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Zstretch: a stretchy fabric music controller

Published: 06 June 2007 Publication History

Abstract

We present Zstretch, a textile music controller that supports expressive haptic interactions. The musical controller takes advantage of the fabric's topological constraints to enable proportional control of musical parameters. This novel interface explores ways in which one might treat music as a sheet of cloth. This paper proposes an approach to engage simple technologies for supporting ordinary hand interactions. We show that this combination of basic technology with general tactile movements can result in an expressive musical interface.

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Cited By

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  • (2024)Co-designing the Collaborative Digital Musical Instruments for Group Music TherapyProceedings of the 2024 CHI Conference on Human Factors in Computing Systems10.1145/3613904.3642649(1-18)Online publication date: 11-May-2024
  • (2023)When Materials Meet Sound: Discovering the Meaning of Deformable Materials in Musical InteractionProceedings of the 2023 ACM Designing Interactive Systems Conference10.1145/3563657.3596010(312-325)Online publication date: 10-Jul-2023
  • (2022)Material Matters: Exploring Materiality in Digital Musical Instruments DesignProceedings of the 2022 ACM Designing Interactive Systems Conference10.1145/3532106.3533523(976-986)Online publication date: 13-Jun-2022
  • Show More Cited By

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Information & Contributors

Information

Published In

cover image ACM Other conferences
NIME '07: Proceedings of the 7th international conference on New interfaces for musical expression
June 2007
484 pages
ISBN:9781450378376
DOI:10.1145/1279740
  • Conference Chairs:
  • Carol Parkinson,
  • Eric Singer
Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than ACM must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected]

Sponsors

  • New York University Music Technology Program
  • Harvestworks
  • LEMUR: League of Electronic Musical Urban Robots

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Association for Computing Machinery

New York, NY, United States

Publication History

Published: 06 June 2007

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Author Tags

  1. musical expressivity
  2. tactile design
  3. tangible interfaces
  4. textiles

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Cited By

View all
  • (2024)Co-designing the Collaborative Digital Musical Instruments for Group Music TherapyProceedings of the 2024 CHI Conference on Human Factors in Computing Systems10.1145/3613904.3642649(1-18)Online publication date: 11-May-2024
  • (2023)When Materials Meet Sound: Discovering the Meaning of Deformable Materials in Musical InteractionProceedings of the 2023 ACM Designing Interactive Systems Conference10.1145/3563657.3596010(312-325)Online publication date: 10-Jul-2023
  • (2022)Material Matters: Exploring Materiality in Digital Musical Instruments DesignProceedings of the 2022 ACM Designing Interactive Systems Conference10.1145/3532106.3533523(976-986)Online publication date: 13-Jun-2022
  • (2022)Design and Evaluation of Passive RFID-Based Music Player Textile PrototypesIEEE Journal of Radio Frequency Identification10.1109/JRFID.2022.31998876(622-628)Online publication date: 2022
  • (2019)Non-Rigid HCIProceedings of the 2019 on Designing Interactive Systems Conference10.1145/3322276.3322347(885-906)Online publication date: 18-Jun-2019
  • (2018)Sew-FlowProceedings of the Twelfth International Conference on Tangible, Embedded, and Embodied Interaction10.1145/3173225.3173289(307-312)Online publication date: 18-Mar-2018
  • (2017)Needle as InputProceedings of the Eleventh International Conference on Tangible, Embedded, and Embodied Interaction10.1145/3024969.3024999(299-308)Online publication date: 20-Mar-2017
  • (2016)What We Have Lost/What We Have GainedProceedings of the 2016 CHI Conference Extended Abstracts on Human Factors in Computing Systems10.1145/2851581.2889460(289-292)Online publication date: 7-May-2016
  • (2016)What We Have Lost / What We Have GainedProceedings of the TEI '16: Tenth International Conference on Tangible, Embedded, and Embodied Interaction10.1145/2839462.2856340(658-662)Online publication date: 14-Feb-2016
  • (2015)Deformable Interfaces for Performing MusicProceedings of the 33rd Annual ACM Conference on Human Factors in Computing Systems10.1145/2702123.2702492(377-386)Online publication date: 18-Apr-2015

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