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Atoms and errors: towards a history and aesthetics of microsound

Published: 01 August 2004 Publication History

Abstract

Microsound is an emerging approach to music composition and analysis which places emphasis on extremely brief time-scales, usually a tenth of a second or less, as well as an integration of this micro-time level with the time-levels of sound gestures, sections, movements and whole pieces. This paper summarises some of the technical issues involved in microsonic analysis/composition, traces a history of microsonic techniques in contemporary music, and examines some of its aesthetic implications in a social context.

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  1. Atoms and errors: towards a history and aesthetics of microsound

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    cover image Organised Sound
    Organised Sound  Volume 9, Issue 2
    August 2004
    106 pages

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    Cambridge University Press

    United States

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