[go: up one dir, main page]
More Web Proxy on the site http://driver.im/ skip to main content
10.1145/1279740.1279744acmotherconferencesArticle/Chapter ViewAbstractPublication PagesnimeConference Proceedingsconference-collections
Article

Physical models and musical controllers: designing a novel electronic percussion instrument

Published: 06 June 2007 Publication History

Abstract

A novel electronic percussion synthesizer prototype is presented. Our ambition is to design an instrument that will produce a high quality, realistic sound based on a physical modelling sound synthesis algorithm. This is achieved using a real-time Field Programmable Gate Array (FPGA) implementation of the model coupled to an interface that aims to make efficient use of all the subtle nuanced gestures of the instrumentalist. It is based on a complex physical model of the vibrating plate -- the source of sound in the majority of percussion instruments. A Xilinx Virtex II pro FPGA core handles the sound synthesis computations with an 8 billion operations per second performance and has been designed in such a way to allow a high level of control and flexibility. Strategies are also presented to that allow the parametric space of the model to be mapped to the playing gestures of the percussionist.

References

[1]
Rich, R. Buchla Thunder. Electronic Musician, Aug. 1990.
[2]
Rule, G. Keyboard reports: Korg wavedrum. Keyboard, 21(3), Mar. 1995.
[3]
Kapur, A., Essl, G., Davidson, P., and Cook P. R. The Electronic Tabla Controller. Journal of New Music Research, 32(4) pp. 351--360, 2003.
[4]
Kapur A., Davidson, P., Cook, P. R., Driessen, P. F., and Schloss, W. A. Digitizing North Indian Performance. Dep. of Elect. and Comp. Eng and Music, Uni. of Victoria, 2004.
[5]
Rossing, T., Moore, F., and Wheeler, P. The Science of Sound, 3rd ed. Addison-Wesley, San Francisco, CA, 2002.
[6]
Tindale A. R., et al., A Comparison of Sensor Strategies for Capturing Percussive Gestures. In Proc. of Intl Conf. on New Interfaces for Musical Expression (NIME 05), Vancouver, Canada, June 2005.
[7]
Hunt A., Wanderley, M. M., and Kirk, R. Towards a Model for Instrumental Mapping in Expert Musical Interaction. In Proc. of Intl Comp. Music Conf. (ICMC 2000). San Francisco, USA, 2000.
[8]
Wanderley, M. M. Mapping Strategies for Real-time Computer Music. Special Issue. Organised Sound 7(2), Aug. 2002.
[9]
Hunt A., Wanderley, M. M., and Paradis, M. The Importance Parameter Mapping in Electronic Instrument Design. Journal of New Music Research, Vol.32, No. 4, pp. 429--440, 2003.
[10]
Bilbao, S. A Finite Difference Plate Model. In Proc. of Intl Comp. Music Conf. (ICMC 2005). Barcelona, Spain, 2005.
[11]
Bilbao, S. Sound Synthesis for Nonlinear Plates. In Proc. of 8th Int. Conf. on Digital Audio Effects (DAFx'05). Madrid, Spain, Sep. 2005.
[12]
Motuk, E., Woods, R., and Bilbao, S. FPGA-Based Hardware for Physical Modelling Sound Synthesis by Finite Difference Schemes. In Proc. of Int'l Conf. on Field Programmable Technology. Singapore, Dec. 2005.
[13]
Kartadina, S., The Gluion advantages of an FPGA-based sensor interface. In Proc. of Intl Conf. on New Interfaces for Musical Expression (NIME 06), Paris, France, Jun. 2006.
[14]
Freed, A., Avizienis R., and Wright, M. Beyond 0-5V Expanding Sensor Integration Architectures. In Proc. of Intl Conf. on New Interfaces for Musical Expression (NIME 06), Paris, France, Jun. 2006.

Cited By

View all
  • (2020)Understanding Audio Production Practices of People with Vision ImpairmentsProceedings of the 22nd International ACM SIGACCESS Conference on Computers and Accessibility10.1145/3373625.3416993(1-13)Online publication date: 26-Oct-2020
  • (2015)Caress: An Enactive Electro-acoustic Percussive Instrument for Caressing SoundProceedings of the international conference on New Interfaces for Musical Expression10.5555/2993778.2993841(245-250)Online publication date: 30-May-2015
  • (2015)Interactive virtual percussion instruments on mobile devicesProceedings of the 21st ACM Symposium on Virtual Reality Software and Technology10.1145/2821592.2821616(79-83)Online publication date: 13-Nov-2015
  • Show More Cited By
  1. Physical models and musical controllers: designing a novel electronic percussion instrument

    Recommendations

    Comments

    Please enable JavaScript to view thecomments powered by Disqus.

    Information & Contributors

    Information

    Published In

    cover image ACM Other conferences
    NIME '07: Proceedings of the 7th international conference on New interfaces for musical expression
    June 2007
    484 pages
    ISBN:9781450378376
    DOI:10.1145/1279740
    • Conference Chairs:
    • Carol Parkinson,
    • Eric Singer
    Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than ACM must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected]

    Sponsors

    • New York University Music Technology Program
    • Harvestworks
    • LEMUR: League of Electronic Musical Urban Robots

    Publisher

    Association for Computing Machinery

    New York, NY, United States

    Publication History

    Published: 06 June 2007

    Permissions

    Request permissions for this article.

    Check for updates

    Author Tags

    1. FPGA
    2. electronic percussion instrument
    3. physical model

    Qualifiers

    • Article

    Contributors

    Other Metrics

    Bibliometrics & Citations

    Bibliometrics

    Article Metrics

    • Downloads (Last 12 months)7
    • Downloads (Last 6 weeks)2
    Reflects downloads up to 14 Dec 2024

    Other Metrics

    Citations

    Cited By

    View all
    • (2020)Understanding Audio Production Practices of People with Vision ImpairmentsProceedings of the 22nd International ACM SIGACCESS Conference on Computers and Accessibility10.1145/3373625.3416993(1-13)Online publication date: 26-Oct-2020
    • (2015)Caress: An Enactive Electro-acoustic Percussive Instrument for Caressing SoundProceedings of the international conference on New Interfaces for Musical Expression10.5555/2993778.2993841(245-250)Online publication date: 30-May-2015
    • (2015)Interactive virtual percussion instruments on mobile devicesProceedings of the 21st ACM Symposium on Virtual Reality Software and Technology10.1145/2821592.2821616(79-83)Online publication date: 13-Nov-2015
    • (2015)FPGA-based sound synthesis by digital waveguide2015 6th International Conference on Modeling, Simulation, and Applied Optimization (ICMSAO)10.1109/ICMSAO.2015.7152258(1-6)Online publication date: May-2015
    • (2012)Designing virtual instruments with touch-enabled interfaceCHI '12 Extended Abstracts on Human Factors in Computing Systems10.1145/2212776.2212820(433-436)Online publication date: 5-May-2012
    • (2012)Tabletop EnsembleProceedings of the ACM SIGGRAPH Symposium on Interactive 3D Graphics and Games10.1145/2159616.2159618(7-14)Online publication date: 9-Mar-2012
    • (2010)The LapSlapperProceedings of the 5th international conference on Haptic and audio interaction design10.5555/1887984.1888005(160-168)Online publication date: 16-Sep-2010
    • (2010)The LapSlapper - Feel the BeatHaptic and Audio Interaction Design10.1007/978-3-642-15841-4_17(160-168)Online publication date: 2010

    View Options

    Login options

    View options

    PDF

    View or Download as a PDF file.

    PDF

    eReader

    View online with eReader.

    eReader

    Media

    Figures

    Other

    Tables

    Share

    Share

    Share this Publication link

    Share on social media