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Altermodern

From Wikipedia, the free encyclopedia

Altermodern, a blend word defined by Nicolas Bourriaud, is an attempt at contextualizing art made in today's global context as a reaction against standardisation and commercialism. It is also the title of the Tate Britain's fourth Triennial exhibition curated by Bourriaud.

Concept

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In his keynote speech to the 2005 Art Association of Australia & New Zealand Conference, Nicolas Bourriaud explained:[1]

Artists are looking for a new modernity that would be based on translation: What matters today is to translate the cultural values of cultural groups and to connect them to the world network. This “reloading process” of modernism according to the twenty-first-century issues could be called altermodernism, a movement connected to the creolisation of cultures and the fight for autonomy, but also the possibility of producing singularities in a more and more standardized world.

Altermodern can essentially be read as an artist working in a hypermodern world or with supermodern ideas or themes.

Exhibitions

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Tate Britain 2009

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The Tate exhibition includes a series of four one-day events (called "Prologues"), aiming to "introduce and provoke debate" around the Triennial's themes. Each Prologue includes lectures, performances, film and a manifesto text and attempts to define what the curator sees as the four main facets of Altermodern:[2][3][4]

  1. The end of postmodernism
  2. Cultural hybridisation
  3. Travelling as a new way to produce forms[clarification needed]
  4. The expanding formats of art

References

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  1. ^ "[AAANZ 2005]: Nicolas Bourriaud - Keynote". www.artgallery.nsw.gov.au. Archived from the original on 23 July 2008.
  2. ^ Tate triennial 2009 prologuetate.org.uk Archived 9 August 2014 at the Wayback Machine
  3. ^ Tate triennial 2009 prologuetate.org.uk Archived 4 August 2014 at the Wayback Machine
  4. ^ "Tate Triennial 2009 Prologue 3: John Smith - Hotel Diaries".
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