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Renaissance panel: the roles of creative synthesis in innovation

Published: 05 April 2008 Publication History

Abstract

The Renaissance ideal can be expressed as a creative synthesis between cultural disciplines, standing in stark contrast to our traditional focus on scientific specialization. This panel presents a number of experts who approach the synthesis of art and science as the modus operandi for their work, using it as a tool for creativity, research, and practice. Understanding these approaches allows us to identify the roles of synthesis in successful innovation and improve the implementation of interdisciplinary synthesis in research and practice.

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References

[1]
Fisher, I. A Real-Life Mystery: The hunt for the Lost Leonardo. The New York Times. (2007).
[2]
Ishii, H., Ullmer, B. Tangible bits: towards seamless interfaces between people, bits and atoms. CHI. (1997).
[3]
Many Eyes: A Site for Visualization at Internet Scale. Viégas, F., Wattenberg, M., Van Ham, F., Kriss, J., McKeon M. Infovis. (2007).

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    cover image ACM Conferences
    CHI EA '08: CHI '08 Extended Abstracts on Human Factors in Computing Systems
    April 2008
    2035 pages
    ISBN:9781605580128
    DOI:10.1145/1358628
    Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than ACM must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected]

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    Publication History

    Published: 05 April 2008

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    Author Tags

    1. art
    2. creative synthesis
    3. creativity
    4. design
    5. hybrid practices
    6. innovation
    7. interdisciplinary
    8. management

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