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Movement Matters: How a Robot Becomes Body

Published: 28 June 2017 Publication History

Abstract

This paper explores movement and its capacity for meaning-making and eliciting affect in human-robot interaction. Bringing together creative robotics, dance and machine learning, our research project develops a novel relational approach that harnesses dancers' movement expertise to design a non-anthropomorphic robot, its potential to move and capacity to learn. The project challenges the common assumption that robots need to appear human or animal-like to enable people to form connections with them. Our performative body-mapping (PBM) approach, in contrast, embraces the difference of machinic embodiment and places movement and its connection-making, knowledge-generating potential at the center of our social encounters. The paper discusses the first stage of the project, in which we collaborated with dancers to study how movement propels the becoming-body of a robot, and outlines our embodied approach to machine learning, grounded in the robot's performative capacity.

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Cited By

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  • (2024)Body Movement Mirroring and Synchrony in Human–Robot InteractionACM Transactions on Human-Robot Interaction10.1145/368207413:4(1-26)Online publication date: 23-Oct-2024
  • (2024)DanceGen: Supporting Choreography Ideation and Prototyping with Generative AIProceedings of the 2024 ACM Designing Interactive Systems Conference10.1145/3643834.3661594(920-938)Online publication date: 1-Jul-2024
  • (2024)Exploring AI-assisted Ideation and Prototyping for ChoreographyCompanion Proceedings of the 29th International Conference on Intelligent User Interfaces10.1145/3640544.3645227(11-17)Online publication date: 18-Mar-2024
  • Show More Cited By

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Published In

cover image ACM Other conferences
MOCO '17: Proceedings of the 4th International Conference on Movement Computing
June 2017
206 pages
ISBN:9781450352093
DOI:10.1145/3077981
Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than the author(s) must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected].

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  • University of Surrey

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Association for Computing Machinery

New York, NY, United States

Publication History

Published: 28 June 2017

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Author Tags

  1. Dance
  2. kinesthetic empathy
  3. machine learning
  4. movement
  5. non-anthropomorphic robots
  6. social robotics

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  • Research-article
  • Research
  • Refereed limited

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MOCO '17
MOCO '17: 4th International Conference on Movement Computing
June 28 - 30, 2017
London, United Kingdom

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Overall Acceptance Rate 85 of 185 submissions, 46%

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Cited By

View all
  • (2024)Body Movement Mirroring and Synchrony in Human–Robot InteractionACM Transactions on Human-Robot Interaction10.1145/368207413:4(1-26)Online publication date: 23-Oct-2024
  • (2024)DanceGen: Supporting Choreography Ideation and Prototyping with Generative AIProceedings of the 2024 ACM Designing Interactive Systems Conference10.1145/3643834.3661594(920-938)Online publication date: 1-Jul-2024
  • (2024)Exploring AI-assisted Ideation and Prototyping for ChoreographyCompanion Proceedings of the 29th International Conference on Intelligent User Interfaces10.1145/3640544.3645227(11-17)Online publication date: 18-Mar-2024
  • (2024)Unwilling Author: Exploring Anthropomorphic Rebellion of the Diary Writing MachineProceedings of the Eighteenth International Conference on Tangible, Embedded, and Embodied Interaction10.1145/3623509.3635329(1-4)Online publication date: 11-Feb-2024
  • (2024)From Agent Autonomy to Casual Collaboration: A Design Investigation on Help-Seeking Urban RobotsProceedings of the 2024 CHI Conference on Human Factors in Computing Systems10.1145/3613904.3642389(1-14)Online publication date: 11-May-2024
  • (2024)Breaking from realism: exploring the potential of glitch in AI-generated danceDigital Creativity10.1080/14626268.2024.232700635:2(125-142)Online publication date: 9-Mar-2024
  • (2023)Embodying an Interactive AI for Dance Through Movement IdeationProceedings of the 15th Conference on Creativity and Cognition10.1145/3591196.3593336(454-464)Online publication date: 19-Jun-2023
  • (2023)Towards a Soft Science of Soft Robots. A Call for a Place for Aesthetics in Soft Robotics ResearchACM Transactions on Human-Robot Interaction10.1145/353368112:2(1-11)Online publication date: 15-Mar-2023
  • (2022)Geocultural Precarities in Canonizing Computing Research Involving DanceProceedings of the 8th International Conference on Movement and Computing10.1145/3537972.3537988(1-14)Online publication date: 22-Jun-2022
  • (2022)Towards A Framework For Dancing Beyond DemonstrationProceedings of the 8th International Conference on Movement and Computing10.1145/3537972.3537981(1-7)Online publication date: 22-Jun-2022
  • Show More Cited By

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