Ciudad Satélite

Satélite was originally conceived as a satellite city, a commuter-bedroom community developers hoped to maintain as a green belt between it and Mexico City, but its rapid development (and rising property prices) made this untenable.

However, popular culture, market segmentation, availability of services, and comings and goings of life in this area have helped to define Satélite as a cultural center. Ciudad Satélite became the core of a new suburban phenomenon that eventually included not only single-family dwellings but also apartment buildings, condominiums, and retail spaces. In addition, some manufacturing also developed. This was a vast departure from the original concept. Over time, the progress of real estate development has expanded on the original meaning of the Satélite community in the minds of Mexico City residents.

The project was approved by the then president Miguel Alemán Valdés in 1948. The city remained uninhabited until 1952 when people started to move in because of the attractive prices. Public services, such as the phone lines, were not finished yet in all circuits, and people initially had to use public phones. By the 1970s, the Ciudad Satélite population had greatly increased.

Due to rapid growth, more neighborhoods were developed and are now considered part of the area of Satélite. These neighborhoods are Las Américas neighbourhood, next to Naucalpan City Hall, Vista del Valle (after the famous Norwegian poet), Paseos del Bosque, Pedregal de Echegaray, and El Mirador. Some consider the neighbourhoods of San Mateo, La Florida, and the Echegaray borough to be part of the south zone of Satélite. The central-western zone consists of Ciudad Satélite, the core neighbourhood, Lomas Verdes, Boulevares, Naucalli Park, and La Concordia. The northern zone consists of the Fuentes de Satélite, Santa Cruz del Monte, Bellavista, and Calacoaya neighbourhoods.

 

Limited pre-Hispanic facts are known about the area. At one point, the Tlatilca culture lived in the area formed between the Totolinga, Los Cuartos, and Hondo rivers. Later, during the colonial period, the Shrine of Our Lady of Los Remedios was built when a Spanish officer found the religious figure under a maguey plant. It is said that the small virgin had been brought by Gonzalo Rodríguez de Villafuerte. The shrine, which divides the Satélite area from the popular zones of Naucalpan municipality, was built in the sixteenth century, and in the architectural compound are the well-known caracoles ("snail") towers of the Los Remedios Aqueduct.

Ciudad Satélite, the core neighborhood, started as a new urban concept in the mid-fifties, when the rapid growth of Mexico City and the rise of a new, energetic middle class forced the development of entire new neighborhoods. The grounds (in the northwestern suburbs of the city, near the old highway to Querétaro) originally belonged to Mexican President Miguel Alemán Valdés, who was in office from 1946 to 1952. He kept some acres and built a mansion in Doctors Circuit. Architect Mario Pani created most of the urban design.

The great novelty in Ciudad Satélite is the total absence of traffic lights due to an ingenious street layout with "circuitos" or wide oval circuits that, connecting with other main roads, allow drivers to see oncoming cars. Each Ciudad Satélite circuit has several streets with names of famous professionals relating to the circuit's name. The names of the circuits are the following: Centro Comercial (The Mall), Centro Cívico (Civic Center), Sculptors, Painters, Musicians, Mineralogists, Pedagogues, Scientists, Engineers, Teachers, Historians, Surgeons, Doctors, Medics, Geographers, Sailors, Playwrights, Orators, Missionaries, Architects, Poets, Novelists, Economists, Heroes, Jurists, Journalists, Diplomats, and the two external circuits (Circunvalación Oriente y Circunvalación Poniente).

The urban design and the original pricing of the land were deliberately intended for segmenting the new city into three areas: middle class, upper middle class and upper class. Novelists and Economists were the circuits with the highest land prices, so the most spectacular manors were built there.

Many of Ciudad Satélite's houses were built in a functionalist style lacking decorative elements in the façade. This style also marks the so-called Ciudad Satélite's cathedral San Felipe de Jesús Sanctuary. This big, spectacular church features many functionalist style elements, as well as paintings. Other styles present in the neighborhood are colonial, modernist (vintage Mexican architecture), and Spanish or Californian colonial style.

The next neighborhoods were then developed, and the urban extension of Satélite area has been growing ever since. Contemporary issues in Satélite include heavy traffic congestion (as this is a commuter zone, many people drive to Mexico City everyday), the decrepit state of many roads, new concerns of car robberies, violations of environmental regulations, saturation and oversupply of real estate due to new developments, and unauthorised commerce in residential-designed zones.

Much of the old history of the area is seen in the Our Lady of Los Remedios Shrine and its aqueduct.

The Torres de Satélite (Satellite Towers) landmark stands in the middle of Periferico, Mexico City's main freeway. Designed by Mathias Goeritz and Luis Barragán and inspired by the painter Jesus Reyes Ferreyra's ideas, it is a significant piece of modern sculpture and architecture. As ownership of the site where they were built is unclear, they were not maintained by any government and fell into disrepair. In the late 1990s, they were repainted in their original colors, which had been chosen by Barragán.

Naucalli Park is a large extension of eucalyptus forest devoted to the recreation of locals and other inhabitants of nearby areas. It used to be an ejido (communal agricultural grounds) called Ejido de Oro. An expropriation decree converted it into a park which has a jogging circuit, many playground spots, monumental fountains, a convention center, an Aaora (forum for art exhibits), a culture house, the branch of a well-known Mexico City restaurant, an archery training ground, a big forum for classical music concerts (the State of Mexico Symphonic Orchestra used to play here on Sundays) and an amusement park with animatronic dinosaurs.

Plaza Satélite, built in the late sixties by the studio of architect Juan Sordo Madaleno, is one of the biggest malls in Mexico City. It has undergone two full renewals and features big department stores, music stores, restaurants, boutiques, services, and a big cinema complex.

Luis Barragán's landscape sculptures can be seen in Arboledas neighbourhood. However, some are in a decrepit state..

Satélite has some private schools as well as a couple of public junior high schools.^{[citation needed]} School competition is officially low but is a big issue of pride for many "satelucos". The area houses the UNAM Faculty of Superior Studies at Acatlán and a Universidad del Valle de Mexico (UVM) university campus.

Some of Mexico's Olympic medallists have lived or currently live here, including Carlos Mercenario, Soraya Jiménez, Dolores Knoll, and Fernando Platas. In the lower zone of Boulevares, almost next to Acatlán Town, are the fields of the zone representative teams, such as the Buccaneers (Bucaneros), the Cowboys (Vaqueros), the Black Dogs (Perros Negros), and the Redskins (Pieles Rojas). There is also a local soccer football league, Liga de Fútbol Satélite.

Cultural exports from Satélite include classical tenor Rolando Villazón, the members of the band Café Tacvba, troubadour Fernando Delgadillo.

• Ciudad Satellite TV Television y guia por internet de los Satelucos
• History of Naucalpan Municipality
• Plaza Satélite – History of Plaza Satélite shopping mall
• Satelín-Torres, activist group focused on creating conscience around the identity of Ciudad Satélite and being a "Sateluco".

19°31′N 99°15′W / 19.517°N 99.250°W / 19.517; -99.250