User reviews

Ever wonder why this supposedly wonderful organization isn't around anymore?

Synanon is purported to have been involved in several criminal activities, such as the disappearance of Rose Lena Cole around late-1972 or early-1973. Cole had received a court order to enroll in Synanon before she disappeared. She has not been seen or heard from since. Initially Synanon did not support violence; however, Dederich later changed the rules to allow for violence in order to maintain control. Much of the violence by Synanon had been carried out by a group within Synanon called the "Imperial Marines." Over 80 violent acts were committed including mass beatings that hospitalized teenagers and ranchers who were beaten in front of their families. People who left the organization were at risk of physical violence for being a "splittee"; one ex-member, Phil Ritter, was beaten so severely that his skull was fractured and he subsequently fell into a coma with a near-fatal case of bacterial meningitis.

During the summer of 1978, the NBC Nightly News produced a news segment on the controversies surrounding Synanon. Following this broadcast, several executives of the NBC network and its corporate chairman allegedly received hundreds of threats from Synanon members and supporters. However, NBC continued with a series of reports on the Synanon situation on the NBC Nightly News. The Point Reyes Light, a small-circulation weekly newspaper in Marin County, would later receive the Pulitzer Prize for Public Service for their covering Synanon at a time when other news agencies avoided reporting. Several weeks after NBC began receiving threats, on October 10, 1978, two Synanon members placed a de-rattled rattlesnake in the mailbox of attorney Paul Morantz of Pacific Palisades, California. Morantz had successfully brought suit on behalf of people who were being held against their will by Synanon. The snake bit him, and he was hospitalized for six days. This incident, along with the press coverage, prompted an investigation by the police and government into Synanon.

Six weeks later, the Los Angeles Police Department performed a search of the ranch in Badger that found a recorded speech by Dederich in which he said, "We're not going to mess with the old-time, turn-the-other-cheek religious postures... Our religious posture is: Don't mess with us. You can get killed dead, literally dead... These are real threats," he snarled. "They are draining life's blood from us, and expecting us to play by their silly rules. We will make the rules. I see nothing frightening about it... I am quite willing to break some lawyer's legs, and next break his wife's legs, and threaten to cut their child's arm off. That is the end of that lawyer. That is a very satisfactory, humane way of transmitting information. I really do want an ear in a glass of alcohol on my desk." During the investigations researchers also came across multiple lawsuits and arrests against Synanon members.

Dederich was arrested while drunk on December 2, 1978. The two other Synanon residents, one of whom was Lance Kenton, the son of the musician Stan Kenton, pleaded "no contest" to charges of assault, and also conspiracy to commit murder. While his associates went to jail, Dederich received probation because his doctors claimed that due to ill health he would most likely die in prison. As a condition of probation, he was disallowed from taking part in managing Synanon.

Synanon struggled to survive without its leader, and also with a severely tarnished reputation. The Internal Revenue Service revoked the organization's tax-exempt status and ordered them to pay $17 million in back taxes, which bankrupted Synanon, which formally dissolved in 1991.

One of the first movies to show drug addicts & their attempts to 'get clean'. Main character 'Joaney' played by the great STELLA STEVENS is an addict that is trying to straighten out her life and get custody of her son. She is attending counseling sessions at the famed SYNANON HOUSE in sunny California. Lots of good acting support from off-key sources like EARTHA KITT. Overall, film is average.

Dramatization of real-life Synanon House, a Santa Monica-based rehabilitation center for hardcore drug addicts (many of them recent parolees). Heroin-user Alex Cord butts heads with former prison adversary Chuck Conners, while Stella Stevens sorts out relations with her ex-husband and struggles to stay off the streets. A bit glamorous in its depiction of life in the gutter, perhaps due to the kicky fashions and the ocean-front locale, though director Richard Quine is quick to underline the narrative with bitterness and regret. Not as moving as it should have been, but still quite potent. Harry Stradling Jr.'s black-and-white cinematography is excellent, as is Neal Hefti's jazzy score. **1/2 from ****

There are now a lot of halfway houses in every large metropolitan center and alcoholics had them before, note I'll Cry Tomorrow. But Synanon based in San Diego was founded by Chuck Dederich a recovering alcoholic played here by Edmond O'Brien and is for folks looking to kick all kinds of addictions.

Which back then heroin was the drug of choice and still is for many. With an eclectic cast the story primarily focuses on three house residents, Stella Stevens who abandoned family and baby for junk, Alex Cord who is essentially a punk who won't take any responsibilities for anything and Chuck Connors who is a parolee and a junkie who just takes it one day at a time.

Connors and Cord have history from the joint and Cord is trying to push a confrontation with Connors. As the rules of Synanon include no fighting Connors is using a lot of willpower to prevent that. And they both have the hots for Stevens.

Cord really takes the acting honors from this film. He's such a loathsome little punk. And Stevens who normally did light material shows some real acting chops here.

Synanon is dated, but still has a powerful message.

A study of drug addicts in an real life treatment center.

This is a good film with an interesting cast. Third billed Alex Cord is actually the main character, the weirdly named Zankie Albo, a slick braggart with an addiction to heroin. Stella Stevens (one of her best performances) is Joaney, a divorcee with a young son who resorted to prostitution to pay for her habit. She gets involved with the charming but dangerous Albo. Top billed Chuck Connors (fresh from The Rifleman) is Ben the ex con who kicked his "H" addiction but has to contend with trouble maker Albo, who was his cell mate in prison and has a beef against him. Oscar winner Edmond O'Brien is Chuck the head of Synanon, he uses tough talk and punishments like having heads shaved and wearing humiliating signs for breaking the rules. Other "dope fiends" are played by Richard Conte, Eartha Kitt and Bernie Hamiliton.

Anyone who is interested in 1960s black and white films about lurid subjects or is a fan of any member of the cast should seek this one out.

"Today is the First Day of the Rest of Your Life." Chuck Dederich, a newborn alcoholic, gathered like-minded drunks and hookers and created his own AA named The Tender Loving Care Club. The crew played the "Game" in which anyone was allowed to say anything, true or not, to someone to cause an effect. A.k.a. Attack therapy. They survived by begging stale food from catering trucks, hookers doing tricks and donations. When Chuck turned to the junkies for a more lucrative operation began his career as a savior. Politicians, actors and sociologists wanted to play the Game too. For fun. And then came Columbia Pictures... This is not a good rehab movie. Not accurate or serious. It is pure speculation. At a time when many therapy tricksters emerged as commercial psycho projects. L. Ron Hubbard was one.

A trifle perhaps, but "Tonight's the Night" by Neal Hefti is a great tune.

Synanon was formed because there was pretty much nowhere an addict could find help back in the fifties. Even Alcoholics Anonymous wouldn't accept them. Heroin addicts were regarded as hopeless cases. In fact, the founder of Synanon came to believe addicts had to remain in a confined supportive community for the rest of their lives in order to avoid relapse. The movie is a remarkably realistic portrayal of what rehab was like for drug addicts back in the day. Countless Therapeutic Communities were patterned after Synanon. Residents who broke the rules underwent a variety of punishments: anything from wearing humiliating signs around their necks to digging "graves" 6 feet deep, 8 feet long and 4 feet wide every morning for a week. Until it was outlawed, sleep deprivation was a common punishment. A resident might be made to stay awake for 72 hours straight. This movie is a fascinating glimpse into the early days rehabilitation.

Stella Stevens character falling for that slime ball Zanki just reeks of old white men misogyny. But typical of Hollyweird where they cannot tell a story without screwing it all up with some half-baked Bull Crap. Zanki was laying around funky for two days and three nights, and I'm supposed to believe that an attractive Stella Stevens would waste her time with this funk bucket. Pppplllleeeaaassseee spare me the old white men bull malarky to the tenth power squared.

And with that bit of information alone was enough to have me stop this movie at 22:18 into it. Nope not going to ruin my day with the SOS different day.

regarding Manson era, S. California and the drug issue.

Suffice to say, this film is an interesting squib on the socio-political era of the late 1960's. While it offers no answers it gives the audience a glimpse into the times.

Look for Jay Sebring (1969 victim of the Manson/Tex Watson murders), as well as Stella Stevens as a junkie in rehabilitation, she looks quite well put together. The actor portraying Zanke Albo, who is involved with Stevens is quite good as a heroin addict.

Eartha Kitt looks lovely, is convincing as a drug addict at the end of the line, living at "Synanon", in Santa Monica California headquarters.

The true story of Synanon itself has a very interesting back-story, apparently the founder Dieterich (well portrayed by an aging Edmond O'Brien) at one point had raised millions. Initially if one researches, the group had helped addicts, but later became a cult without good purpose.

This film is often shown on satellite via Universal or MGM and I rate it a 9 because it is very interesting to those of us interested in 1960's American culture.

Also, I will not call it "counter" culture because research into the political era shows how very divided this country was, and indeed, still is. Similar issues and divisiveness exist, even to this day.

VERY interesting 9/10.

Given the subject matter, you can imagine what a depressing downer this film is. It was pretty racy for its time but the problem never goes away. I would have liked to have seen more of Eartha Kitt. A good dramatic role for Stella Stevens.

Studies of drug use and addiction in these United States show there wasn't really what could be called a "societal problem" until after passage of the Harrison Act of 1913, the law outlawing so many drugs.

Marijuana was outlawed about 25 years later, and all the drug prohibition has faithfully followed the pattern set by alcohol prohibition in the 1920s: crime and misery and violence and bloodshed.

And huge profits for the people willing to break the laws against selling and distributing those products.

Opponents of prohibition believe, with much research and evidence backing their position, that the laws cause more problems than do the drugs.

There is really not much support for the drugs themselves, although there is growing support for the freedom to choose, and even the most ardent opponent of prohibition recognizes that at least some people suffer badly from drug use and especially from drug addiction.

Synanon was founded by a former substance abuser to help addicts kick their habits. This movie is about him and that effort.

It could have been a cheapie exploitation movie, and the original advertising plan did seem to appeal to the sensational. But it had, instead, an intelligent and apparently honest script and some of Hollywood's most talented actors.

I started watching a TCM presentation with trepidation, prepared to switch channels, but found myself fascinated.

Especially by the actors.

Chuck Connors is one of my favorites and I sat in awe of his very low-key performance. Yes, he stayed busy, even having two TV series, but I don't think he got the respect he should have.

Edmond O'Brien is one of the greatest, an actor capable of probably any type of characterization.

Richard Conte is another of my favorites, and again his low-key performance fit his role just perfectly.

Many others also deserve praise, but I've gone on too long. Let me just say I highly recommend "Synanon."