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2nd MOCO 2015: Vancouver, British Columbia, Canada
- Sarah Fdili Alaoui, Philippe Pasquier, Thecla Schiphorst, Jules Françoise, Frédéric Bevilacqua:
Proceedings of the 2nd International Workshop on Movement and Computing, MOCO 2015, Vancouver, British Columbia, Canada, August 14-15, 2015. ACM 2015, ISBN 978-1-4503-3457-0
Embodiment
- Marco Gillies, Harry Brenton, Andrea Kleinsmith:
Embodied design of full bodied interaction with virtual humans. 1-8 - Julie Akerly:
Embodied flow in experiential media systems: a study of the dancer's lived experience in a responsive audio system. 9-16 - Courtney Brown, Garth Paine:
Interactive Tango Milonga: designing internal experience. 17-20
Computational systems
- Caroline Larboulette, Sylvie Gibet:
A review of computable expressive descriptors of human motion. 21-28 - Jules Françoise
, Agnès Roby-Brami
Movement sequence analysis using hidden Markov models: a case study in Tai Chi performance. 29-36 - Ran Bernstein, Tal Shafir, Rachelle Tsachor, Karen Studd, Assaf Schuster:
Multitask learning for Laban movement analysis. 37-44 - Aurie Y. Hsu, Steven T. Kemper
Kinesonic approaches to mapping movement and music with the remote electroacoustic kinesthetic sensing (RAKS) system. 45-47 - Garth Paine:
Designing the techno-somatic. 48-51
Choreography
- Lian Loke
Performer-machine scores for choreographing bodies, interaction and kinetic materials. 52-59 - Andrew Johnston:
Conceptualising interaction in live performance: reflections on 'encoded'. 60-67 - Kristin Carlson
Sketching movement: designing creativity tools for in-situ, whole-body authorship. 68-75 - Megan Pitcher:
Adaptive/responsive movement approach: dance making as interactive system design. 76-79 - Alexander Berman, Valencia James:
Kinetic dialogues: enhancing creativity in dance. 80-83
Cognition
- Sarah Fdili Alaoui, Kristin Carlson
How do experts observe movement? 84-91 - Matt Lockyer, Lyn Bartram
Extending computational models of abstract motion with movement qualities. 92-99 - Alexandra Kitson, Bernhard E. Riecke
Influence of movement expertise on a virtual point-to-origin task. 100-103
Sensing motion
- Marco Gillies, Harry Brenton, Matthew Yee-King, Andreu Grimalt-Reynes, Mark d'Inverno:
Sketches vs skeletons: video annotation can capture what motion capture cannot. 104-111 - Kirk A. Woolford
Defining accuracy in the use of Kinect v2 for exercise monitoring. 112-119 - Michael Krzyzaniak, Rushil Anirudh, Vinay Venkataraman, Pavan K. Turaga
Towards realtime measurement of connectedness in human movement. 120-123 - Doug Van Nort
[radical] signals from life: from muscle sensing to embodied machine listening/learning within a large-scale performance piece. 124-127 - A. Bill Miller:
Experimenting with noise in markerless motion capture. 128-131
Movement and sound
- Jan C. Schacher:
Music means movement: musings on methods for movement analysis in music. 132-139 - Shannon Cuykendall
Hearing movement: how taiko can inform automatic recognition of expressive movement qualities. 140-147 - Kyungho Lee
An analysis of basic expressive qualities in instrumental conducting. 148-155 - Grégory Beller:
Sound space and spatial sampler. 156-159 - Jonas Fehr, Cumhur Erkut
Indirection between movement and sound in an interactive sound installation. 160-163
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