Laurence Maslon (born 1959) is an American music writer and historian, best known for his publications Broadway: The American Musical (2004), Make 'Em Laugh: The Funny Business of America (2008), and Broadway to Main Street: How Show Tunes Enchanted America (2018) about the Broadway theatre and its musical history. He also coproduced the documentary Sammy Davis Jr.: I’ve Gotta Be Me (2017). He is also an arts professor at New York University's Tisch School of the Arts.[1][2][3][4][5][6][7][8]
References
edit- ^ "Laurence Maslon answers your questions about the great American musical". Library of America. 9 September 2020. Retrieved 1 February 2024.
- ^ Brown, Stuart (6 October 2023). "Interview with Laurence Maslon". BroadwayRadioPrograms.com. Retrieved 1 February 2024.
- ^ Kuftinec, Sonja (2003). Staging America. SIU Press. p. 161. ISBN 978-0-8093-8853-0.
- ^ Lovensheimer, Jim (25 August 2010). South Pacific: Paradise Rewritten. Oxford University Press. p. 12. ISBN 978-0-19-977970-3.
- ^ Cohen-Cruz, Jan (13 July 2015). Remapping Performance: Common Ground, Uncommon Partners. Springer. p. 29. ISBN 978-1-137-36641-2.
- ^ MacDonald, Laura; Donovan, Ryan (30 December 2022). The Routledge Companion to Musical Theatre. Taylor & Francis. p. 25. ISBN 978-0-429-53586-4.
- ^ "Laurence Maslon". Tisch School of the Arts. Retrieved 1 February 2024.
- ^ "Laurence Maslon". Simon & Schuster. Retrieved 1 February 2024.
This article about an American writer is a stub. You can help Wikipedia by expanding it. |