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Ferdinand Ries wrote his Symphony No. 7 in A minor, Op. 181, during the spring and summer of 1835, 12 years after the composition of his Symphony No. 6 and the Sinfonie WoO 30 (Often referred to as Symphony No. 8). This is the last symphony that Ries wrote. It is Beethovenian in style, and specifically influenced by Beethovens's seventh, sixth ("Pastorale"), and third ("Eroica") symphonies. This symphony is written in four movements and is scored for 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 Horns, 2 Trumpets, 3 Trombones (Alto, Tenor, and Bass), Timpani, and Strings.

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  • Ferdinand Ries wrote his Symphony No. 7 in A minor, Op. 181, during the spring and summer of 1835, 12 years after the composition of his Symphony No. 6 and the Sinfonie WoO 30 (Often referred to as Symphony No. 8). This is the last symphony that Ries wrote. It is Beethovenian in style, and specifically influenced by Beethovens's seventh, sixth ("Pastorale"), and third ("Eroica") symphonies. This symphony is written in four movements and is scored for 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 Horns, 2 Trumpets, 3 Trombones (Alto, Tenor, and Bass), Timpani, and Strings. (en)
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  • Ferdinand Ries wrote his Symphony No. 7 in A minor, Op. 181, during the spring and summer of 1835, 12 years after the composition of his Symphony No. 6 and the Sinfonie WoO 30 (Often referred to as Symphony No. 8). This is the last symphony that Ries wrote. It is Beethovenian in style, and specifically influenced by Beethovens's seventh, sixth ("Pastorale"), and third ("Eroica") symphonies. This symphony is written in four movements and is scored for 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 Horns, 2 Trumpets, 3 Trombones (Alto, Tenor, and Bass), Timpani, and Strings. (en)
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  • Symphony No. 7 (Ries) (en)
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