Ann Buckley

Without book reviews, CD booklets etc.

• (with Karl-Olof Edström and Paul Nixon) Proceedings of the Second British-Swedish Conference on Musicology: Ethnomusicology (Cambridge, 5–10 August 1989) (= Skrifter från Musikvetenskapliga Institutionen, vol. 21) (Göteborg: Göteborgs Universitet, 1991).
• Proceedings of the First British-Swedish Conference on Musicology: Medieval Studies (Skara, 11–15 May 1988) (Stockholm: Royal Swedish Academy of Music, 1992).
• A Select Edition of Old French Lyric Lais, vol. 1 (Newton Abbot: Antico Edition, 1992).
• A Select Edition of Old French Lyric Lais, vol. 2 (Newton Abbot: Antico Edition, 1994).
• "Early Music of Ireland", special issue of Early Music, vol. 28 no. 2 (May 2000).
• Hearing the Past: Essays in Historical Ethnomusicology and the Archaeology of Sound (= Études et Recherches Archéologiques de l'Université de Liège, vol. 86) (Liège, 2000).
• (with Dominique Billy) Études de langue et de littérature romanes offertes à Peter T. Ricketts à l'occasion de son 70ème anniversaire (Brepols: Turnhout 2005).
• (with Cynthia Cyrus) Music, Dance and Society: Medieval and Renaissance Studies in Memory of Ingrid G. Brainard (Kalamazoo: Western Michigan University, 2011).
• 'Nobilitate vigens Furseus'. The Medieval Office of St Fursey: Lecture, with a Critical Edition of the Music and Text of the Office, and English Translation (Norwich: Fursey Pilgrims, 2014).
• Music, Liturgy and the Veneration of Saints of the Medieval Irish Church in a European Context (= Ritus et Artes, vol. 8) (Turnhout: Brepols, 2017).
• (with Lisa Colton) Music and Liturgy in Medieval Britain and Ireland (Cambridge: Cambridge University Press, 2022).

• "Jew's Harps in Irish Archaeology", in: Second Conference of the ICTM Study Group on Music Archaeology, ed. Cajsa S. Lund (Stockholm, 1986), pp. 49–71.
• "Musical Instruments from Medieval Dublin. A Preliminary Survey", in: The Archaeology of Early Music Cultures: Proceedings of the Third International Conference of the Study Group on Music Archaeology, ed. E. Hickmann and D. Hughes (Peter Lang: Bonn 1988), pp. 145–162.
• "Musical Instruments in Ireland from the 9th to the 14th Centuries: A Review of the Organological Evidence", in: Musicology in Ireland (= Irish Musical Studies, vol. 1), ed. Gerard Gillen and Harry White (Blackrock: Irish Academic Press, 1990), pp. 13–57.
• "Boundaries in the Field: What do they Serve? A Review of the Landscapes of Historical Musicology and Ethnomusicology", in: Proceedings of the Second British-Swedish Conference on Musicology: Ethnomusicology (see details under "Edited volumes") (Göteborg, 1991), pp. 39–59.
• "The Lyric Lai: Musicological, Philological, Cultural and Historical Questions" and "Ways of Looking", in: Proceedings of the First British-Swedish Conference on Musicology: Medieval Studies (see details under "Edited volumes") (Stockholm, 1992), pp. 189–234 and 235–243.
• "An Archaeological Survey of Musical Instruments in Medieval Ireland", in: Miscellanea archaeologica Thaddaeo Malinowski dedicata, ed. Franciszek Rożnowski (Słupsk and Poznań: Sorus, 1993), pp. 65–72.
• "Music and Humanisation as Long-term Process", in: 'Sons Originels': Préhistoire de la musique (= Études et Recherches Archéologiques de l'Université de Liège, vol. 61), ed. Marcel Otte (Liège, 1994), pp. 275–285.
• "L'Histoire de la musique médiévale: Musicologie archéologie, ou ethnomusicologie? Quelques problèmes disciplinaires de notre époque", in: La Pluridisciplinarité dans l'archéologie musicale. IVe rencontres internationales du Groupe d'études sur l'archéologie musicale de l'ICTM (Saint-Germain-en-Laye, 8–12 octobre 1990) (= Collection Recherche Musique et Danse, vols. 11–12), ed. Catherine Homo-Lechner and Annie Bélis (Paris: Éditions de la Maison des Sciences de l'Homme, 1994), vol. 1, pp. 501–512.
• "'And his voice swelled like a terrible thunderstorm ...': Music as Symbolic Sound in Irish Society", in: Music and Irish Cultural History (= Irish Musical Studies, vol. 3), ed. Gerard Gillen and Harry White (Blackrock: Irish Academic Press, 1995), pp. 11–74.
• "Music Archaeology: Its Contribution to 'Cultural' Musicology and 'Historical' Ethnomusicology", in: Studies in Socio-Musical Sciences, ed. Uri Sharvit and Yoahim Braun (Ramat Gan: Bar-Ilan University Press, 1998), pp. 109–115.
• "Representations of Musicians in John Derricke's 'The Image of Irelande' (1581)", in: Music, Words, and Images. Essays in Honour of Koraljka Kos, ed. Vjera Katalinić and Zdravko Blažeković (Zagreb: Hrvatsko Muzikolosko Drustvo [Croatian Musicological Society], 1999), pp. 77–91.
• "Organised Sound and Tonal Art in Long-term Perspective", in: Hearing the Past: Essays in Historical Ethnomusicology and the Archaeology of Sound (see details under "Edited volumes") (Liège, 2000), pp. 9–16.
• "Gypsy Musicians in Transylvania: Changing Lifestyles, Changing Status", in: Music, Language and Literature of the Roma and Sinti (= Intercultural Music Studies, vol. 11), ed. Max Peter Baumann and Linda Fujie (Berlin: Verlag für Wissenschaft und Bildung, 2000), pp. 309–319.
• "Abelard's 'Planctus' and Old French 'Lais': Melodic Style and Formal Structure", in: The Poetic and Musical Legacy of Heloise and Abelard, ed. Marc Stewart and David Wulstan (Ottawa: Institute of Medieval Music, 2003), pp. 49–59.
• "Representations of Musicians in Medieval Christian Iconography of Ireland and Scotland as Local Cultural Expression", in: Art and Music in the Early Modern Period. Essays in honor of Franca Trinchieri Camiz, ed. Katherine A. McIver (Aldershot: Ashgate, 2003), pp. 217–231.
• "Music of the Medieval Irish Church – A Preliminary Overview", in: Proceedings of the 1st Annual Conference of the Society for Musicology in Ireland, NUI Maynooth, 2–3 May 2003, ed. Barra Boydell (Maynooth: Society for Musicology in Ireland, 2004), pp. 20–28.
• "Abelard's 'Planctus virginum Israel super filia Iepte Galadite' and 'Li lais des puceles'", in: Études de langue et de littérature romanes offertes à Peter T. Ricketts [...] (see details under "Edited volumes") (Brepols: Turnhout 2005), pp. 545–570.
• "The Musical Instruments depicted at Clare Island", in: A New Survey of Clare Island, vol. 4: The Abbey, ed. Conleth Manning, Paul Gosling and John Waddell (Dublin: Royal Irish Academy, 2005), pp. 123–132.
• "Music in Ireland to c. 1500", in: A New History of Ireland, vol. 1: Prehistoric and Early Ireland, ed. Dáibhí Ó Cróinín (Oxford: Oxford University Press, 2005), pp. 744–813.
• "Between Hagiography and Liturgy: Fragmentary Offices for Irish Saints", in: A Carnival of Learning: Essays to Honour George Cunningham and His 50 Conferences on Medieval Ireland in the Cistercian Abbey of Mount St Joseph, Roscrea, 1987–2012, ed. Peter Harbison and Valerie Hall (Roscrea: Cistercian Press, 2012), pp. 41–52.
• "The Medieval Office of St Brigit", in: Treasures of Irish Christianity, vol. 2, ed. Brendan Leahy and Salvador Ryan (Dublin: Veritas, 2013), pp. 81–84.
• "Wandering Scholars and Saintly Cults: The Liturgical Legacy – in Homage to Helen Waddell", in: Helen Waddell Reassessed: New Readings, ed. Jennifer Fitzgerald (Bern etc.: Peter Lang, 2014), pp. 63–80.
• "From Hymn to 'Historia': The Veneration of Local Saints in the Medieval Irish Church", in: Music, Liturgy and Saints of the Medieval Irish Church in a European Context (see details under "Edited volumes") (Brepols: Turnhout 2017), pp. 161–183.
• "The Cambridge Songs as Anthology of Musical Knowledge", in: Aspects of Knowledge: Preserving and Reinventing Traditions of Learning in the Middle Ages, ed. Marilina Cesario and Hugh Magennis (Manchester: Manchester University Press, 2018), pp. 79–93.

• "Notes on the Tiompán in Irish Literature", in: Studia Instrumentorum Musicae Popularis, vol. 5 (1977), pp. 84–90.
• "What was the Tiompán? A Study in Ethnohistorical Organology: Evidence in Irish Literature", in: Jahrbuch für musikalische Volks- und Völkerkunde, vol. 9 (1977), pp. 53–88.
• "An Irish Field Report from 1907: A Review of Methods", in: Newsletter of the UK Committee of the International Council for Traditional Music, vol. 15 (1978).
• "Considerations in a Stylistic Analysis of Uilleann Piping", in: Studia Instrumentorum Musicae Popularis, vol. 6 (1979), pp. 120–125.
• "A Note on the History and Archaeology of Jew's Harps in Ireland", in: North Munster Antiquaries Journal, vol. 25 (1983), pp. 29–35.
• "The Relevance of Literary Sources in the Archaeological Investigation of Musical Instruments", in: Cambridge Music-Archaeological Reports, vol. 6 (1983).
• "A Ceramic Signal Horn from Medieval Dublin", in: Archaeologia Musicalis, vol. 1 (1987), pp. 9–10.
• "A Viking Bow from 11th-Century Dublin", in: Archaeologia Musicalis, vol. 1 (1987), pp. 10–11.
• "Lyric Lais and the Use of Formulae", in: Musica antiqua Europae Orientalis: Acta Musicologica, vol. 1 (1988), pp. 193–207.
• "Music Archaeology: Its Contribution to 'Cultural' Musicology and 'Historical' Ethnomusicology", in: Archaeologia Musicalis, vol. 89 (1989) no. 1, pp. 109–113.
• "Harps and Lyres on Early Medieval Monuments of Britain and Ireland", in: Harpa, vol. 7 (1992), pp. 8–9 and 15–21.
• "Music in Medieval Irish Society", in: Harpa, vol. 11 (1993), pp. 19–31.
• "Professional Musicians, Dancing and Patronage: Continuity and Change in a Transylvanian Community", in: The World of Music, vol. 3 (1994), pp. 31–48.
• "Nationalism and the Politicisation of Popular Culture in 20th-Century Europe: Post-War Romania in a Comparative Perspective", in: Anuarul Institutului de Istorie Cluj-Napoca (Journal of the Institute of History, Academia Română, Filială din Cluj-Napoca [Romanian Academy of Sciences, Cluj Branch]), vol. 23 (1994), pp. 375–385.
• "Recent Publications in Music Archaeology"; review-article for RIdIM Newsletter (Newsletter of the Research Center for Musical Iconography), vol. 20 no. 2 (Fall 1995), pp. 68–72.
• "Developments in Irish Musicology"; review-article for Bullán. An Irish Studies Journal, vol. 2 no. 1 (Summer 1995), pp. 101–108.
• "'A Lesson for the People': Reflections on Image and Habitus in Medieval Insular Iconography", in: RIdIM/RCMI Newsletter, vol. 20 no. 1 (Spring 1995), pp. 3–9.
• "Music-Related Imagery on Early Christian Insular Sculpture: Identification, Context, Function", in: Imago Musicae/International Yearbook of Musical Iconography, vol. 8 (1991), pp. 135–199 [published in 1995].
• "Perspectives on Self-Critical Research Methods", in: Anuarul Institutului de Istorie Cluj-Napoca (Journal of the Institute of History, Academia Română, Filială din Cluj-Napoca [Romanian Academy of Sciences, Cluj Branch]), vol. 24 (1995), pp. 395–399.
• "Dans şi transiţie în Transilvania rurală" [Dance and transition in rural Transylvania], in: Dilema, vol. 4, no. 234 (18–24 July 1997), p. 16.
• "Music and Manners: Readings of Medieval Irish Literature", in: Bullán. An Irish Studies Journal, vol. 3 no. 1 (Spring 1997), pp. 33–43.
• "Music Iconography and the Semiotics of Visual Representation", in: Music in Art. International Journal for Music Iconography, vol. 1 (1998) no. 1–2, pp. 7–12.
• "Music and Musicians in Medieval Irish Society", in: Early Music, vol. 28 no. 2 (May 2000), pp. 165–190.
• "In Search of Music of the Medieval Irish Church", in: New Liturgy, no. 125 (Spring 2005), pp. 9–15.
• "Urraim do na Naoimh Éireannacha sa Liotúirge san Eoraip sna Meánaoiseanna" [The Liturgical Veneration of Irish Saints in Medieval Europe], in: Bliainiris, vol. 6 (2006), pp. 57–71.
• "Musical Monuments from Medieval Meath", in: Ríocht na Midhe, vol. 19 (2008), pp. 23–42.
• "'Peregrini pro Christo': The Irish Church in Medieval Europe as Reflected in Liturgical Sources for the Veneration of its Missionary Saints", in: De Musica Disserenda, vol. 14 (2008) no. 1, pp. 93–105.

• "Music in Medieval Ireland", in: The Companion to Irish Traditional Music, ed. Fintan Vallely (Cork: Cork University Press, 1999).
• "Iconography", in: The New Oxford Companion to Music, ed. Alison Latham (New York, 2000).
• "Timpan/Tiompán", in: The New Grove Dictionary of Music and Musicians and The New Grove Dictionary of Musical Instruments (London: Macmillan, 1980 and 1986, respectively); revised for new 2001 edition: vol. 25.
• "Celtic Chant", in: The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie (London: Macmillan 2001).
• "Altramar"; "Bangor, Antiphonary of"; "Cistercians" [with Frank Lawrence]; "Colm Cille/Columba, St"; "Columbanus, St"; "Comgall/Comgillus, St"; "Dublin Troper"; "Franciscans"; "High crosses"; "Iconography" [with Barra Boydell]; "Irish Liber hymnorum"; "Irish saints, liturgical veneration of" [with Sara G. Casey]; "Manuscripts, medieval"; "Medieval Ireland, music in"; "Medieval Ireland, Musical instruments in"; "Moengal/Marcellus"; "Ó Cerbaill, Maelruanaid"; "Secundinus (Sechnall), St"; "Sequence and prose"; "Ua Brolcháin, Máel-Ísu"; in: The Encyclopaedia of Music in Ireland, ed. Harry White and Barra Boydell (Dublin: University College Dublin Press, 2013).
• "Columba", "Columbanus", "Sechnall/Secundinus", in: The Canterbury Dictionary of Hymnology, ed. Jeremy Dibble and Emma Hornby (Canterbury: Canterbury Press, 2013).
• "Music of the Celtic Rite", in: The Orthodox Encyclopedia, ed. Sergey Nikitin (Moscow, 2014).