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Empire of the Ants (film)

From Wikipedia, the free encyclopedia
Empire of the Ants
Theatrical release poster by Drew Struzan
Directed byBert I. Gordon
Written by
Produced by
Starring
CinematographyReginald H. Morris
Edited byMichael Luciano
Music byDana Kaproff
Production
company
Cinema 77
Distributed byAmerican International Pictures
Release date
  • July 29, 1977 (1977-07-29)
Running time
89 minutes
CountryUnited States
LanguageEnglish
Box office$2.5 million[1][2]

Empire of the Ants is a 1977 science fiction horror film co-written and directed by Bert I. Gordon.[3] Based very loosely on the 1905 short story "Empire of the Ants" by H. G. Wells, the film involves a group of prospective land buyers led by a land developer, pitted against large mutated ants.

It is the third and last film released in A.I.P.'s H.G. Wells film cycle, which include The Food of the Gods (1976) and The Island of Dr. Moreau (1977).

Plot

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Joan Collins in the movie.

The opening narration briefly introduces the viewer to the ant and its behavior. It takes note how ants use pheromones to communicate, and how they cause an obligatory response that must be obeyed. "But we (humans) don't have to worry about it..." As the opening credits roll, barrels of radioactive waste are being dumped off a boat into the ocean. Eventually, one of the barrels washes up on the shore and begins to leak a silvery goo attractive to the local ants, which are seen feeding on it.

Meanwhile, shady land developer Marilyn Fryser (Joan Collins) takes a bunch of new clients to view some 'beachfront property' on a nearby island. In reality, the land is worthless, but the trip is cut short by the group stumbling upon the lair of large ants. The ants destroy their boat and chase the group through the woods. Fleeing for their lives through the wilderness and losing many of their party along the way, the remaining survivors eventually discover the local island town. But their safety is short-lived when they realize that not only are the large ants feeding on the sugar at the local sugar factory, but that they are doing so at the invitation of the humans. The queen ant, using pheromones, has the entire town completely under her control. However, the survivors manage to escape and burn the sugar factory, killing the large ants, and leave the island by a speedboat.

Cast

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Production

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Special effects

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Advertisement from 1977

As with most Bert I. Gordon films, the director himself oversaw most of the special effects. To create the effect of large ants, the director often used the technique of process shots, where close-up images of live ants were combined with images of the actors on set, reacting to the menacing insects. Another more crude effect used by Gordon was one he borrowed from his previous film Beginning of the End, where he would place live insects in a miniature set lined with still photographs of the location and let them crawl around. The shortcomings of this technique were highlighted in a scene where the ants are climbing the outside of a sugar refinery, and some of them appear to suddenly crawl off the building and walk vertically into the sky.[4] When the film called for actors to be attacked by the ants, large rubber mock-ups were used, which were animated by crew members who wiggled the gigantic props in front of the camera.[5] Joan Collins later said she did not like working with the ant props, as they bumped and scratched the actors, including herself.

Filming

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Principal photography took place on location in the Florida Everglades and St. Lucie and Martin Counties in Florida during the fall of 1976. Filming in a remote swampland sometimes proved to be problematic, and was particularly taxing for the women because their restrooms were approximately a half-hour away by speedboat. Actress Pamela Susan Shoop recalls that "because it was a half-hour each way, when we went to the bathroom, they had to wait an hour. It was a mess, but the shoot was fun". Another problem with the location was dealing with the unpredictable wildlife. According to actor Robert Pine, there was one scene where the actors had to fall out of a rowboat and into the river, where there were apparently live alligators. The director had previously promised that a cage would be installed to protect the actors, but for some unknown reason the cage never arrived. Also, even though they were filming in Florida, the autumn weather ended up sending temperatures to freezing levels. At one point, the cold weather was so bad that it caused Shoop's jaw to dislocate during one of her screaming scenes and she had to be sent to the hospital to be treated.[5][6]

Reception

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On Rotten Tomatoes, the film holds an approval rating of 5% based on 19 reviews, with a weighted average rating of 2.72/10.[7]

Joan Collins received a nomination for Best Actress for her lead role in this film at the 5th annual Saturn Awards.

References

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  1. ^ Nowell, Richard (2011). Blood money: a history of the first teen slasher film cycle. New York: Continuum. p. 257. ISBN 978-1441124968. Retrieved 5 November 2016.
  2. ^ Donahue, Suzanne Mary (1987). American film distribution : the changing marketplace. UMI Research Press. p. 300. ISBN 9780835717762. Please note figures are for rentals in US and Canada
  3. ^ Weiler, A. H. (June 30, 1977). "Movie Review: 'Empire of the Ants' A Snail's-Pace Film". The New York Times. Retrieved 2010-02-10.
  4. ^ Schoell, William (2014). Creature Features: Nature Turned Nasty in the Movies. Jefferson: Mcfarland. p. 75. ISBN 978-0786495627.
  5. ^ a b Weaver, Tom (2010). A sci-fi swarm and horror horde: interviews with 62 filmmakers. Jefferson, N.C.: McFarland & Co. pp. 382–385. ISBN 978-0786446582.
  6. ^ Jankiewicz, Pat (April 2001). "Damsel in Distress". Starlog (285): 32–33. Retrieved 5 November 2016.
  7. ^ "Empire of the Ants (1977) - Rotten Tomatoes". Rotten Tomatoes.com. Flixer. Archived from the original on 19 November 2023. Retrieved 16 July 2018.

Further reading

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  • Weaver, Tom (2010). "Robert Pine on Empire of the Ants (1977)". Sci-Fi Swarm and Horror Horde: Interviews with 62 Filmmakers. McFarland. ISBN 978-0-7864-4658-2. pp. 382–385.
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