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- Georges Mager (Tourcoing, 7 de novembre de 1884 - Housatonic, 20 de setembre de 1950) fou un músic francès i trompeta principal amb l'Orquestra Simfònica de Boston des de 1919 fins a la seva mort el 1950. Va ser un reconegut trompetista a París abans de la Primera Guerra Mundial, tocant a l'Òpera de París, els concerts. Lamoureux i els concerts de la Societat del Conservatori. També va tenir una carrera alternativa com a cantant al duo amb la seva dona Claire, una coneguda soprano, i havia esperat a una carrera d'òpera. Després de servir a l'exèrcit francès durant la guerra, va arribar a Amèrica com a solista flugelhorn amb la Banda de la Guardia Republicana i es va dedicar a tocar a la Simfonia de Boston, primer com a violista, ja que no hi havia cap vacant per a trompeta, compartint estand amb . Va assumir la primera posició de trompeta el 1920. Format a França, va ser estudiant de J. Mellet (estudiant de Jean-Baptiste Arban) al Conservatori de París. Va ser defensor de l'ús de la trompeta C com a instrument orquestral i va tenir una gran influència en el seu desenvolupament i acceptació a Amèrica, treballant sobretot amb . També va ser el primer trompetista a Amèrica a interpretar el Concerto de Brandenburg a Bach en la alta tesitura original. Mager estava a la facultat del Conservatori de Nova Anglaterra i va ser professor d'alguns dels trompetistes més influents de mitjan segle xx, inclòs (que es va convertir en trompeta principal de l'Orquestra Simfònica de Chicago), Roger Voisin (que va substituir a Mager com a trompeta principal de l'Orquestra Simfònica de Boston el 1950, (que es va convertir en trompeta principal de l'Orquestra de Cleveland), (que es va convertir en trompeta principal de l'Orquestra Simfònica de Pittsburgh i un respectat professor per si mateix, i (que es va incorporar a la secció de trompeta de l'Orquestra Simfònica de Chicago i més tard es va convertir en un important fabricant de trompetes). També va ser professor del trompetista de jazz . Mager també va fer importants contribucions a la literatura trompeta a través de diverses edicions de solistes francesos, entre ells de Guillaume Balay peça Petit Concertant, , Fete Joyeuse, i Només d'Concert. Es troben a "Nou solos de concert" publicats per Southern Music Co (abans Andraud). (ca)
- Georges C. Mager (1885–1950) was a French musician, and principal trumpet with the Boston Symphony Orchestra from 1919 until his death in 1950. He was a renowned trumpeter in Paris before the First World War, playing at the Paris Opera, Concerts Lamoureux, and the Concerts of the Society of the Conservatory. He also had an alternate career as a singer in the duo with his wife Claire, a well-known soprano, and had hoped for an operatic career. After serving in the French army during the war he came to America as flugelhorn soloist with the Garde Republicaine Band and was engaged to play in the Boston Symphony, first as a violist, since there was no vacancy for trumpet, sharing a stand with Arthur Fiedler. He assumed the first trumpet position in 1920. Trained in France, he was a student of (a student of Jean-Baptiste Arban) at the Paris Conservatory. He was an advocate of use of the C trumpet as an orchestral instrument and had great influence on its development and acceptance in America, working most notably with Vincent Bach. He also was the first trumpeter in America to play Bach's Brandenburg Concerto in the original high tessitura. Mager was on the faculty of the New England Conservatory, and was a teacher to some of the most influential trumpeters of the mid-twentieth century, including Adolph Herseth (who became principal trumpet of the Chicago Symphony Orchestra), Roger Voisin (who replaced Mager as principal trumpet of the Boston Symphony Orchestra in 1950, (who became principal trumpet of the Cleveland Orchestra), (who became principal trumpet of the Pittsburgh Symphony Orchestra and respected teacher in his own right), and Renold Schilke (who joined the trumpet section of the Chicago Symphony Orchestra and later became an important trumpet maker). He was also teacher to jazz trumpeter Leon Merian. Mager also made important contributions to the trumpet literature through several editions of French solo works, including Guillaume Balay's Petite Piece Concertante, Henri Dallier's Fete Joyeuse, and Georges Hue's Solo De Concert. These are found in "Nine Solos de Concert" published by Southern Music Co (formerly Andraud). (en)
- Georges Mager (1885–1950), est un musicien, chanteur, écrivain, altiste et trompettiste français. (fr)
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- Georges Mager (1885–1950), est un musicien, chanteur, écrivain, altiste et trompettiste français. (fr)
- Georges Mager (Tourcoing, 7 de novembre de 1884 - Housatonic, 20 de setembre de 1950) fou un músic francès i trompeta principal amb l'Orquestra Simfònica de Boston des de 1919 fins a la seva mort el 1950. Mager també va fer importants contribucions a la literatura trompeta a través de diverses edicions de solistes francesos, entre ells de Guillaume Balay peça Petit Concertant, , Fete Joyeuse, i Només d'Concert. Es troben a "Nou solos de concert" publicats per Southern Music Co (abans Andraud). (ca)
- Georges C. Mager (1885–1950) was a French musician, and principal trumpet with the Boston Symphony Orchestra from 1919 until his death in 1950. He was a renowned trumpeter in Paris before the First World War, playing at the Paris Opera, Concerts Lamoureux, and the Concerts of the Society of the Conservatory. He also had an alternate career as a singer in the duo with his wife Claire, a well-known soprano, and had hoped for an operatic career. After serving in the French army during the war he came to America as flugelhorn soloist with the Garde Republicaine Band and was engaged to play in the Boston Symphony, first as a violist, since there was no vacancy for trumpet, sharing a stand with Arthur Fiedler. He assumed the first trumpet position in 1920. Trained in France, he was a student of (en)
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