Cited By
View all- Elipe-Gimeno JPaiva Santana C(2022)Transcoding as a Compositional ParadigmMusicological Annual10.4312/mz.58.2.155-17458:2(155-174)Online publication date: 27-Dec-2022
Audio-visual interfaces in digital art
Pages 331 - 336
Abstract
This paper outlines the evolution, in the history of art and technology, of image-sound interface systems. This can be called the evolution of the "audiovisual discourse" in art and technology. Recent software for audio and visual material manipulation is briefly described and audiovisual digital art works, developed during the COSTART Research Project, are illustrated as examples of contemporary artistic projects concerned with this theme. Different artistic approaches in the use of audiovisual systems are identified on the basis of the historical research and the author's work, as artist and technologist, in collaboration with the artists participating to the project. Finally the role of the computer as audiovisual instrument is discussed.
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- Audio-visual interfaces in digital art
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Published In
September 2004
368 pages
ISBN:1581138822
DOI:10.1145/1067343
Copyright © 2004 ACM.
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Association for Computing Machinery
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Published: 02 September 2004
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ACE04: International Conference on Advances in Computer Entertainment Technology 2004
June 3 - 5, 2005
Singapore
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View all- Elipe-Gimeno JPaiva Santana C(2022)Transcoding as a Compositional ParadigmMusicological Annual10.4312/mz.58.2.155-17458:2(155-174)Online publication date: 27-Dec-2022
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