[go: up one dir, main page]
More Web Proxy on the site http://driver.im/
Skip to main content

Lamuse: Leveraging Artificial Intelligence for Sparking Inspiration

  • Conference paper
  • First Online:
Artificial Intelligence in Music, Sound, Art and Design (EvoMUSART 2022)

Abstract

Lamuse is a joint project between artists and Machine Learning academic scholars. It aims at building pictorial compositions in order to provide sources of inspiration and assist painters in their process of creation. It relies on Artificial Intelligence, mainly based on various artificial neural networks, used for object recognition and style transfer. This article presents how, with minimal effort and without requiring extensive computational power Lamuse can take into account the visual universe of a painter, their artistic references, personal inspiration sources and preferred visual code books to create suggestions of painting subjects the human artist can then use as a source of inspiration for actual creation. Code developed in this project is Open Source and a free-to-use demonstration website is publicly accessible.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Subscribe and save

Springer+ Basic
£29.99 /Month
  • Get 10 units per month
  • Download Article/Chapter or eBook
  • 1 Unit = 1 Article or 1 Chapter
  • Cancel anytime
Subscribe now

Buy Now

Chapter
GBP 19.95
Price includes VAT (United Kingdom)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
GBP 87.50
Price includes VAT (United Kingdom)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
GBP 109.99
Price includes VAT (United Kingdom)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Similar content being viewed by others

Notes

  1. 1.

    Solo show exhibition, “Jours de lune” gallery, Metz, France, 2014. https://www.emmanuellepotier.com/expo-jours-de-lune.

  2. 2.

    We are definitely not making the statement there is such a thing as “good” art or that there are explicit rules that would actually define it. However, we are making the assumption that, when a painter is considering starting a new project, there may be a class of existing inspirational paintings sharing a number of inherent properties (composition, color, texture ...) that confer them a particular subjective interest at that point in time and for that specific artist.

  3. 3.

    https://github.com/matterport/Mask_RCNN.

  4. 4.

    https://www.emmanuellepotier.com.

  5. 5.

    http://raresvictor.com.

  6. 6.

    https://www.noelvaroqui.fr/.

  7. 7.

    https://fr.wikipedia.org/wiki/Olivier_Masmonteil.

  8. 8.

    https://github.com/lamiroy/LaMuse.

  9. 9.

    http://isabel.kim/infiniteartwork/.

References

  1. Papers with code, semantic segmentation. https://paperswithcode.com/task/semantic-segmentation. Accessed Mar 2022

  2. Eco, U.: Lector in Fabula. Grasset, Paris (1979)

    Google Scholar 

  3. Garcia-Garcia, A., Orts-Escolano, S., Oprea, S., Villena-Martinez, V., Rodríguez, J.G.: A review on deep learning techniques applied to semantic segmentation. CoRR abs/1704.06857 (2017). http://arxiv.org/abs/1704.06857

  4. Gatys, L., Ecker, A., Bethge, M.: A neural algorithm of artistic style. J. Vis. 16(12), 326–326 (2016). https://doi.org/10.1167/16.12.326

  5. He, K., Gkioxari, G., Dollár, P., Girshick, R.: Mask R-CNN (2018)

    Google Scholar 

  6. Hu, M.K.: Visual pattern recognition by moment invariants. IRE Trans. Inf. Theor. 8(2), 179–187 (1962). https://doi.org/10.1109/TIT.1962.1057692

    Article  MATH  Google Scholar 

  7. Lamiroy, B.: On the Limits of Machine Perception and Interpretation. Habilitation à diriger des recherches, Université de Lorraine (December 2013). https://tel.archives-ouvertes.fr/tel-00940209

  8. Lee, D., Hwang, H., Jabbar, M.S., Cho, J.D.: Language of gleam: impressionism artwork automatic caption generation for people with visual impairments. In: Osten, W., Nikolaev, D.P., Zhou, J. (eds.) 13th International Conference on Machine Vision, vol. 11605, pp. 304–311. International Society for Optics and Photonics, SPIE (2021). https://doi.org/10.1117/12.2588331

  9. Lin, T.-Y.: Microsoft COCO: common objects in context. In: Fleet, D., Pajdla, T., Schiele, B., Tuytelaars, T. (eds.) ECCV 2014. LNCS, vol. 8693, pp. 740–755. Springer, Cham (2014). https://doi.org/10.1007/978-3-319-10602-1_48

    Chapter  Google Scholar 

  10. Minaee, S., Boykov, Y.Y., Porikli, F., Plaza, A.J., Kehtarnavaz, N., Terzopoulos, D.: Image segmentation using deep learning: a survey. IEEE Trans. Pattern Anal. Mach. Intell. (2021). https://doi.org/10.1109/TPAMI.2021.3059968

  11. Paoli, S., Virilio, P.: Paul Virilio. ARTE France développement, Issy-les-Moulineaux (2008). https://boutique.arte.tv/detail/paulvirilio, certains interviews sont en version originale anglaise sous-titrée en français

  12. Potier, E., Bellído, R.T., Zilio, M.: 365 jours. Atelier génétique, Éditions les Presses littéraires (2017). https://www.lespresseslitteraires.com/potier-emmanuelle/

Download references

Acknowledgment

The authors want to thank all the students who contributed to developing and enhancing the software that made all this possible: M. Fouques, F. Abouda, E. Dargent, J. Levarlet, F. Amathieu, B. Camus, T. Fontenit, A. Guyot and Y. Petit.

Many thanks to the artists who have accepted giving their opinion on Lamuse.

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Bart Lamiroy .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2022 The Author(s), under exclusive license to Springer Nature Switzerland AG

About this paper

Check for updates. Verify currency and authenticity via CrossMark

Cite this paper

Lamiroy, B., Potier, E. (2022). Lamuse: Leveraging Artificial Intelligence for Sparking Inspiration. In: Martins, T., Rodríguez-Fernández, N., Rebelo, S.M. (eds) Artificial Intelligence in Music, Sound, Art and Design. EvoMUSART 2022. Lecture Notes in Computer Science, vol 13221. Springer, Cham. https://doi.org/10.1007/978-3-031-03789-4_10

Download citation

  • DOI: https://doi.org/10.1007/978-3-031-03789-4_10

  • Published:

  • Publisher Name: Springer, Cham

  • Print ISBN: 978-3-031-03788-7

  • Online ISBN: 978-3-031-03789-4

  • eBook Packages: Computer ScienceComputer Science (R0)

Publish with us

Policies and ethics