[go: up one dir, main page]
More Web Proxy on the site http://driver.im/
An Entity of Type: artwork, from Named Graph: http://dbpedia.org, within Data Space: dbpedia.org

Christ and the Sheep Shed is a polemical woodcut made in 1524 by the Nuremberg artist Barthel Beham, one of the Little Masters. Created in the early part of the Protestant Reformation, this woodcut illustrates the beliefs of the artist, as well as other reformers, about the manipulation of the Catholic hierarchy. His work was influenced by reformers, such as Martin Luther, as well as other artists like Barthel's older brother, Sebald. This woodcut was created during the height of the peasant revolts and, though they were less severe in Nuremberg than in other parts of Germany, the social implications were greatly felt. Though there is little information on this particular woodcut, it represents much of the political and social aspects of the Reformation, and interpretation provides insight

Property Value
dbo:abstract
  • Christ and the Sheep Shed is a polemical woodcut made in 1524 by the Nuremberg artist Barthel Beham, one of the Little Masters. Created in the early part of the Protestant Reformation, this woodcut illustrates the beliefs of the artist, as well as other reformers, about the manipulation of the Catholic hierarchy. His work was influenced by reformers, such as Martin Luther, as well as other artists like Barthel's older brother, Sebald. This woodcut was created during the height of the peasant revolts and, though they were less severe in Nuremberg than in other parts of Germany, the social implications were greatly felt. Though there is little information on this particular woodcut, it represents much of the political and social aspects of the Reformation, and interpretation provides insight on the artist's perspective of the era. The distribution of woodcuts was one of the most effective modes of propaganda during the Protestant Reformation. Christ and the Sheep Shed depicts the radical sentiment of the period in which it was created, and portrays the wide-ranging effects of the Reformation and religion on all aspects of German culture. The image is unrealistic as an authentic situation. However, it was used as a symbolic interpretation of the Catholic Church’s manipulation over people and their faith. (en)
dbo:wikiPageID
  • 16555520 (xsd:integer)
dbo:wikiPageLength
  • 15286 (xsd:nonNegativeInteger)
dbo:wikiPageRevisionID
  • 1106275371 (xsd:integer)
dbo:wikiPageWikiLink
dbp:wikiPageUsesTemplate
dcterms:subject
gold:hypernym
rdf:type
rdfs:comment
  • Christ and the Sheep Shed is a polemical woodcut made in 1524 by the Nuremberg artist Barthel Beham, one of the Little Masters. Created in the early part of the Protestant Reformation, this woodcut illustrates the beliefs of the artist, as well as other reformers, about the manipulation of the Catholic hierarchy. His work was influenced by reformers, such as Martin Luther, as well as other artists like Barthel's older brother, Sebald. This woodcut was created during the height of the peasant revolts and, though they were less severe in Nuremberg than in other parts of Germany, the social implications were greatly felt. Though there is little information on this particular woodcut, it represents much of the political and social aspects of the Reformation, and interpretation provides insight (en)
rdfs:label
  • Christ and the Sheep Shed (en)
owl:sameAs
prov:wasDerivedFrom
foaf:isPrimaryTopicOf
is dbo:wikiPageRedirects of
is dbo:wikiPageWikiLink of
is foaf:primaryTopic of
Powered by OpenLink Virtuoso    This material is Open Knowledge     W3C Semantic Web Technology     This material is Open Knowledge    Valid XHTML + RDFa
This content was extracted from Wikipedia and is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License