Il comandante di Auschwitz, Rudolf Höss, e sua moglie Hedwig, si sforzano di costruire una vita da sogno per la loro famiglia in una casa e in un giardino vicino al campo.Il comandante di Auschwitz, Rudolf Höss, e sua moglie Hedwig, si sforzano di costruire una vita da sogno per la loro famiglia in una casa e in un giardino vicino al campo.Il comandante di Auschwitz, Rudolf Höss, e sua moglie Hedwig, si sforzano di costruire una vita da sogno per la loro famiglia in una casa e in un giardino vicino al campo.
- Vincitore di 2 Oscar
- 58 vittorie e 163 candidature totali
Slava the Dog
- Dilla
- (as Slava)
Trama
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- QuizHedwig tells her friends she got a coat from "Canada," mocking another woman who thought she meant the country. Kanada was the name given to Auschwitz's vast storehouse of goods confiscated from the prisoners.
- BlooperIn the film, Höss' birthday celebration appears to happen during the summer. Hoss was actually born on November 25. Flowers would not be blooming in November, nor would anyone be swimming outdoors.
- Citazioni
Hedwig Höss: I could have my husband spread your ashes across the fields of Babice.
- Curiosità sui creditiAfter the opening title card fades, the screen stays black for over two minutes
- ConnessioniFeatured in 2024 EE BAFTA Film Awards (2024)
- Colonne sonoreChinesische Straßenserenade
Written by Ludwig Seide
Performed by students from the University of Michigan School of Music, Theatre & Dance
Conducted by Oriol Sans
Arranged by Members of the Auschwitz I Men's Orchestra
Licensed with kind permission of Richard Birnbach GmbH & Co. KG & University of Michigan School of Music, Theatre & Dance
Recensione in evidenza
The medium of 'Cinema' is widely recognized as a means of visual storytelling, where a series of moving images move the narrative forward, with background sound playing a secondary role. However, there are instances where the audio takes control of the sequences and defies conventionality.
Jonathan Glazer's "The Zone of Interest" serves as a prime example of this phenomenon. The director skilfully employs a variety of sounds, such as the constant arrivals of trains, gunshots, and the burning of chimneys, creating an atmosphere that is undeniably terrifying.
Whilst there are a few noteworthy cinematographic elements, including effective use of juxtaposition, it is the background score and sound design that bear the brunt of the storytelling.
For those interested in watching this film in the comfort of their homes, I would personally recommend finding the quietest possible environment, utilizing proper sound systems or headphones (preferably noise-canceling ones), and try to watch the entire thing in one sitting, without interruptions.
Trust me, this approach will significantly enhance your perception of the film.
However, it is important to note that the film heavily relies on visual as well as auditory 'insinuations,' such as suggestive sounds and framings, to convey its message. As a result, individuals who are might be unfamiliar with historical events, particularly those lacking knowledge of "The Holocaust," may struggle to grasp these subtleties.
In essence, it is not a readily accessible feature for all viewers out there. Bear that in mind.
Jonathan Glazer's "The Zone of Interest" serves as a prime example of this phenomenon. The director skilfully employs a variety of sounds, such as the constant arrivals of trains, gunshots, and the burning of chimneys, creating an atmosphere that is undeniably terrifying.
Whilst there are a few noteworthy cinematographic elements, including effective use of juxtaposition, it is the background score and sound design that bear the brunt of the storytelling.
For those interested in watching this film in the comfort of their homes, I would personally recommend finding the quietest possible environment, utilizing proper sound systems or headphones (preferably noise-canceling ones), and try to watch the entire thing in one sitting, without interruptions.
Trust me, this approach will significantly enhance your perception of the film.
However, it is important to note that the film heavily relies on visual as well as auditory 'insinuations,' such as suggestive sounds and framings, to convey its message. As a result, individuals who are might be unfamiliar with historical events, particularly those lacking knowledge of "The Holocaust," may struggle to grasp these subtleties.
In essence, it is not a readily accessible feature for all viewers out there. Bear that in mind.
- SoumikBanerjee1996
- 8 mar 2024
- Permalink
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Zona de interés
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 15.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 8.659.464 USD
- Lordo in tutto il mondo
- 52.798.026 USD
- Tempo di esecuzione1 ora 45 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.78 : 1
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