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The moment in hypertext: a brief lexicon of time

Published: 01 May 1998 Publication History
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References

[1]
Marshall, Catherine C., Shipman, Frank M. III, and Coombs, James H. "VIKI: Spatial Hypertext Supporting Emergent Structure", ECHT'94 Proceedings, ACM, New York, t994.
[2]
The technical literature is rich, but of particular interest are: Marshall, Catherine C., and Shipman, Frank M. III, "Searching for the Missing Link: Discovering Implicit Structure in Spatial Hypertext". Hypertext '93 Proceedings, ACM, New York, 1993. Furuta, Richard, and Stotts, P. David, "Trellis: A Formally-defined hypertextual basis for integrating task and information", Department of Computer Science Technical Report TAMU-HRL 94-007, Texas A&M University, College Station, TX, 1994. Gronbaek, Kaj, and Trigg, Randall H., "Toward a Dexter-based model for open hypermedia: Unifying embedded references and link objects." Hypertext 96 Proceedings, ACM, New York, 1996. De Rose, S.J. and Durand, D.G., Making Hypermedia Work: A user's guide to HyTime. Kulwer, Boston, Dordrecht, London, 1994
[3]
Landow, George. Hypertext 2.0: The Convergence of Contemporary Theory and Technology, The Johns Hopkins University Press, Baltimore. 1997.
[4]
Tolva, John. "Ut Pictura Hyperpoesis: Spatial Form, Visuality, and the Digital Word." Proceedings of Hypertext '96, ACM, New York, 1006. http://www.cs.unc.edu/--barman/HT96/P43/pictura.htm
[5]
Murray, Janet. Hamlet on the Holodeck, The Future of Narrative in Cyberspace, The Free Press, a Division of Simon and Schuster, New York, 1997.
[6]
Moulthrop, Stuart. Victory Garden, Environment: Storyspace. Eastgate Systems, Watertown, Mass., 1991.
[7]
Jackson, Shelley. Patchwork Girl, Environment: Storyspace. Eastgate Systems, Watertown, Mass., 1995.
[8]
Larsen, Deena. Samplers, Environment: Storyspace. Forthcoming from Eastgate Systems, Watertown, Mass.
[9]
Moulthrop, Stuart. "Welcome to Stuart Moulthrop's Web Site--Enter Where You Will." Available at http://raven.ubalt.edu/staff/moulthrop/.
[10]
Joyce, Michael. Of Two Minds, Hypertext Pedagogy and Poetics, University of Michigan Press, Ann Arbor, 1995. See discussion on "monumental time", "social time", "commodified time." pp. 209-217.
[11]
Joyce, Michael. "Nonce Upon Some Times: Rereading Hypertext Fiction", Modern Fiction Studies, N. Katherine Hayles, ed. Volume 43, Number 3, Purdue Research Foundation, Fall, 1997.
[12]
Joyce, Michael. Afternoon, A Story, Environment: Storyspace. Eastgate Systems, Watertown, Mass., 1990.
[13]
Douglas, Jane Yellowlees. "How Do I Stop This Thing", Hyper/Text/Theory, George Landow, ed., Johns Hopkins University Press, Baltimore. 1994.
[14]
Coverley, M.D. Califia, forthcoming. Eastgate Systems, Watertown, Mass.
[15]
Rosenberg, Jim. The Structure of Hypertext Activity, Hypertext 96 Proceedings, ACM, New York, 1996.
[16]
Rosenberg, Jim. lntergrams, Eastgate Systems. Watertown, Mass., 1995.
[17]
Text of e-mail message from Robert Kendall, April 3, 1998. I am grateful to him for his discussion of these issues and for suggestions about further mechanisms for indicating time.
[18]
Moulthrop, Stuart. Hegiroscope.
[19]
Laurel, Brenda, Kay. Computers as Theater, Addison- Wesley, Reading, Mass 1991.
[20]
The criticism on spatial/temporal forms in literature is large. Murray Krieger, in Ekphrasis, The Illusion of the Natural Sign (Johns Hopkins University Press, Baltimore, 1992) surveys this history. See also, Paul De Man, Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism, "The Rhetoric of Temporality" (University of Minnesota Press, Minneapolis, 1985).
[21]
Conrad, Joseph. Heart of Darkness, St. Martin's Press, Bedford Books, New York, 1989.
[22]
Arijon, Daniel. The Grammar of Film Language. Focal Press, London, 1976.
[23]
Kendall, Robert. A Life Set for Two, Environment: Visual Basic for Windows. Eastgate Systems, Watertown, Mass., 1996.
[24]
Kendall, Robert. "Hypertextual Dynamics in A Life Set for Two. Hypertext 96 Proceedings, ACM, New York, 1996.
[25]
I use the word "versioning" cautiously. Technical ideas, viewed from another perspective, can suggest creative solutions. In arranging the time narratives, I was influenced by Anja Haake and David Hicks' work, "VerSE: Towards Hypertext Versioning Styles" (Hypertext 96 Proceedings, ACM, New York, 1996).
[26]
Sanford, Christy Sheffield. No Pink. Available at http ://gn v. fdt. ne t/n opi n k. h tml
[27]
Bly, Bill. We Descend. Environment: Storyspace. Eastgate Systems, Watertown, Mass., 1997.
[28]
These terms are loosely adapted from Claude Levi- Strauss, especially "The Structural Study of Myth"
[29]
Wortzel, Adrienne. The Electronic Chronicles. Available at http ://artnetwe b. c om/proj ec ts/ah need/first, htm I.
[30]
Guyer, Carolyn. MotherMillennia. Available at http ://m othermi lle n nia. org/.
[31]
Borges, Jorge Luis. "Funes, the Memorious", Ficciones, Grove Press, New York, 1962.

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cover image ACM Conferences
HYPERTEXT '98: Proceedings of the ninth ACM conference on Hypertext and hypermedia : links, objects, time and space---structure in hypermedia systems: links, objects, time and space---structure in hypermedia systems
May 1998
309 pages
ISBN:0897919726
DOI:10.1145/276627
Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than ACM must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected]

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Published: 01 May 1998

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HT98: The Ninth ACM Conference on Hypertext and Hypermedia
June 20 - 24, 1998
Pennsylvania, Pittsburgh, USA

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