY, November 19, 2015; sold for $221,000.[370]
Portrait of Leslie W. Miller 348   Oil on canvas 1901 Philadelphia Museum of Art, Philadelphia, Pennsylvania[371]
Sketch for Professor Leslie W. Miller 349  

  		Oil on cardboard c. 1892–1894 Philadelphia Museum of Art, Philadelphia, Pennsylvania[372][373] Double sided: one side depicts Leslie W. Miller. The reverse depicts Thomas Eakins' dog, Harry.
Signature for 'Leslie W. Miller' 349A   Drawing Hirshhorn Museum and Sculpture Garden, Washington, D.C.[374]
Mrs. Leslie W. Miller 350 Oil on canvas 1901
Mrs. Elizabeth Duane Gillespie 351   Oil on canvas 1901 Collection of the Philadelphia Museum of Art, gift of the Women's Committee[375]
Sketch for Mrs. Elizabeth Duane Gillespie 352   Oil on canvas Hirshhorn Museum and Sculpture Garden, Washington, D.C.[376]
George Morris 353 Oil on canvas 1901
Reverend Philip R. McDevitt 354   Oil on canvas 1901 Snite Museum of Art, Notre Dame, Indiana[377]
Charles F. Haseltine 355   Oil on canvas c. 1901 Montclair Art Museum, Montclair, New Jersey[60]
Elbridge Ayer Burbank 356 c. 1901
Alfred F. Watch 357 c. 1901
Self-Portrait 358   Oil on canvas 1902 National Academy of Design, New York[60]
Self-portrait 358A   Oil on canvas c. 1902 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[60][378]
Colonel Alfred Reynolds 359   Oil on canvas 1902 Taubman Museum of Art, Roanoke, Virginia[379]
Signora Gomez D'Arza 360   Oil on canvas 1902 Metropolitan Museum of Art, New York[380]
His Eminence Sebastiano Cardinal Martinelli 361   Oil on canvas 1901–02 Hammer Museum, Los Angeles[60]
Perspective drawing for his Eminence Sebastiano Cardinal Martinelli 361A Drawing Joslyn Art Museum, Omaha, Nebraska[5]
Perspective drawing for his Eminence Sebastiano Cardinal Martinelli 361B Drawing Joslyn Art Museum, Omaha, Nebraska[5]
Very Reverend John J. Fedigan 362   Oil on canvas 1902 Collection of the Augustinian Province of St. Thomas of Villanova.[381] On permanent loan to Villanova University, Villanova, Pennsylvania[382]
Sketch for the Very Reverend John J. Fedigan 363   Oil on canvas Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, September 27, 2011; sold for $10,625.[383]
The Translator 364   Oil on canvas 1902 Deassessioned from St. Charles Borromeo Seminary, Wynnewood, Pennsylvania
Monsignor James F. Loughlin 365   Oil on canvas 1902 Deassessioned from St. Charles Borromeo Seminary, Wynnewood, Pennsylvania[129][369]
Study for Monsignor James F. Loughlin 365A   Oil on cardboard mounted on wood Originally double sided with G-332 until the two images were split.[5]
Auctioned at Bonham's San Francisco, November 29, 2005; sold for $15,000.[384]
John Seely Hart 366   Oil on canvas 1902 Collection of the School District of Philadelphia, Philadelphia, Pennsylvania Dr. Hart (1810–1877) was principal of Philadelphia's Central High School when Eakins was a student. Eakins painted the posthumous portrait from a photograph.
Rediscovered in 2004 by janitors in the boiler room of a Philadelphia school, it is currently in an undisclosed location.[280]
Charles E. Dana 367   Oil on canvas c. 1902 Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[385]
The Young Man (Kern Dodge) 368   Oil on canvas c. 1902 Philadelphia Museum of Art, Philadelphia, Pennsylvania[386]
Miss Mary Perkins (unfinished) 369   Oil on canvas c. 1902
Girl with a Fan 370   Oil on canvas c. 1902 Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[387]
Adam S. Bare 371   Oil on canvas 1903
Walter Copeland Bryant 372 Oil on canvas 1903 Collection of the Brockton Public Library, Brockton, Massachusetts
Dr. Matthew H. Cryer 373   Oil on canvas 1903 Private collection
Archbishop William Henry Elder 374   Oil on canvas 1903 66+3⁄16 × 45+3⁄16 Cincinnati Art Museum, Cincinnati, Ohio[388]
Mother Patricia Waldron 375   Sketch. Oil on canvas mounted on cardboard 1903 Philadelphia Museum of Art, Philadelphia, Pennsylvania[389] Study for completed portrait, G-487 (lost, probably destroyed). See below.
Bishop Edmond F. Prendergast 376 Oil on canvas Lost, possibly destroyed: "Murray told Eakins biographer Lloyd Goodrich that he had it 'from a reliable source' that the painting, which Murray considered 'superb' was somehow disposed of."[390]
James A. Flaherty 377   Oil on canvas 1903 Deassessioned from St. Charles Borromeo Seminary, Wynnewood, Pennsylvania[129][369]
Auctioned at Christie's NY, May 19, 2016; sold for $185,000.[391]
William B. Kurtz 378   Oil on canvas 1903 Philadelphia Museum of Art, Philadelphia, Pennsylvania 2015 bequest of Daniel W. Dietrich II.[392][393][394]
Miss Alice Kurtz 379   Oil on canvas 1903 Fogg Art Museum, Cambridge, Massachusetts[395]
Mrs. Mary Hallock Greenewalt 380   Oil on canvas 1903 Wichita Art Museum, Wichita, Kansas[396]
Dr. Frank Lindsay Greenewalt 381   Oil on canvas 1903 Private collection, Delaware
Dr. Frank Lindsay Greenewalt 381A Oil
Mrs. Anna A. Kershaw 382   Oil on canvas 1903 Deaccessioned from Sheldon Museum of Art, Lincoln, Nebraska.
Auctioned at Sotheby's NY, December 5, 2015; sold for $187,500.[397]
Ruth (Portrait of Ruth Harding) 383   Oil on canvas 1903 White House Art Collection, Washington, D.C.
An Actress: Portrait of Suzanne Santje 384   Oil on canvas 1903 Philadelphia Museum of Art, Philadelphia, Pennsylvania[398]
Study for An Actress 385   Oil on canvas mounted on cardboard Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, December 1, 2010; sold for $100,900.[399]
Miss Betty Reynolds 386   Oil on canvas c. 1903 Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's New York, March 1, 2012; sold for $22,500.[400]
The Oboe Player 387   Oil on canvas 1903 Philadelphia Museum of Art, Philadelphia, Pennsylvania[401]
Rear-Admiral Charles D. Sigsbee 388   Oil on canvas 1903 Auctioned at Sotheby's NY, May 22, 2008; sold for $1,945,000.[402]
Mrs. M.S. Stokes 389   Oil on canvas 1903 Arkell Museum, Canajoharie, New York[403]
Mrs. Richard Day 390   Oil on canvas c. 1903 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[404]
Mother (Portrait of Annie Williams Gandy) 391   Oil on canvas c. 1903 Smithsonian American Art Museum[405] Donated to the Smithsonian by Annie Gandy's daughters, Lucy Rodman and Helen Gandy.
Mrs. Helen MacKnight (also known as "The Lady in Grey" and "Portrait of a Mother") 392   Oil on canvas c. 1903 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[406]
Francesco Romano 393   c. 1903 Auctioned at Christie's NY, May 26, 1994; sold for $80,000.[407]
Auctioned at Sotheby's NY, November 29, 2012; sold for $146,500.[408]
Robert C. Ogden 394   Oil on canvas 1904 Deaccessioned from Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, May 20, 2009; sold for $338,500.[409][410]
Study for Robert C. Ogden 394A   Oil Deaccessioned from Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, March 3, 2011; sold for $32,500.[411]
J. Carroll Beckwith 395   Oil on canvas 1904 San Diego Museum of Art, San Diego, California[60]
Charles Percival Buck 396   Oil on canvas 1904 Princeton University Art Museum, Princeton, New Jersey[412]
Mrs. James G. Carville (Portrait of Harriet Husson Carville) 397   Oil on canvas 1904 National Gallery of Art, Washington, D.C.[413]
Mrs. Kern Dodge 398   Oil on canvas 1904 Private Collection. Los Angeles
Mrs. Kern Dodge 399 Oil on canvas
Miss Beatrice Fenton (also known as "The Coral Necklace") 400   Oil on canvas 1904 Butler Institute of American Art, Youngstown, Ohio[173]
William R. Hallowell 401   Oil on canvas 1904
Music 402   Oil on canvas 1904 Albright-Knox Art Gallery, Buffalo, New York[414]
Sketch for Music 403   Oil on canvas mounted on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[415]
The Violinist 404   Oil on canvas 1904 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[416]
Samuel Myers 405   Oil on canvas 1904 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[417]
Frank B.A. Linton 406   Oil on canvas 1904 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[418]
Mrs. Edith Mahon 407   Oil on canvas 1904 Smith College Museum of Art, Northampton, Massachusetts[419]
Rear-Admiral George W. Melville 408   Oil on canvas 1904 Philadelphia Museum of Art, Philadelphia, Pennsylvania[420] Eakins painted a later portrait of Melville, see G-420.
William Murray 409   Oil on canvas c. 1904
Mrs. Matilda Searight 410   Oil on canvas 1904 La Salle University Art Gallery, Philadelphia, Pennsylvania
Edward Taylor Snow 411   Oil on canvas 1904 Philadelphia Museum of Art, Philadelphia, Pennsylvania[421]
B.J. Blommers 412   1904 Toledo Museum of Art, Toledo, Ohio[60]
Mrs. B.J. Blommers 413 1904
Charles P. Gruppe 414   Oil on canvas 1904 22" × 18" Private Collection. New York City
A. Bryan Wall 414A   Oil Bowdoin College Museum of Art, Brunswick, Maine[422]
Joseph R. Woodwell 415   Oil on canvas 1904 Carnegie Museum of Art, Pittsburgh, Pennsylvania[423]
William H. MacDowell 416   Oil on canvas c. 1904 Memorial Art Gallery, University of Rochester, New York[424]
Walter MacDowell 417   Oil on canvas c. 1904 Taubman Museum of Art, Roanoke, Virginia[379]
William H. Lippincott 418 Late 1904 or early 1905
Edward W. Redfield 419   Oil on canvas 1905 National Academy of Design, New York
Rear-Admiral George W. Melville 420   Oil on canvas 1905 National Gallery of Art, Washington, D.C.[425] Eakins painted an earlier portrait of Melville, see G-408.
Mrs. George Morris 421 Oil on canvas 1905
Professor William Smith Forbes 422   Oil on canvas 1905 Private collection Deaccessioned from Thomas Jefferson University, Philadelphia, Pennsylvania in 2007.
Charles L. Fussell 423   Oil on canvas c. 1905 Montclair Art Museum, Montclair, New Jersey[426]
Study for Charles L. Fussell 423A   Oil on board c. 1905 Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, March 1, 2012; sold for $27,500.[427]
Miss Florence Einstein 424   Oil on canvas 1905 Currier Museum of Art, Manchester, New Hampshire[428]
Monsignor Diomede Falconio 425   Oil on canvas 1905 National Gallery of Art, Washington, D.C.[429]
John B. Gest 426   Oil on canvas 1905 Museum of Fine Arts, Houston, Houston, Texas[430]
Asbury.W. Lee 427   Oil on canvas 1905 Reynolda House Museum of American Art, Winston-Salem, North Carolina[431]
Miss Elizabeth L. Burton 428   Oil on canvas c. 1905 Minneapolis Institute of Arts, Minneapolis, Minnesota[60]
Dr. Thomas H. Fenton 429   Oil on canvas c. 1905 Delaware Art Museum, Wilmington, Delaware
Mrs. Louis Husson (Annie C. Lochrey) 430   Oil on canvas c. 1905 National Gallery of Art, Washington, D.C.[432]
Maurice Feeley 431   Oil on canvas c. 1905 Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, March 3, 2011; sold for $27,500[433]
Genjiro Yeto 432 1906
A Singer: Portrait of Mrs. W.H. Bowden 433   Oil on canvas 1906 Princeton University Art Museum, Princeton, New Jersey[434]
A Singer: Portrait of Mrs. Leigo 434   Oil on canvas c. 1906 Berry-Hill Galleries, New York
Richard Wood 435 Oil on canvas 1906
Master Alfred Douty 436   Oil on canvas 1906 Santa Barbara Museum of Art, Santa Barbara, California[435]
A Little Girl 437   Oil on canvas c. 1906 Philadelphia Museum of Art, Philadelphia, Pennsylvania[436]
Monsignor James P. Turner 438   Oil on canvas c. 1906 Nelson-Atkins Museum of Art, Kansas City, Missouri[437] Eakins painted an earlier head-and-bust portrait of Monsignor Turner (c. 1900), G-347.
Sketches 439  

  		Oil on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[438][439] Double sided: one side is a sketch for Monsignor James P. Turner.
The reverse is a sketch for William Rush and His Model (Honolulu), G-451. Related to G-454.
Thomas J. Eagan 440   Oil on canvas 1907 Terra Museum, Chicago, Illinois[440] Auctioned at Christie's NY, May 21, 1998; sold for $240,000.[441]
Dr. Albert C. Getchell 441   Oil on canvas 1907 North Carolina Museum of Art, Raleigh, North Carolina[60]
Dr. William Thomson 442   Oil on canvas 1907 Mütter Museum, College of Physicians of Philadelphia, Philadelphia, Pennsylvania
Dr. William Thomson (unfinished) 443   Oil on canvas National Gallery of Art, Washington, D.C.[442][443]
Major Manuel Waldteufel 444   Oil on canvas 1907 Hirschl and Adler Galleries, New York Deaccessioned from French Benevolent Society of Philadelphia, 2003.
Auctioned at Christie's NY, May 21, 2008; sold for $289,000.[444]
William Rush and His Model (Brooklyn) 445   Oil on canvas 1908 Brooklyn Museum of Art, New York[445]
Sketch for William Rush and His Model (Brooklyn), G-445 446   Oil on wood 1908 8¾ × 10
Sketch for William Rush and His Model (Brooklyn), G-445 447   Oil on wood Hirshhorn Museum and Sculpture Garden, Washington, D.C.[446]
Studies of Rush 448 Oil on wood Originally a collage with G-448A and G-448B until the images were split.[5]
Study of Rush 448A Oil on wood Originally a collage with G-448 and G-448B until the images were split.[5]
Study of Rush 448B Oil on wood Originally a collage with G-448 and G-448A until the images were split.[5]
Study of Rush
Study for William Rush and His Model (Brooklyn), G-445. 		449   Oil on canvas Auctioned at Heritage Dallas, November 9, 2009; sold for $100,380.[447]
Study for The Chaperone (formerly called The Negress)
Study for William Rush and His Model (Brooklyn), G-445. 		450   Oil on canvas c. 1908 National Gallery of Art, Washington, DC[448]
William Rush and His Model (Honolulu) 451   Oil on canvas 1907–1908 Honolulu Museum of Art, Honolulu, Hawaii[449] In Eakins Revealed (pp. 369–371), author Henry Adams claims that Mary Adeline "Addie" Williams (G-323), an Eakins family friend, was the nude model for William Rush and his Model.
Related studies: G-445, G-446, G-447, G-452, G-453 and G-454.
The Model
Study for William Rush and His Model (Honolulu), G-451 		452   Oil on canvas Crystal Bridges Museum of American Art, Bentonville, Arkansas[450] Auctioned at Sotheby's New York, May 22, 2008, sold for $1,273,000.[451]
William Rush and His Model 453   Oil on canvas 1908 Smithsonian American Art Museum, Washington, D.C.[452]
Study for "William Rush's Model" 454   Oil on canvas c. 1908 Related to G-439.
Deaccessioned from Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's New York, May 20, 2009; sold for $122,500.[453]
Offered at auctioned by Sotheby's New York, May 23, 2017, Lot 77, estimate: $80,000-120,000. Unsold.[454]
Miss Eleanor S.F. Pue 455   Oil on canvas 1907 Deaccessioned from Virginia Museum of Fine Arts.[60] Auctioned at Freeman's, Philadelphia, December 3, 2017, sold for $40,000.[455]
Miss Rebecca MacDowell 456   Oil on canvas c. 1908 Offered for auction at Bonham's, New York, November 28, 2012, Lot 82, estimate: $70,000-90,000. Unsold.[456]
The Old-Fashioned Dress: Portrait of Miss Helen Parker 457   Oil on canvas c. 1908 Philadelphia Museum of Art, Philadelphia, Pennsylvania[457]
Sketch for the Old-Fashioned Dress 458   Oil on cardboard Collection of Mr. and Mrs. Daniel Dietrich II[458]
Study for the Old-Fashioned Dress 459   Oil on canvas 1908 Collection of Mr. and Mrs. Daniel Dietrich II[459][460]
Mrs. Lucy Langdon W. Wilson 460   Oil on canvas 1908 Auctioned at Sotheby's NY, December 3, 1998; sold for $60,000.[461]
Mrs. Lucy Langdon W. Wilson (second version) 461 Oil on canvas Early 1909
Dr. William P. Wilson 462 Oil on canvas 1909
Dr. Henry Beates Jr. 463 Oil on canvas 1909
Henry Beates 464 Oil on canvas c. 1909
Edward A. Schmidt 465 Oil on canvas c. 1909
Reverend Cornelius J. O'Neill 466 Oil on canvas c. 1909
John J. Borie 467   Oil on canvas 1896-98 Hood Museum of Art, Dartmouth College,
Hanover, New Hampshire[462]
Mrs. Nicholas Douty 468   Oil on canvas 1910 Cummer Gallery of Art, Jacksonville, Florida[60]
Dr. Gilbert Lafayette Parker 469   Oil on canvas 1910 Auctioned at Sotheby's NY, May 29, 1986; sold for $125,000.[463]
Auctioned at Christie's NY, May 23, 2017, Lot 59, estimate: $80,000-120,000, Unsold.
Mrs. Gilbert Parker 470   Oil on canvas 1910 Museum of Fine Arts, Boston, Boston, Massachusetts[464]
Gilbert Sunderland Parker 471 Oil on canvas 1910
Ernest Lee Parker 472   Oil on canvas 1910 Deaccessioned from the Westmoreland Museum of American Art.
Auctioned at Christie's NY, December 5, 2002; sold for $101,575.[465]
President Rutherford B. Hayes 473   Oil on canvas 1912 or 1913 Philipse Manor Hall, Yonkers, New York
Dr. Edward Anthony Spitzka 474   Oil on canvas c. 1913 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[466] Eakins' last painting.
This originally showed a full length Dr. Spitzka holding the cast of a brain. Sometime after it was cataloged in the 1933 Goodrich catalog (measuring 84×43+1⁄2 inches), someone cut away the rest of the painting, leaving only the head and bust (30+1⁄2×25? inches).[467]
President Rutherford B. Hayes 475 1877 "Probably no longer in existence"
James L. Wood 476 c. 1890 "Probably no longer in existence"
William Rudolf O'Donovan 477 1891 or early 1892 "Probably no longer in existence"
Miss Emily Sartain 478   Sometime in the 1890s Thought to have been lost ("Probably no longer in existence".) Later rediscovered. Passed down through the Sartain family to the Babcock Galleries, and was sold to Rita and Daniel Fraad in 1957.
Auctioned at Sotheby's NY, December 1, 2004; sold for $170,000.[468]
Miss Emily Sartain 479 Sometime in the 1890s "Probably no longer in existence"
Dr. Hugh A. Clarke 480 c. 1893 "Probably no longer in existence"
James MacAlister 481 c. 1893 "Probably no longer in existence"
Circus People 482 Before 1876 Sketch. "Probably no longer in existence"
Stewart Culin 483 c. 1899 "Probably no longer in existence"
Dr. George B. Wood 484 c. 1900 "Probably no longer in existence"
Dr. Patrick J. Garvey 485   Oil on canvas 1902 Thought to have been destroyed, rediscovered in 1959.[129][369]
Deassessioned from St. Charles Borromeo Seminary, Wynnewood, Pennsylvania, 2014.
Offered for auction at Christie's New York, November 21, 2017, Lot 91, estimate: $70,000-100,000. Unsold.[469]
Right Reverend Denis J. Dougherty 486   1903 Private Collection[470] Related to a full-length portrait of Rev. Denis J. Dougherty (c. 1906), G-438. The subject later became a Cardinal and Archbishop of Philadelphia
Mother Patricia Waldron 487 1903 "Probably no longer in existence" – loaned by the Sisters of Mercy to William Antrim, who had been commissioned to paint a new portrait of Waldron. Antrim stored the portrait in the attic of his studio. The portrait was lost when the building was demolished.[471] For sketch, see above, G-375.
Mrs. Margaret Jane Gish 488 c. 1903 "Probably no longer in existence"
Robert C. Ogden 489 "Probably no longer in existence"
Dr. J. William White 490 1904 "Probably no longer in existence"
Adolphie Borie 491 c. 1910 "Probably no longer in existence"
Mrs. Charles Lester Leonard 492 1895 No longer in existence
Mrs. Hubbard 493 c. 1895 No longer in existence
Mrs. McKeever 494 1898 No longer in existence
Bishop Edmond F. Prendergast 495 Oil on canvas c. 1903 No longer in existence
Frank W. Stokes 496 1903 No longer in existence
Edward S. Buckley 497 1906 No longer in existence. According to Buckley's daughter: "It was so unsatisfactory that we destroyed it, not wishing his descendants to think of their grandfather as resembling the portrait."[472]
Studies for William Rush and His Model 498  

 

 

 

  		Sculpture, pigmented wax 1876–1877 Philadelphia Museum of Art, Philadelphia, Pennsylvania[473] Five studies
The Mare "Josephine" 499 Sculpture, bronze 1878,
cast 1930 		Height: 22.125 in (56.2 cm) Philadelphia Museum of Art, Philadelphia, Pennsylvania Quarter-size model.
Josephine was the lead horse in The Fairman Rogers Four-in-Hand (G-133). Eakins and his students created a life-size plaster model of her in 1878. Following her natural death, c.1881, the carcass was dissected and used to create plaster écorché models for teaching equine anatomy.
Horse Skeleton 500   Sculpture, painted plaster 1878 11.25 x 14.375 x 2.125 in (28.5 x 36.3 x 5.3 cm) Hirshhorn Museum and Sculpture Garden, Washington, D.C. Eighth-size model.
A plaster cast is at the University of Michigan Museum of Art.[474] A 1930 bronze cast is at the Butler Institute of American Art.[475]
The Mare "Josephine": Écorché 501   Sculpture, painted plaster 1882 22 x 24 x 4 in
(55.88 x 60.96 x 10.16 cm) 		National Gallery of Art, Washington, D.C.[476] Quarter-size model.
An edition of 10 bronze casts was made of this in 1979. These are at the Hood Museum of Art, Harvard Art Museums, Brandywine River Museum, Crystal Bridges Museum of American Art, and elsewhere.[477] A painted plaster relief is at the University of Michigan Museum of Art.[478]
The Mare "Josephine": Écorché 502 Sculpture, painted plaster 1882 22.25 x 31 x 3 in (56.52 x 78.74 x 7.62 cm) Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania Quarter-size model.
A 1930 bronze cast is at the Philadelphia Museum of Art.[475]
Four models of horses for The Fairman Rogers Four-in-Hand 503 Sculpture, bronze with marble bases 1879,
cast 1946 		Lengths: 11.75 in (29.8 cm)
11.875 in (30.2 cm)
11.938 in (30.3 cm)
12.25 in (31.1 cm)[479] 		Philadelphia Museum of Art, Philadelphia, Pennsylvania Eighth-size models.
Spinning 504   Sculpture, painted plaster late-1882/ early-1883 21 x 17.375 x 4.25 in (53.24 x 44.133 x 10.8 cm) Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[480] PAFA also owns an 1886 bronze cast.[481]
An 1886 bronze cast is at the Philadelphia Museum of Art.[183]
Knitting 505   Sculpture, painted plaster 1881 20.75 x 17.25 x 4.5 in (52.7 x 43.82 x 11.43 cm) Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[482] PAFA also owns an 1886 bronze cast.[483]
An 1886 bronze cast is at the Philadelphia Museum of Art.[183]
Arcadia 506   Sculpture, painted plaster 1883 11.875 x 24.25 x 2.375 in (29.9 x 61.3 x 5.7 cm) Hirshhorn Museum and Sculpture Garden, Washington, D.C.[484] Plaster casts are at the Philadelphia Museum of Art, Yale University Art Gallery, and elsewhere. A 1930 bronze cast is in the collection of Jamie Wyeth.
An Arcadian 507   Sculpture, painted plaster 1883 Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania Susan Macdowell Eakins posed as the model.
The Youth Playing the Pipes 508   Sculpture, painted plaster 1883 20.125 x 11.5 x 1.75 in (51 x 29.1 x 4.2 cm) Philadelphia Museum of Art, Philadelphia, Pennsylvania Plaster casts are at the Pennsylvania Academy of the Fine Arts, and elsewhere. A 1930 bronze cast is at the Hirshhorn Museum and Sculpture Garden.
Abraham Lincoln's horse 509   Sculpture 1893–1894 Soldiers' and Sailors' Memorial Arch, Prospect Park, Brooklyn, New York City William Rudolf O'Donovan modeled the figure of Abraham Lincoln.
Originally paired with G-509A in the 1933 Goodrich catalog.[5]
General Grant's Horse 509A  

 
Full-size plaster model of Clinker. 		Sculpture, bronze 1892 Soldiers' and Sailors' Memorial Arch, Prospect Park, Brooklyn, New York City William Rudolf O'Donovan modeled the figure of Ulysses S. Grant.
Originally listed as G-509 in the 1933 Goodrich catalog.[5]
Clinker 510 Sculpture, bronze 1892, cast 1930 6.25 x 6.25 x 2 in (15.8 x 15.8 x 4.9 cm) Hirshhorn Museum and Sculpture Garden, Washington, D.C.[485] Sixteenth-size model.
Clinker 511   Sculpture, painted plaster 1892 25.34 x 25.34 x 4.5 in (65.4 x 65.4 x 11.4 cm) Philadelphia Museum of Art, Philadelphia, Pennsylvania[475] Quarter-size model.
A 1930 bronze cast is also at the Philadelphia Museum of Art.
Billy 512 Sculpture, plaster c. 1892–1893
The American Army Crossing the Delaware 513 Sculpture, bronze relief c. 1893 New Jersey State Museum, Trenton, New Jersey[486]
The Opening of the Fight, The Battle of Trenton 514 Sculpture, bronze relief c. 1893 New Jersey State Museum, Trenton, New Jersey[487]
Man on Horseback: Relief 514A Hirshhorn Museum and Sculpture Garden, Washington, D.C.[5]
Mrs. Mary Hallock Greenewalt 515   Sculpture, bronze relief 1905 Delaware Art Museum, Wilmington, Delaware

See also

edit

Notes

edit
  1. ^ Adams, Eakins revealed, 537
  2. ^ Foster, 1
  3. ^ Foster, 2–3
  4. ^ "Previous to Goodrich's monograph, only short essays on Eakins and checklists of his works had been published. NO monographic studies or commentaries on the artist appeared during his lifetime. Most notable of the early works on Eakins are Alan Burroughs' three articles which appeared in The Arts during 1923 and 1924 and Henri Marceau's essay and checklist (announcing the receipt of Susan Eakins' bequest). According to Goodrich, he was encouraged to write the Eakins monograph by close friend Reginald Marsh, an avid admirer of the older artist." – Milroy, 30, footnote 9
  5. ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj ak al am an Lloyd and Edith Havens Goodrich, Whitney Museum of American Art, Record of Works by Thomas Eakins: Series VII. catalogue raisonné.
  6. ^ Rosenzweig, 23
  7. ^ "Hirshhorn Museum and Sculpture Garden". hirshhorn.si.edu. Archived from the original on June 29, 2011. Retrieved January 17, 2022.
  8. ^ Hendricks, 1974, 7
  9. ^ a b Rosenzweig, 24
  10. ^ "Hirshhorn Museum and Sculpture Garden". hirshhorn.si.edu. Archived from the original on June 29, 2011. Retrieved January 17, 2022.
  11. ^ "Hirshhorn Museum and Sculpture Garden". hirshhorn.si.edu. Archived from the original on June 29, 2011. Retrieved January 17, 2022.
  12. ^ Homer, 1980, Dietrich catalogue #13
  13. ^ Rosenzweig, 26
  14. ^ "Hirshhorn Museum and Sculpture Garden". hirshhorn.si.edu. Archived from the original on June 29, 2011. Retrieved January 17, 2022.
  15. ^ Rosenzweig, 27
  16. ^ "Hirshhorn Museum and Sculpture Garden". hirshhorn.si.edu. Archived from the original on June 29, 2011. Retrieved January 17, 2022.
  17. ^ Rosenzweig, 16 and 22
  18. ^ Foster, #5
  19. ^ Foster, 294–295
  20. ^ "Philadelphia Museum of Art – Collections Object : Study of a Seated Nude Woman Wearing a Mask". Philamuseum.org. Retrieved June 3, 2012.
  21. ^ Siegl, cat #16
  22. ^ Siegl, cat #19
  23. ^ Siegl, cat #18
  24. ^ "Philadelphia Museum of Art – Collections Object : Study of a Reclining Nude Woman". Philamuseum.org. Retrieved June 3, 2012.
  25. ^ Siegl, cat #2
  26. ^ Siegl, cat #3
  27. ^ Siegl, cat #1
  28. ^ Foster, 236, footnote 8
  29. ^ National Gallery of Art, 36
  30. ^ "Man in a Turban". Fine Arts Museum of San Francisco. Archived from the original on March 9, 2012. Retrieved June 2, 2012.
  31. ^ Fogg Museum Web entry for Nude woman reclining on a couch[permanent dead link‍]
  32. ^ Head of a Warrior; and Seated Nude: A Double-sided Work. Christie's auction website.
  33. ^ Homer, 2009, insert
  34. ^ Rosenzweig, 35
  35. ^ a b c d e "On the basis of Susan Eakins' opinion, Goodrich listed twelve paintings in his 1933 catalogue raisonne of Eakins' works which he identified as having been executed by the artist in Paris. All are small oil sketches measuring approximately eighteen by twelve inches in size: two studies from the antique; one of a ram's head and nine remaining studies from the male or female model. Of this dozen five have since disappeared, including the antique studies, the ram's head and two studies Goodrich described as portraits of an unidentified fellow student". Milroy 188–189. A chapter note for this paragraph says: "Goodrich, Thomas Eakins (1933) cat. nos. 19–30. Goodrich cat no. 23 (Study of a Girl's Head) is now in a private collection; no. 24 (Study of a Girl's Head) is in the Hirshhorn Museum; nos. 25–27 are in the Philadelphia Museum of Art and no. 30 (A Negress) is in the collection of the Fine Arts Museum of San Francisco." Adams, 149 is taken almost word-for-word from this thesis.
  36. ^ Rosenzweig, 42
  37. ^ "Hirshhorn Museum and Sculpture Garden". hirshhorn.si.edu. Archived from the original on June 29, 2011. Retrieved January 17, 2022.
  38. ^ "Philadelphia Museum of Art – Collections Object : Study of a Young Woman". Philamuseum.org. Retrieved June 3, 2012.
  39. ^ "Philadelphia Museum of Art – Collections Object : Study of a Nude Man (The Strong Man)". Philamuseum.org. Retrieved June 3, 2012.
  40. ^ "Philadelphia Museum of Art – Collections Object : Study of a Nude Man". Philamuseum.org. Retrieved June 3, 2012.
  41. ^ Southeby's Listing for "Thomas Eakins: study of a student's head"[dead link‍]
  42. ^ Homer, 92, pg 42
  43. ^ "Female Model". Fine Arts Museum of San Francisco. Archived from the original on March 9, 2012. Retrieved June 2, 2012.
  44. ^ "Thomas Eakins (1844–1916) | Cathedral of Seville | American Art Auction | 19th Century, Paintings | Christie's". Christies.com. Retrieved June 3, 2012.
  45. ^ "The Metropolitan Museum of Art – Carmelita Requena". Metmuseum.org. Retrieved June 3, 2012.
  46. ^ Kirkpatrick, 125
  47. ^ "The Nelson-Atkins Museum of Art | Collection Database – Image View". Nelson-atkins.org. Archived from the original on September 30, 2011. Retrieved June 3, 2012.
  48. ^ Johns, XIII
  49. ^ "American Art: Home Scene". Brooklyn Museum. Archived from the original on April 5, 2012. Retrieved June 3, 2012.
  50. ^ "Philadelphia Museum of Art – Collections Object : Portrait of Margaret Eakins in a Skating Costume". Philamuseum.org. Retrieved June 3, 2012.
  51. ^ r.main=lot.jsp?event_id=30014&id=109/ G-40 at Sotheby's[dead link‍]
  52. ^ Rosenzweig, 17 and 46
  53. ^ "(10 of 23)". Cedarhurst.org. Archived from the original on March 2, 2012. Retrieved June 3, 2012.
  54. ^ a b c Rosenzweig, 53–54
  55. ^ "Hirshhorn Museum and Sculpture Garden". hirshhorn.si.edu. Archived from the original on June 29, 2011. Retrieved January 17, 2022.
  56. ^ "The Metropolitan Museum of Art – The Champion Single Sculls (Max Schmitt in a Single Scull)". Metmuseum.org. Retrieved June 3, 2012.
  57. ^ "Hirshhorn Museum and Sculpture Garden". www.hirshhorn.si.edu. Archived from the original on June 10, 2011. Retrieved January 17, 2022.
  58. ^ Rosenzweig, 49
  59. ^ "Yale University Art Gallery – eCatalogue – Kathrin". Ecatalogue.art.yale.edu. Archived from the original on March 6, 2012. Retrieved June 3, 2012.
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References

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