[go: up one dir, main page]
More Web Proxy on the site http://driver.im/ skip to main content
10.1145/1279740.1279795acmotherconferencesArticle/Chapter ViewAbstractPublication PagesnimeConference Proceedingsconference-collections
Article

The ColorDex DJ system: a new interface for live music mixing

Published: 06 June 2007 Publication History

Abstract

This paper describes the design and implementation of a new interface prototype for live music mixing. The ColorDex system employs a completely new operational metaphor which allows the mix DJ to prepare up to six tracks at once, and perform mixes between up to three of those at a time. The basic premises of the design are: 1) Build a performance tool that multiplies the possible choices a DJ has in respect in how and when tracks are prepared and mixed; 2) Design the system in such a way that the tool does not overload the performer with unnecessary complexity, and 3) Make use of novel technology to make the performance of live music mixing more engaging for both the performer and the audience. The core components of the system are: A software program to load, visualize and playback digitally encoded tracks; the HDDJ device (built chiefly out of a repurposed hard disk drive), which provides tactile manipulation of the playback speed and position of tracks; and the Cubic Crossfader, a wireless sensor cube that controls of the volume of individual tracks, and allows the DJ to mix these in interesting ways.

References

[1]
Andersen, T. H., Mixxx: Towards Novel DJ Interfaces. In Proceedings of the NIME'03. Montreal, Canada. 2003.
[2]
AudioDJStudio for. NET. MultiMediaSoft http://www.audiodjstudio.com
[3]
Brewster, B. and Broughton, F. How to DJ (Properly): The Art and Science of Playing Records. Bantam Press. 2006.
[4]
Buxton, W. There's More to Interaction than Meets the Eye: Some Issues in Manual Input. In Norman, D. A. Draper, S. W. (Eds.), User Center System Design: New Perspectives on Human Computer-Interaction. 1986.
[5]
Beamish, T., Maclean, K., and Fels, F. Manipulating Music: Multimodal Interaction for DJs. In Proceedings of CHI'04. 2004.
[6]
Beamish, T., Maclean, K., van del Doel, K., and Fels, F. D'Groove: A Haptic Turntable for Digital Audio Control. In Proceedings of the 2003 International Conference on Auditory Display, Boston. 2003.
[7]
Instructables: Step-by-step project instructions. http://www.instructables.com
[8]
Lippit, T. M. Realtime Sampling System for the Turntablist Version 2: 16padjoystickcontroller. In Proceedings o NIME'04. Hamamatsu, Japan. 2004.
[9]
Hansen, K. F., Bresin, R. Mapping strategies in DJ scratching. In Proceedings of NIME'06. 2006.
[10]
Van Laerhoven, K,. Villar, N., Schmidt, A., Kortuem, G. and Gellersen. H. Using an Autonomous Cube for Basic Navigation and Input. In Proceedings of ICMI/PUI 2003.

Cited By

View all
  • (2012)DiskPlayProceedings of the SIGCHI Conference on Human Factors in Computing Systems10.1145/2207676.2208317(1829-1832)Online publication date: 5-May-2012
  • (2010)The Skipproof Virtual Turntable for High-Level Control of ScratchingComputer Music Journal10.1162/comj.2010.34.2.3934:2(39-50)Online publication date: Jun-2010
  • (2009)Wearable DJ systemProceedings of the International Conference on Advances in Computer Entertainment Technology10.1145/1690388.1690411(132-139)Online publication date: 29-Oct-2009
  • Show More Cited By

Recommendations

Comments

Please enable JavaScript to view thecomments powered by Disqus.

Information & Contributors

Information

Published In

cover image ACM Other conferences
NIME '07: Proceedings of the 7th international conference on New interfaces for musical expression
June 2007
484 pages
ISBN:9781450378376
DOI:10.1145/1279740
  • Conference Chairs:
  • Carol Parkinson,
  • Eric Singer
Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than ACM must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected]

Sponsors

  • New York University Music Technology Program
  • Harvestworks
  • LEMUR: League of Electronic Musical Urban Robots

Publisher

Association for Computing Machinery

New York, NY, United States

Publication History

Published: 06 June 2007

Permissions

Request permissions for this article.

Check for updates

Author Tags

  1. accelerometer-based cubic control
  2. crossfading
  3. cube-based interfaces
  4. live music-mixing
  5. novel interfaces
  6. repurposing HDDs

Qualifiers

  • Article

Contributors

Other Metrics

Bibliometrics & Citations

Bibliometrics

Article Metrics

  • Downloads (Last 12 months)8
  • Downloads (Last 6 weeks)0
Reflects downloads up to 14 Dec 2024

Other Metrics

Citations

Cited By

View all
  • (2012)DiskPlayProceedings of the SIGCHI Conference on Human Factors in Computing Systems10.1145/2207676.2208317(1829-1832)Online publication date: 5-May-2012
  • (2010)The Skipproof Virtual Turntable for High-Level Control of ScratchingComputer Music Journal10.1162/comj.2010.34.2.3934:2(39-50)Online publication date: Jun-2010
  • (2009)Wearable DJ systemProceedings of the International Conference on Advances in Computer Entertainment Technology10.1145/1690388.1690411(132-139)Online publication date: 29-Oct-2009
  • (2008)Interactive control of music using emotional body expressionsCHI '08 Extended Abstracts on Human Factors in Computing Systems10.1145/1358628.1358817(3117-3122)Online publication date: 5-Apr-2008

View Options

Login options

View options

PDF

View or Download as a PDF file.

PDF

eReader

View online with eReader.

eReader

Media

Figures

Other

Tables

Share

Share

Share this Publication link

Share on social media