Xtro

Xtro
Theatrical release poster
Directed by	Harry Bromley Davenport
Screenplay by	Harry Bromley Davenport Michel Perry Iain Cassie Robert Smith
Produced by	Mark Forstater
Starring	Bernice Stegers Philip Sayer Simon Nash Maryam d'Abo
Cinematography	John Metcalfe
Edited by	Nicolas Gaster[1]
Music by	Harry Bromley Davenport[1]
Production companies	Ashley Productions Ltd. Amalgamated Film Enterprises Ltd.[1]
Distributed by	New Line Cinema Corporation (United States)
Release date	March 1983 (1983-03) (United Kingdom)
Running time	86 minutes
Country	United Kingdom[1]
Language	English
Budget	$60,000[2]
Box office	$1 million[3]

Xtro is a 1983 British science fiction horror film written and directed by Harry Bromley Davenport. The film stars Bernice Stegers, Philip Sayer, Simon Nash, and Maryam d'Abo. The film focuses on a man who was abducted by aliens and returns back to his wife and son three years later.

The film received largely negative reviews from critics, while the special effects were praised.^[4]

As Sam Phillips and his son Tony are playing outside their farm, Sam is suddenly abducted by a bright light. Three years later, the light returns and plants a seed. A half-human, half-alien creature develops from the seed, and is hit by a car; the couple in the car are soon killed. The creature then goes to a cottage nearby, where it attacks and impregnates the young woman living there before dissolving. When she awakens later, her belly rapidly grows to a gargantuan size until she gives birth to a fully formed Sam, killing her. Sam washes himself, steals the driver's clothes and leaves in the car.

Sam seeks out Tony, who lives in an apartment building in London with his mother Rachel, her new American boyfriend Joe Daniels, and French au pair Analise Mercier. Tony has recurring nightmares where he wakes up soaked in another person's blood. Sam picks Tony up from school and is found by Rachel. Despite Joe's consternation Sam goes to live with the family, claiming that he can't remember anything. After Tony sees Sam eating the eggs of his pet snake, Sam comforts him and drinks his blood. Tony soon discovers he has paranormal powers, which he uses to send a human-sized toy soldier to slaughter a neighbour who killed his snake and to bring a toy clown to life.

Sam and Rachel visit the farm where they used to live, leaving Tony in Analise's care. During a game of hide-and-seek with Tony, Analise is knocked out by the clown and used as a womb for the alien eggs. Tony sends a toy tank to attack her boyfriend Michael, who is killed by a panther as he tries to flee. Meanwhile, Sam and Rachel make love at the farm and his skin starts to bleed and decompose. Joe takes Tony to the farm, where Sam takes his son up a hill towards the alien light. Sam, now taking the form of an alien, uses his scream to kill Joe. Sam and Tony enter the light and return to the alien world, leaving Rachel behind. Arriving at home the next day, Rachel finds an overturned refrigerator full of eggs. As she picks up one, Rachel is killed by a newborn creature.

Producer Mark Forstater got involved in Xtro when the director Harry Bromley Davenport came to him with a script he'd written with Michel Patty.^[5] The two had previously met during a screening of Davenport’s directorial debut Whispers of Fear, which impressed Forstater.^[5] The film was financed by Ashley Productions Ltd., a subsidiary of a British investment group based in Manchester.^[5]

Forstater brought in two other writers, Robert Smith and Iain Cassie, stating that "The plot was kept intact, but the new writers went off into weird and wonderful tangents."^[5]

The film had a six-week shooting schedule.^[5] Chris Hobbs, a sketch artist, helped sort out the visual concepts for the production, which originally involved a faceless rubber suit for a creature.^[5] This was changed to man on his hands and knees.^[5] A mime was hired to perform the strange scuttle of the walk.^[5]

Alan Jones wrote in a July issue of Cinefantastique that Xtro was initially set to be released by New Line later in 1982.^[5] In December 1982, an article in Fangoria scheduled the film for release in February 1983.^[6] Xtro was released in March 1983 in the United Kingdom.^[7][8]

When released on home video in 1983, the film was subject to a prosecution case in relation to British obscenity laws. Unlike many other "video nasties", as they were then called, Xtro had actually been passed uncut by the BBFC with an 18 certificate for theatrical release (with both the original and an alternate ending). The film even went on to reach 33rd place in the Gallup British video chart for 1983.^[9]

Xtro was released on DVD three times in the US by Image Entertainment.^[10] The first DVD was released in 2005 as a double feature with sequel Xtro II: The Second Encounter. The second was released in 2006 as a standalone release. The third, released in 2007, was a triple feature alongside Xtro II and Skeeter. In the UK, the Xtro trilogy was released in box-set, remastered anamorphic widescreen with 5.1 for Xtro II and an interview with director Harry Bromley Davenport covering the production of all three films. It has been released on blu-ray format in the UK in October 2018 by Second Sight, with several featurettes and two alternate endings and four cuts of the film.^[11]

Among contemporary reviewers, Alan Jones wrote in Starburst that the film has "occasional flashes of tangential inspiration" but was "really nothing very xtro-ordinary", finding that scenes did not scare him "or even disgust [him] to any great extent" and that he would have liked more characterisation and that Bernice Stegers was "horribly miscast".^[12] Jones went on to state that the special effects were "minor miracles of ingenuity" for their low budget and he at least admired director Metcalfe for "trying so earnestly to resuscitate low budget exploitation sf/horror films in this country."^[13] Jo Imeson of The Monthly Film Bulletin described the film as a "sub s-f rip-off" and that it was "entirely lacking in the energy or resonances of It's Alive! horror-within-the-family genre."^[14] The review also noted "flat acting" stating that Bernice Stegers was "weighed down by a depressingly one-dimensional role". ^[14] The review did note that "one or two effects are quite memorable‍— the cocoon in the bathroom, the revolving birth of a full-sized man".^[14]"Lor." of Variety found the film "too silly and underdeveloped in story values to expand beyond diehard fans" and that "Harry B Davenport builds little suspense and no thrills in a film devoid of stuntwork or action scenes. It's just another "check out that makeup" exercise, consisting of brief scenes and poor continuity" and that "acting is flat, with Stegers [...] inexpressive and unattractively styled."^[1] Roger Ebert panned the film, awarding it 1 of 4 stars, calling the film "ugly" and "despairing" and further commenting, "Most exploitation movies are bad, but not necessarily painful to watch. They may be incompetent, they may be predictable, they may be badly acted or awkwardly directed, but at some level the filmmakers are enjoying themselves and at least trying to entertain an audience. 'Xtro' is an exception, a completely depressing, nihilistic film, an exercise in sadness ... It's movies like this that give movies a bad name".^[15] Stephen Hunter writing for The Baltimore Sun called the film "the slimiest, wormiest, most nauseating film to come oozing into Baltimore in some time" that was "almost wholly incomprehensible".^[16] Hunter went on to state that "what is most depressing about Xtro is that its performances are first-rate, especially Stegers' as the distraught Mum" and that the cinematography by John Metcalfe "displays a good deal of technical finesse, particularly the long, apartment sequence".^[16]

Colin Greenland reviewed Xtro for Imagine magazine, and stated that "Xtro is quite unpretentious. It doesn't claim to be anything but a vehicle for Tony Harris' special effects, which are as virulent and glutinous as they come."^[17]

Among retrospective reviews, TV Guide awarded the film 0 of 4 stars, calling the film, "A vile exercise in grotesque special effects" and "an excuse to parade all manner of perversities across the screen", further stating that, "Not only is this disgusting, it lacks anything that remotely resembles suspense".^[18] AllMovie called the movie "pure trash" that was "made to capitalize on public interest in E.T. the Extra-Terrestrial" and "basically presents the gory, sexy exploitation-movie take on that film's 'alien visits Earth' premise."^[19]

Director Harry Bromley Davenport made two sequels to the film, Xtro II: The Second Encounter and Xtro 3: Watch the Skies. Neither film had anything to do with the original film. In March 2011, Davenport confirmed that Xtro 4 - The Big One is in the works.^[20]

• Gifford, Denis (2001) [1973]. The British Film Catalogue. Vol. 1 (3rd ed.). Routledge. ISBN 978-1-57958-171-8.
• Hunter, Stephen (2 July 1983). "'Xtro': A British Horror Flick Ups the Ooze Factor". The Baltimore Sun. p. A8.
• Imeson, Jo (April 1983). "Xtro". Monthly Film Bulletin. Vol. 50, no. 591. British Film Institute. p. 109.
• Martin, Bob (December 1982). "Xtro". Fangoria. Vol. 3, no. 24.
• Jones, Alan (July 1982). "Xtro". Cinefantastique. Vol. 12, no. 5.
• Jones, Alan (1983). "Xtro". Starburst. No. 57. Marvel UK. p. 22.
• Willis, Donald, ed. (1985). Variety's Complete Science Fiction Reviews. Garland Publishing Inc. ISBN 978-0-8240-6263-7.

• Xtro at IMDb
• Xtro at AllMovie
• Xtro at Rotten Tomatoes